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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #378FA6 it is the complementary color #C87059. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #378FA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #378FA6 shade: #3C8FA1, #4DA1B4, #5EB3C7, #6FC5DA and #80D7ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #378FA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #378FA6 shade: #378FA6, #267D93, #156B80, #04596D and #00475A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #378FA6 shade: #378EA4, #3770A4, #3753A4, #3937A4 and #5637A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #378FA6 shade: #378EA4, #3770A4, #3753A4 and #3737A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #378FA6 shade matches the following richer shades: #378EA4, #2598B6, #13A3C8 and #02ADDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #378FA6 shade: #378EA4, #498393, #5A7981, #6C6F6F and #7E645E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #378FA6 shade: #37A480, #37A49D, #378FA4, #3771A4 and #3754A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #378FA6 shade: #225867, #2D7386, #378EA4, #44A7C1 and #63B5CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #378FA6 shade: #378FA6, #6337A4 and #A48F37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #378FA6 shade: #378FA6, #A4378F and #8FA437

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #378FA6 shade: #378FA6, #6337A4, #A44D37 and #79A437

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #378FA6 shade: #378FA6, #8437A4, #A44D37 and #58A437

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 14 / 0 / 35

HEX #378FA6

RGB 55 143 166

HSL 192.43, 0.5%, 0.43%

LAB 55.29, -18.66, -19.84

 

Complementary color

CMYK 0 / 44 / 56 / 22

HEX #C87059

RGB 200 112 89

HSL 12.43, 0.5%, 0.57%

LAB 56.67, 32.46, 27.99

 

CMYK 63 / 11 / 0 / 37

HEX #3C8FA1

RGB 60 143 161

HSL 190.69, 0.46%, 0.43%

LAB 55.26, -19.38, -17.01

 

CMYK 57 / 11 / 0 / 29

HEX #4DA1B4

RGB 77 161 180

HSL 191.07, 0.41%, 0.5%

LAB 61.97, -19.84, -17.55

 

CMYK 53 / 10 / 0 / 22

HEX #5EB3C7

RGB 94 179 199

HSL 191.43, 0.48%, 0.57%

LAB 68.56, -20.16, -18.05

 

CMYK 49 / 10 / 0 / 15

HEX #6FC5DA

RGB 111 197 218

HSL 191.78, 0.59%, 0.65%

LAB 75.06, -20.4, -18.52

 

CMYK 46 / 9 / 0 / 7

HEX #80D7ED

RGB 128 215 237

HSL 192.11, 0.75%, 0.72%

LAB 81.46, -20.56, -18.98

 

CMYK 67 / 14 / 0 / 35

HEX #378FA6

RGB 55 143 166

HSL 192.43, 0.5%, 0.43%

LAB 55.29, -18.66, -19.84

 

CMYK 74 / 15 / 0 / 42

HEX #267D93

RGB 38 125 147

HSL 192.11, 0.59%, 0.36%

LAB 48.49, -17.76, -19.26

 

CMYK 84 / 16 / 0 / 50

HEX #156B80

RGB 21 107 128

HSL 191.78, 0.72%, 0.29%

LAB 41.58, -16.47, -18.58

 

CMYK 96 / 18 / 0 / 57

HEX #04596D

RGB 4 89 109

HSL 191.43, 0.93%, 0.22%

LAB 34.55, -14.65, -17.79

 

CMYK 100 / 21 / 0 / 65

HEX #00475A

RGB 0 71 90

HSL 192.67, 1%, 0.18%

LAB 27.42, -11.82, -16.76

 

CMYK 66 / 13 / 0 / 36

HEX #378EA4

RGB 55 142 164

HSL 192.11, 0.5%, 0.43%

LAB 54.91, -18.77, -19.28

 

CMYK 66 / 32 / 0 / 36

HEX #3770A4

RGB 55 112 164

HSL 208.62, 0.5%, 0.43%

LAB 45.74, -1.64, -33.47

 

