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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EEF5A it is the complementary color #A110A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EEF5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EEF5A shade: #63EF55, #74FF68, #85FF7B, #96FF8E and #A7FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EEF5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EEF5A shade: #5EEF5A, #4DDD47, #3CCB34, #2BB921 and #1AA70E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EEF5A shade: #60EF5D, #88EF5D, #AFEF5D, #D7EF5D and #EFDF5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EEF5A shade: #60EF5D, #5DEF80, #5DEFA8, #5DEFCF and #5DE7EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EEF5A shade matches the following richer shades: #60EF5D and #53FD4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EEF5A shade: #60EF5D, #6EE06B, #7CD279, #89C488 and #97B596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EEF5A shade: #B0EF5D, #88EF5D, #61EF5D, #5DEF7F and #5DEFA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EEF5A shade: #1CE316, #3CEB37, #60EF5D, #85F382 and #AAF6A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EEF5A shade: #5EEF5A, #5DD7EF and #EF5D9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EEF5A shade: #5EEF5A, #5D61EF and #EF5D61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EEF5A shade: #5EEF5A, #5DD7EF, #EA5DEF and #EF755D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EEF5A shade: #5EEF5A, #5DABEF, #EA5DEF and #EFA15D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 62 / 6

HEX #5EEF5A

RGB 94 239 90

HSL 118.39, 0.82%, 0.65%

LAB 84.41, -66.63, 59

 

Complementary color

CMYK 2 / 90 / 0 / 35

HEX #A110A5

RGB 161 16 165

HSL 298.39, 0.82%, 0.35%

LAB 39.01, 68.37, -44.11

 

CMYK 59 / 0 / 64 / 6

HEX #63EF55

RGB 99 239 85

HSL 114.55, 0.83%, 0.64%

LAB 84.51, -66, 61.2

 

CMYK 55 / 0 / 59 / 0

HEX #74FF68

RGB 116 255 104

HSL 115.23, 1%, 0.7%

LAB 89.97, -65.73, 59.56

 

CMYK 48 / 0 / 52 / 0

HEX #85FF7B

RGB 133 255 123

HSL 115.45, 1%, 0.74%

LAB 90.75, -59.19, 52.2

 

CMYK 41 / 0 / 44 / 0

HEX #96FF8E

RGB 150 255 142

HSL 115.75, 1%, 0.78%

LAB 91.67, -51.96, 44.55

 

CMYK 35 / 0 / 37 / 0

HEX #A7FFA1

RGB 167 255 161

HSL 116.17, 1%, 0.82%

LAB 92.71, -44.17, 36.78

 

CMYK 61 / 0 / 62 / 6

HEX #5EEF5A

RGB 94 239 90

HSL 118.39, 0.82%, 0.65%

LAB 84.41, -66.63, 59

 

CMYK 65 / 0 / 68 / 13

HEX #4DDD47

RGB 77 221 71

HSL 117.6, 0.69%, 0.57%

LAB 78.31, -65.88, 59.89

 

CMYK 70 / 0 / 74 / 20

HEX #3CCB34

RGB 60 203 52

HSL 116.82, 0.59%, 0.5%

LAB 72.18, -64.74, 60.4

 

CMYK 77 / 0 / 82 / 27

HEX #2BB921

RGB 43 185 33

HSL 116.05, 0.7%, 0.43%

LAB 66, -63.05, 60.22

 

CMYK 84 / 0 / 92 / 35

HEX #1AA70E

RGB 26 167 14

HSL 115.29, 0.85%, 0.35%

LAB 59.79, -60.59, 58.84

 

CMYK 60 / 0 / 61 / 6

HEX #60EF5D

RGB 96 239 93

HSL 118.77, 0.82%, 0.65%

LAB 84.49, -65.88, 57.85

 

CMYK 43 / 0 / 61 / 6

HEX #88EF5D

RGB 136 239 93

HSL 102.33, 0.82%, 0.65%

LAB 85.89, -55.34, 59.8

 

