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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #37CB39 it is the complementary color #C834C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #37CB39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #37CB39 shade: #3CCB34, #4DDD47, #5EEF5A, #6FFF6D and #80FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #37CB39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #37CB39 shade: #37CB39, #26B926, #15A713, #049500 and #008300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #37CB39 shade: #38CC3A, #5ECC38, #86CC38, #AECC38 and #CCC238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #37CB39 shade: #38CC3A, #38CC62, #38CC8A, #38CCB2 and #38BECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #37CB39 shade matches the following richer shades: #38CC3A, #24E027 and #10F413

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #37CB39 shade: #38CC3A, #4DB84E, #61A362, #758F75 and #897B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #37CB39 shade: #87CC38, #60CC38, #38CC38, #38CC60 and #38CC87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #37CB39 shade: #248D26, #2DAE2F, #38CC3A, #59D45B and #7ADD7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #37CB39 shade: #37CB39, #38AECC and #CC3873

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #37CB39 shade: #37CB39, #3838CC and #CC3838

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #37CB39 shade: #37CB39, #38AECC, #CC38CC and #CC5638

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #37CB39 shade: #37CB39, #3882CC, #CC38CC and #CC8238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 72 / 20

HEX #37CB39

RGB 55 203 57

HSL 120.81, 0.59%, 0.51%

LAB 72.11, -65.2, 58.53

 

Complementary color

CMYK 0 / 74 / 1 / 22

HEX #C834C6

RGB 200 52 198

HSL 300.81, 0.59%, 0.49%

LAB 50.47, 72.7, -44.88

 

CMYK 70 / 0 / 74 / 20

HEX #3CCB34

RGB 60 203 52

HSL 116.82, 0.59%, 0.5%

LAB 72.18, -64.74, 60.4

 

CMYK 65 / 0 / 68 / 13

HEX #4DDD47

RGB 77 221 71

HSL 117.6, 0.69%, 0.57%

LAB 78.31, -65.88, 59.89

 

CMYK 61 / 0 / 62 / 6

HEX #5EEF5A

RGB 94 239 90

HSL 118.39, 0.82%, 0.65%

LAB 84.41, -66.63, 59

 

CMYK 56 / 0 / 57 / 0

HEX #6FFF6D

RGB 111 255 109

HSL 119.18, 1%, 0.71%

LAB 89.86, -66.38, 57.24

 

CMYK 50 / 0 / 50 / 0

HEX #80FF80

RGB 128 255 128

HSL 120, 1%, 0.75%

LAB 90.63, -59.89, 49.7

 

CMYK 73 / 0 / 72 / 20

HEX #37CB39

RGB 55 203 57

HSL 120.81, 0.59%, 0.51%

LAB 72.11, -65.2, 58.53

 

CMYK 79 / 0 / 79 / 27

HEX #26B926

RGB 38 185 38

HSL 120, 0.66%, 0.44%

LAB 65.94, -63.45, 58.71

 

CMYK 87 / 0 / 89 / 35

HEX #15A713

RGB 21 167 19

HSL 119.19, 0.8%, 0.36%

LAB 59.75, -60.9, 57.85

 

CMYK 97 / 0 / 100 / 42

HEX #049500

RGB 4 149 0

HSL 118.39, 1%, 0.29%

LAB 53.51, -57.47, 55.75

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 73 / 0 / 72 / 20

HEX #38CC3A

RGB 56 204 58

HSL 120.81, 0.59%, 0.51%

LAB 72.45, -65.27, 58.52

 

CMYK 54 / 0 / 73 / 20

HEX #5ECC38

RGB 94 204 56

HSL 104.59, 0.59%, 0.51%

LAB 73.45, -57.18, 60.59

 

CMYK 34 / 0 / 73 / 20

HEX #86CC38

RGB 134 204 56

HSL 88.38, 0.59%, 0.51%

LAB 75.16, -44.61, 62.87

 