CMYK 66 / 49 / 0 / 36

HEX #3753A4

RGB 55 83 164

HSL 224.59, 0.5%, 0.43%

LAB 37.26, 16.79, -46.97

 

CMYK 65 / 66 / 0 / 36

HEX #3937A4

RGB 57 55 164

HSL 241.1, 0.5%, 0.43%

LAB 30.11, 35.32, -58.56

 

CMYK 48 / 66 / 0 / 36

HEX #5637A4

RGB 86 55 164

HSL 257.06, 0.5%, 0.43%

LAB 32.68, 40.33, -54.26

 

CMYK 66 / 13 / 0 / 36

HEX #378EA4

RGB 55 142 164

HSL 192.11, 0.5%, 0.43%

LAB 54.91, -18.77, -19.28

 

CMYK 66 / 32 / 0 / 36

HEX #3770A4

RGB 55 112 164

HSL 208.62, 0.5%, 0.43%

LAB 45.74, -1.64, -33.47

 

CMYK 66 / 49 / 0 / 36

HEX #3753A4

RGB 55 83 164

HSL 224.59, 0.5%, 0.43%

LAB 37.26, 16.79, -46.97

 

CMYK 66 / 66 / 0 / 36

HEX #3737A4

RGB 55 55 164

HSL 240, 0.5%, 0.43%

LAB 29.97, 35.04, -58.8

 

CMYK 66 / 13 / 0 / 36

HEX #378EA4

RGB 55 142 164

HSL 192.11, 0.5%, 0.43%

LAB 54.91, -18.77, -19.28

 

CMYK 80 / 16 / 0 / 29

HEX #2598B6

RGB 37 152 182

HSL 192.41, 0.66%, 0.43%

LAB 58.25, -20.52, -24.45

 

CMYK 91 / 19 / 0 / 22

HEX #13A3C8

RGB 19 163 200

HSL 192.27, 0.83%, 0.43%

LAB 62.09, -21.47, -28.68

 

CMYK 99 / 21 / 0 / 15

HEX #02ADDA

RGB 2 173 218

HSL 192.5, 0.98%, 0.43%

LAB 65.72, -21.04, -33.04

 

CMYK 66 / 13 / 0 / 36

HEX #378EA4

RGB 55 142 164

HSL 192.11, 0.5%, 0.43%

LAB 54.91, -18.77, -19.28

 

CMYK 50 / 11 / 0 / 42

HEX #498393

RGB 73 131 147

HSL 192.97, 0.34%, 0.43%

LAB 51.56, -14.38, -14.47

 

CMYK 30 / 6 / 0 / 49

HEX #5A7981

RGB 90 121 129

HSL 192.31, 0.18%, 0.43%

LAB 48.8, -9.02, -7.97

 

CMYK 3 / 0 / 0 / 56

HEX #6C6F6F

RGB 108 111 111

HSL 180, 0.01%, 0.43%

LAB 46.58, -1.14, -0.41

 

CMYK 0 / 21 / 25 / 51

HEX #7E645E

RGB 126 100 94

HSL 11.25, 0.15%, 0.43%

LAB 44.74, 9.47, 7.37

 

CMYK 66 / 0 / 22 / 36

HEX #37A480

RGB 55 164 128

HSL 160.18, 0.5%, 0.43%

LAB 60.71, -39.61, 9.77

 

CMYK 66 / 0 / 4 / 36

HEX #37A49D

RGB 55 164 157

HSL 176.15, 0.5%, 0.43%

LAB 61.48, -31.99, -5.41

 

CMYK 66 / 13 / 0 / 36

HEX #378FA4

RGB 55 143 164

HSL 191.56, 0.5%, 0.43%

LAB 55.21, -19.3, -18.81

 

CMYK 66 / 31 / 0 / 36

HEX #3771A4

RGB 55 113 164

HSL 208.07, 0.5%, 0.43%

LAB 46.05, -2.25, -33

 

