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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37E5A9 it is the complementary color #C81A56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37E5A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #37E5A9: #3CE5A4, #4DF7B7, #5EFFCA, #6FFFDD and #80FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37E5A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #37E5A9: #37E5A9, #26D396, #15C183, #04AF70 and #009D5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 26 / 10

HEX #37E5A9

RGB 55 229 169

HSL 159.31, 0.77%, 0.56%

LAB 81.68, -56.77, 17.14

 

Complementary color

CMYK 0 / 87 / 57 / 22

HEX #C81A56

RGB 200 26 86

HSL 339.31, 0.77%, 0.44%

LAB 43.79, 66.33, 12.59

 

CMYK 74 / 0 / 28 / 10

HEX #3CE5A4

RGB 60 229 164

HSL 156.92, 0.76%, 0.57%

LAB 81.66, -57.26, 19.73

 

CMYK 69 / 0 / 26 / 3

HEX #4DF7B7

RGB 77 247 183

HSL 157.41, 0.91%, 0.64%

LAB 87.74, -57.82, 18.39

 

CMYK 63 / 0 / 21 / 0

HEX #5EFFCA

RGB 94 255 202

HSL 160.25, 1%, 0.68%

LAB 90.85, -54.18, 13.05

 

CMYK 56 / 0 / 13 / 0

HEX #6FFFDD

RGB 111 255 221

HSL 165.83, 1%, 0.72%

LAB 91.74, -46.81, 4.57

 

CMYK 50 / 0 / 6 / 0

HEX #80FFF0

RGB 128 255 240

HSL 172.91, 1%, 0.75%

LAB 92.75, -38.91, -3.72

 

CMYK 76 / 0 / 26 / 10

HEX #37E5A9

RGB 55 229 169

HSL 159.31, 0.77%, 0.56%

LAB 81.68, -56.77, 17.14

 

CMYK 82 / 0 / 29 / 17

HEX #26D396

RGB 38 211 150

HSL 158.84, 0.69%, 0.49%

LAB 75.58, -55.82, 18.59

 

CMYK 89 / 0 / 32 / 24

HEX #15C183

RGB 21 193 131

HSL 158.37, 0.8%, 0.42%

LAB 69.43, -54.5, 20.19

 

CMYK 98 / 0 / 36 / 31

HEX #04AF70

RGB 4 175 112

HSL 157.89, 0.96%, 0.35%

LAB 63.22, -52.74, 21.94

 

CMYK 100 / 0 / 41 / 38

HEX #009D5D

RGB 0 157 93

HSL 155.54, 1%, 0.31%

LAB 56.98, -50.31, 23.88

 

CMYK 76 / 0 / 26 / 10

HEX #37E5A9

RGB 55 229 169

HSL 159.31, 0.77%, 0.56%

LAB 81.68, -56.77, 17.14

 

CMYK 76 / 0 / 14 / 10

HEX #38E5C5

RGB 56 229 197

HSL 168.9, 0.77%, 0.56%

LAB 82.33, -50, 3.33

 

CMYK 76 / 0 / 1 / 10

HEX #38E5E2

RGB 56 229 226

HSL 178.96, 0.77%, 0.56%

LAB 83.11, -42.24, -10.86

 

CMYK 76 / 11 / 0 / 10

HEX #38CBE5

RGB 56 203 229

HSL 189.02, 0.77%, 0.56%

LAB 75.58, -29.24, -23.82

 

CMYK 76 / 24 / 0 / 10

HEX #38AEE5

RGB 56 174 229

HSL 199.08, 0.77%, 0.56%

LAB 67.1, -14.37, -36.88

 

CMYK 76 / 0 / 26 / 10

HEX #37E5A9

RGB 55 229 169

HSL 159.31, 0.77%, 0.56%

LAB 81.68, -56.77, 17.14

 

CMYK 76 / 0 / 28 / 90

HEX #061912

RGB 6 25 18

HSL 157.89, 0.61%, 0.06%

LAB 7.02, -8.49, 2.18

 

CMYK 76 / 0 / 26 / 70

HEX #124C38

RGB 18 76 56

HSL 159.31, 0.62%, 0.18%

LAB 28.34, -24, 6.62

 

CMYK 76 / 0 / 26 / 50

HEX #1F7F5E

RGB 31 127 94

HSL 159.38, 0.61%, 0.31%

LAB 47.34, -35.6, 10.23

 

CMYK 76 / 0 / 26 / 30

HEX #2BB283

RGB 43 178 131

HSL 159.11, 0.61%, 0.43%

LAB 64.96, -46.62, 14.04

 

CMYK 76 / 0 / 26 / 10

HEX #37E5A9

RGB 55 229 169

HSL 159.31, 0.77%, 0.56%

LAB 81.68, -56.77, 17.14

 

CMYK 76 / 64 / 0 / 10

HEX #3852E5

RGB 56 82 229

HSL 230.98, 0.77%, 0.56%

LAB 42.05, 41.06, -76.98

 

CMYK 0 / 57 / 76 / 10

HEX #E56338

RGB 229 99 56

HSL 14.91, 0.77%, 0.56%

LAB 57.91, 48.1, 48.24

 

CMYK 76 / 0 / 26 / 10

HEX #37E5A9

RGB 55 229 169

HSL 159.31, 0.77%, 0.56%

LAB 81.68, -56.77, 17.14

 

CMYK 27 / 76 / 0 / 10

HEX #A838E5

RGB 168 56 229

HSL 278.84, 0.77%, 0.56%

LAB 48.02, 70.82, -66.8

 

CMYK 0 / 27 / 76 / 10

HEX #E5A838

RGB 229 168 56

HSL 38.84, 0.77%, 0.56%

LAB 72.86, 12.46, 63.15

 

CMYK 76 / 0 / 26 / 10

HEX #37E5A9

RGB 55 229 169

HSL 159.31, 0.77%, 0.56%

LAB 81.68, -56.77, 17.14

 

CMYK 76 / 64 / 0 / 10

HEX #3852E5

RGB 56 82 229

HSL 230.98, 0.77%, 0.56%

LAB 42.05, 41.06, -76.98

 

CMYK 0 / 76 / 49 / 10

HEX #E53874

RGB 229 56 116

HSL 339.19, 0.77%, 0.56%

LAB 52.67, 68.69, 7.46

 

CMYK 0 / 11 / 76 / 10

HEX #E5CB38

RGB 229 203 56

HSL 50.98, 0.77%, 0.56%

LAB 81.65, -5.82, 71.45

 

CMYK 76 / 0 / 26 / 10

HEX #37E5A9

RGB 55 229 169

HSL 159.31, 0.77%, 0.56%

LAB 81.68, -56.77, 17.14

 

CMYK 64 / 76 / 0 / 10

HEX #5238E5

RGB 82 56 229

HSL 249.02, 0.77%, 0.56%

LAB 38.34, 58.32, -83.03

 

CMYK 0 / 76 / 49 / 10

HEX #E53874

RGB 229 56 116

HSL 339.19, 0.77%, 0.56%

LAB 52.67, 68.69, 7.46

 

CMYK 11 / 0 / 76 / 10

HEX #CBE538

RGB 203 229 56

HSL 69.02, 0.77%, 0.56%

LAB 86.51, -29.39, 75.2

 

Description

Color code: HEX #37E5A9 | qconv.com Color code: HEX #37E5A9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 229 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 229 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 26 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 26% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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