CMYK 15 / 0 / 73 / 20

HEX #AECC38

RGB 174 204 56

HSL 72.16, 0.59%, 0.51%

LAB 77.56, -29.33, 66.03

 

CMYK 0 / 5 / 73 / 20

HEX #CCC238

RGB 204 194 56

HSL 55.95, 0.59%, 0.51%

LAB 77.1, -11.88, 66.39

 

CMYK 73 / 0 / 72 / 20

HEX #38CC3A

RGB 56 204 58

HSL 120.81, 0.59%, 0.51%

LAB 72.45, -65.27, 58.52

 

CMYK 73 / 0 / 52 / 20

HEX #38CC62

RGB 56 204 98

HSL 137.03, 0.59%, 0.51%

LAB 72.83, -60.72, 41.63

 

CMYK 73 / 0 / 32 / 20

HEX #38CC8A

RGB 56 204 138

HSL 153.24, 0.59%, 0.51%

LAB 73.46, -53.64, 22.05

 

CMYK 73 / 0 / 13 / 20

HEX #38CCB2

RGB 56 204 178

HSL 169.46, 0.59%, 0.51%

LAB 74.34, -44.28, 1.89

 

CMYK 73 / 7 / 0 / 20

HEX #38BECC

RGB 56 190 204

HSL 185.68, 0.59%, 0.51%

LAB 70.89, -30.56, -17.38

 

CMYK 73 / 0 / 72 / 20

HEX #38CC3A

RGB 56 204 58

HSL 120.81, 0.59%, 0.51%

LAB 72.45, -65.27, 58.52

 

CMYK 84 / 0 / 83 / 12

HEX #24E027

RGB 36 224 39

HSL 120.96, 0.75%, 0.51%

LAB 78.36, -75.04, 69.98

 

CMYK 93 / 0 / 92 / 4

HEX #10F413

RGB 16 244 19

HSL 120.79, 0.91%, 0.51%

LAB 84.41, -82.52, 78.82

 

CMYK 73 / 0 / 72 / 20

HEX #38CC3A

RGB 56 204 58

HSL 120.81, 0.59%, 0.51%

LAB 72.45, -65.27, 58.52

 

CMYK 58 / 0 / 58 / 28

HEX #4DB84E

RGB 77 184 78

HSL 120.56, 0.43%, 0.51%

LAB 66.83, -52.02, 44.08

 

CMYK 40 / 0 / 40 / 36

HEX #61A362

RGB 97 163 98

HSL 120.91, 0.26%, 0.51%

LAB 61.32, -34.75, 27.32

 

CMYK 18 / 0 / 18 / 44

HEX #758F75

RGB 117 143 117

HSL 120, 0.1%, 0.51%

LAB 56.79, -14.55, 10.83

 

CMYK 0 / 10 / 0 / 46

HEX #897B89

RGB 137 123 137

HSL 300, 0.06%, 0.51%

LAB 53.27, 8.04, -5.64

 

CMYK 34 / 0 / 73 / 20

HEX #87CC38

RGB 135 204 56

HSL 87.97, 0.59%, 0.51%

LAB 75.22, -44.26, 62.94

 

CMYK 53 / 0 / 73 / 20

HEX #60CC38

RGB 96 204 56

HSL 103.78, 0.59%, 0.51%

LAB 73.52, -56.64, 60.68

 

CMYK 73 / 0 / 73 / 20

HEX #38CC38

RGB 56 204 56

HSL 120, 0.59%, 0.51%

LAB 72.44, -65.44, 59.24

 

CMYK 73 / 0 / 53 / 20

HEX #38CC60

RGB 56 204 96

HSL 136.22, 0.59%, 0.51%

LAB 72.81, -61, 42.56

 

CMYK 73 / 0 / 34 / 20

HEX #38CC87

RGB 56 204 135

HSL 152.03, 0.59%, 0.51%

LAB 73.4, -54.26, 23.56

 