CMYK 27 / 0 / 61 / 6

HEX #AFEF5D

RGB 175 239 93

HSL 86.3, 0.82%, 0.65%

LAB 87.79, -42.36, 62.45

 

CMYK 10 / 0 / 61 / 6

HEX #D7EF5D

RGB 215 239 93

HSL 69.86, 0.82%, 0.65%

LAB 90.31, -27.25, 65.92

 

CMYK 0 / 7 / 61 / 6

HEX #EFDF5D

RGB 239 223 93

HSL 53.42, 0.82%, 0.65%

LAB 87.93, -9.81, 63.88

 

CMYK 60 / 0 / 61 / 6

HEX #60EF5D

RGB 96 239 93

HSL 118.77, 0.82%, 0.65%

LAB 84.49, -65.88, 57.85

 

CMYK 61 / 0 / 46 / 6

HEX #5DEF80

RGB 93 239 128

HSL 134.38, 0.82%, 0.65%

LAB 84.8, -62.07, 42.2

 

CMYK 61 / 0 / 30 / 6

HEX #5DEFA8

RGB 93 239 168

HSL 150.82, 0.82%, 0.65%

LAB 85.45, -55.08, 22.99

 

CMYK 61 / 0 / 13 / 6

HEX #5DEFCF

RGB 93 239 207

HSL 166.85, 0.82%, 0.65%

LAB 86.29, -46.51, 3.9

 

CMYK 61 / 3 / 0 / 6

HEX #5DE7EF

RGB 93 231 239

HSL 183.29, 0.82%, 0.65%

LAB 84.85, -34.68, -15.05

 

CMYK 60 / 0 / 61 / 6

HEX #60EF5D

RGB 96 239 93

HSL 118.77, 0.82%, 0.65%

LAB 84.49, -65.88, 57.85

 

CMYK 67 / 0 / 69 / 1

HEX #53FD4E

RGB 83 253 78

HSL 118.29, 0.98%, 0.65%

LAB 88.28, -74.56, 67.79

 

CMYK 60 / 0 / 61 / 6

HEX #60EF5D

RGB 96 239 93

HSL 118.77, 0.82%, 0.65%

LAB 84.49, -65.88, 57.85

 

CMYK 51 / 0 / 52 / 12

HEX #6EE06B

RGB 110 224 107

HSL 118.46, 0.65%, 0.65%

LAB 80.56, -55.34, 47.1

 

CMYK 41 / 0 / 42 / 18

HEX #7CD279

RGB 124 210 121

HSL 117.98, 0.5%, 0.65%

LAB 77.14, -43.72, 36.11

 

CMYK 30 / 0 / 31 / 23

HEX #89C488

RGB 137 196 136

HSL 119, 0.34%, 0.65%

LAB 73.92, -30.91, 24.22

 

CMYK 17 / 0 / 17 / 29

HEX #97B596

RGB 151 181 150

HSL 118.06, 0.17%, 0.65%

LAB 70.75, -16.27, 12.45

 

CMYK 26 / 0 / 61 / 6

HEX #B0EF5D

RGB 176 239 93

HSL 85.89, 0.82%, 0.65%

LAB 87.85, -42, 62.53

 

CMYK 43 / 0 / 61 / 6

HEX #88EF5D

RGB 136 239 93

HSL 102.33, 0.82%, 0.65%

LAB 85.89, -55.34, 59.8

 

CMYK 59 / 0 / 61 / 6

HEX #61EF5D

RGB 97 239 93

HSL 118.36, 0.82%, 0.65%

LAB 84.52, -65.66, 57.89

 

CMYK 61 / 0 / 47 / 6

HEX #5DEF7F

RGB 93 239 127

HSL 133.97, 0.82%, 0.65%

LAB 84.79, -62.22, 42.67

 

CMYK 61 / 0 / 31 / 6

HEX #5DEFA6

RGB 93 239 166

HSL 150, 0.82%, 0.65%

LAB 85.41, -55.48, 23.97

 