CMYK 66 / 49 / 0 / 36

HEX #3754A4

RGB 55 84 164

HSL 224.04, 0.5%, 0.43%

LAB 37.54, 16.13, -46.52

 

CMYK 67 / 15 / 0 / 60

HEX #225867

RGB 34 88 103

HSL 193.04, 0.5%, 0.27%

LAB 34.6, -12.61, -13.91

 

CMYK 66 / 14 / 0 / 47

HEX #2D7386

RGB 45 115 134

HSL 192.81, 0.5%, 0.35%

LAB 45, -15.51, -16.9

 

CMYK 66 / 13 / 0 / 36

HEX #378EA4

RGB 55 142 164

HSL 192.11, 0.5%, 0.43%

LAB 54.91, -18.77, -19.28

 

CMYK 65 / 13 / 0 / 24

HEX #44A7C1

RGB 68 167 193

HSL 192.48, 0.5%, 0.51%

LAB 63.93, -20.67, -21.86

 

CMYK 51 / 11 / 0 / 20

HEX #63B5CB

RGB 99 181 203

HSL 192.69, 0.5%, 0.59%

LAB 69.48, -18.99, -18.85

 

CMYK 67 / 14 / 0 / 35

HEX #378FA6

RGB 55 143 166

HSL 192.43, 0.5%, 0.43%

LAB 55.29, -18.66, -19.84

 

CMYK 40 / 66 / 0 / 36

HEX #6337A4

RGB 99 55 164

HSL 264.22, 0.5%, 0.43%

LAB 34.12, 42.98, -51.86

 

CMYK 0 / 13 / 66 / 36

HEX #A48F37

RGB 164 143 55

HSL 48.44, 0.5%, 0.43%

LAB 59.72, -2.55, 48.12

 

CMYK 67 / 14 / 0 / 35

HEX #378FA6

RGB 55 143 166

HSL 192.43, 0.5%, 0.43%

LAB 55.29, -18.66, -19.84

 

CMYK 0 / 66 / 13 / 36

HEX #A4378F

RGB 164 55 143

HSL 311.56, 0.5%, 0.43%

LAB 42.17, 54.56, -25.8

 

CMYK 13 / 0 / 66 / 36

HEX #8FA437

RGB 143 164 55

HSL 71.56, 0.5%, 0.43%

LAB 63.89, -22.75, 51.97

 

CMYK 67 / 14 / 0 / 35

HEX #378FA6

RGB 55 143 166

HSL 192.43, 0.5%, 0.43%

LAB 55.29, -18.66, -19.84

 

CMYK 40 / 66 / 0 / 36

HEX #6337A4

RGB 99 55 164

HSL 264.22, 0.5%, 0.43%

LAB 34.12, 42.98, -51.86

 

CMYK 0 / 53 / 66 / 36

HEX #A44D37

RGB 164 77 55

HSL 12.11, 0.5%, 0.43%

LAB 43.47, 34.22, 29.83

 

CMYK 26 / 0 / 66 / 36

HEX #79A437

RGB 121 164 55

HSL 83.67, 0.5%, 0.43%

LAB 62.42, -31.7, 49.97

 

CMYK 67 / 14 / 0 / 35

HEX #378FA6

RGB 55 143 166

HSL 192.43, 0.5%, 0.43%

LAB 55.29, -18.66, -19.84

 

CMYK 20 / 66 / 0 / 36

HEX #8437A4

RGB 132 55 164

HSL 282.39, 0.5%, 0.43%

LAB 38.41, 50.38, -44.73

 

CMYK 0 / 53 / 66 / 36

HEX #A44D37

RGB 164 77 55

HSL 12.11, 0.5%, 0.43%

LAB 43.47, 34.22, 29.83

 

CMYK 46 / 0 / 66 / 36

HEX #58A437

RGB 88 164 55

HSL 101.83, 0.5%, 0.43%

LAB 60.69, -43.5, 47.62

 

Description

Color code: HEX #378FA6 | qconv.com Color code: HEX #378FA6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 143 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 143 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 14 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 14% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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