CMYK 74 / 0 / 73 / 45

HEX #248D26

RGB 36 141 38

HSL 121.14, 0.59%, 0.35%

LAB 51.34, -49.58, 44.24

 

CMYK 74 / 0 / 73 / 32

HEX #2DAE2F

RGB 45 174 47

HSL 120.93, 0.59%, 0.43%

LAB 62.54, -58.3, 52.35

 

CMYK 73 / 0 / 72 / 20

HEX #38CC3A

RGB 56 204 58

HSL 120.81, 0.59%, 0.51%

LAB 72.45, -65.27, 58.52

 

CMYK 58 / 0 / 57 / 17

HEX #59D45B

RGB 89 212 91

HSL 120.98, 0.59%, 0.59%

LAB 76.05, -58.03, 48.97

 

CMYK 45 / 0 / 44 / 13

HEX #7ADD7B

RGB 122 221 123

HSL 120.61, 0.59%, 0.67%

LAB 80.34, -48.66, 39.19

 

CMYK 73 / 0 / 72 / 20

HEX #37CB39

RGB 55 203 57

HSL 120.81, 0.59%, 0.51%

LAB 72.11, -65.2, 58.53

 

CMYK 73 / 15 / 0 / 20

HEX #38AECC

RGB 56 174 204

HSL 192.16, 0.59%, 0.51%

LAB 66.11, -22.58, -24.65

 

CMYK 0 / 73 / 44 / 20

HEX #CC3873

RGB 204 56 115

HSL 336.08, 0.59%, 0.51%

LAB 48.14, 61.73, 0.96

 

CMYK 73 / 0 / 72 / 20

HEX #37CB39

RGB 55 203 57

HSL 120.81, 0.59%, 0.51%

LAB 72.11, -65.2, 58.53

 

CMYK 73 / 73 / 0 / 20

HEX #3838CC

RGB 56 56 204

HSL 240, 0.59%, 0.51%

LAB 34.04, 48.01, -75.79

 

CMYK 0 / 73 / 73 / 20

HEX #CC3838

RGB 204 56 56

HSL 0, 0.59%, 0.51%

LAB 46.91, 57.64, 35.01

 

CMYK 73 / 0 / 72 / 20

HEX #37CB39

RGB 55 203 57

HSL 120.81, 0.59%, 0.51%

LAB 72.11, -65.2, 58.53

 

CMYK 73 / 15 / 0 / 20

HEX #38AECC

RGB 56 174 204

HSL 192.16, 0.59%, 0.51%

LAB 66.11, -22.58, -24.65

 

CMYK 0 / 73 / 0 / 20

HEX #CC38CC

RGB 204 56 204

HSL 300, 0.59%, 0.51%

LAB 51.87, 73.26, -46.07

 

CMYK 0 / 58 / 73 / 20

HEX #CC5638

RGB 204 86 56

HSL 12.16, 0.59%, 0.51%

LAB 51.59, 45.07, 40.28

 

CMYK 73 / 0 / 72 / 20

HEX #37CB39

RGB 55 203 57

HSL 120.81, 0.59%, 0.51%

LAB 72.11, -65.2, 58.53

 

CMYK 73 / 36 / 0 / 20

HEX #3882CC

RGB 56 130 204

HSL 210, 0.59%, 0.51%

LAB 53.13, 1.94, -44.9

 

CMYK 0 / 73 / 0 / 20

HEX #CC38CC

RGB 204 56 204

HSL 300, 0.59%, 0.51%

LAB 51.87, 73.26, -46.07

 

CMYK 0 / 36 / 73 / 20

HEX #CC8238

RGB 204 130 56

HSL 30, 0.59%, 0.51%

LAB 60.86, 22.24, 50.22

 

Description

Color code: HEX #37CB39 | qconv.com Color code: HEX #37CB39 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 203 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 203 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 72 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 72% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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