CMYK 88 / 0 / 90 / 11

HEX #1CE316

RGB 28 227 22

HSL 118.24, 0.82%, 0.49%

LAB 79.18, -77.2, 74.05

 

CMYK 74 / 0 / 77 / 8

HEX #3CEB37

RGB 60 235 55

HSL 118.33, 0.82%, 0.57%

LAB 82.19, -74.46, 69.27

 

CMYK 60 / 0 / 61 / 6

HEX #60EF5D

RGB 96 239 93

HSL 118.77, 0.82%, 0.65%

LAB 84.49, -65.88, 57.85

 

CMYK 45 / 0 / 47 / 5

HEX #85F382

RGB 133 243 130

HSL 118.41, 0.82%, 0.73%

LAB 87.34, -53.57, 44.71

 

CMYK 31 / 0 / 32 / 4

HEX #AAF6A8

RGB 170 246 168

HSL 118.46, 0.81%, 0.81%

LAB 90.45, -38.19, 30.29

 

CMYK 61 / 0 / 62 / 6

HEX #5EEF5A

RGB 94 239 90

HSL 118.39, 0.82%, 0.65%

LAB 84.41, -66.63, 59

 

CMYK 61 / 10 / 0 / 6

HEX #5DD7EF

RGB 93 215 239

HSL 189.86, 0.82%, 0.65%

LAB 80.27, -27.01, -21.96

 

CMYK 0 / 61 / 35 / 6

HEX #EF5D9C

RGB 239 93 156

HSL 334.11, 0.82%, 0.65%

LAB 60.41, 61.82, -4.7

 

CMYK 61 / 0 / 62 / 6

HEX #5EEF5A

RGB 94 239 90

HSL 118.39, 0.82%, 0.65%

LAB 84.41, -66.63, 59

 

CMYK 61 / 59 / 0 / 6

HEX #5D61EF

RGB 93 97 239

HSL 238.36, 0.82%, 0.65%

LAB 48.4, 40.07, -72.17

 

CMYK 0 / 61 / 59 / 6

HEX #EF5D61

RGB 239 93 97

HSL 358.36, 0.82%, 0.65%

LAB 59.01, 56.5, 27.59

 

CMYK 61 / 0 / 62 / 6

HEX #5EEF5A

RGB 94 239 90

HSL 118.39, 0.82%, 0.65%

LAB 84.41, -66.63, 59

 

CMYK 61 / 10 / 0 / 6

HEX #5DD7EF

RGB 93 215 239

HSL 189.86, 0.82%, 0.65%

LAB 80.27, -27.01, -21.96

 

CMYK 2 / 61 / 0 / 6

HEX #EA5DEF

RGB 234 93 239

HSL 297.95, 0.82%, 0.65%

LAB 62.97, 72.25, -47.95

 

CMYK 0 / 51 / 61 / 6

HEX #EF755D

RGB 239 117 93

HSL 9.86, 0.82%, 0.65%

LAB 63.23, 45.09, 35.2

 

CMYK 61 / 0 / 62 / 6

HEX #5EEF5A

RGB 94 239 90

HSL 118.39, 0.82%, 0.65%

LAB 84.41, -66.63, 59

 

CMYK 61 / 28 / 0 / 6

HEX #5DABEF

RGB 93 171 239

HSL 207.95, 0.82%, 0.65%

LAB 67.79, -3.95, -41.2

 

CMYK 2 / 61 / 0 / 6

HEX #EA5DEF

RGB 234 93 239

HSL 297.95, 0.82%, 0.65%

LAB 62.97, 72.25, -47.95

 

CMYK 0 / 33 / 61 / 6

HEX #EFA15D

RGB 239 161 93

HSL 27.95, 0.82%, 0.65%

LAB 72.65, 22.38, 46.61

 

Description

Color code: HEX #5EEF5A | qconv.com Color code: HEX #5EEF5A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 239 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 239 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 62 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 62% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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