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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8437A4 it is the complementary color #7BC85B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8437A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8437A4 shade: #89379F, #9A49B2, #AB5BC5, #BC6DD8 and #CD7FEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8437A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8437A4 shade: #8437A4, #732591, #62137E, #51016B and #400058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8437A4 shade: #8437A4, #A237A4, #A4378A, #A4376C and #A4374E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8437A4 shade: #8437A4, #6737A4, #4937A4 and #3737A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8437A4 shade matches the following richer shades: #8437A4, #8C25B6, #9313C8 and #9A02DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8437A4 shade: #8437A4, #7D4993, #765A81, #6E6C6F and #677E5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8437A4 shade: #4937A4, #6637A4, #8437A4, #A137A4 and #A4378B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8437A4 shade: #532267, #6B2D86, #8437A4, #9C44C1 and #AC63CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8437A4 shade: #8437A4, #A43742 and #37A458

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8437A4 shade: #8437A4, #A48437 and #37A484

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8437A4 shade: #8437A4, #A43742, #58A437 and #37A49A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8437A4 shade: #8437A4, #A44D37, #58A437 and #378FA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 66 / 0 / 36

HEX #8437A4

RGB 132 55 164

HSL 282.39, 0.5%, 0.43%

LAB 38.41, 50.38, -44.73

 

Complementary color

CMYK 39 / 0 / 55 / 22

HEX #7BC85B

RGB 123 200 91

HSL 102.39, 0.5%, 0.57%

LAB 73.72, -43.64, 46.56

 

CMYK 14 / 65 / 0 / 38

HEX #89379F

RGB 137 55 159

HSL 287.31, 0.49%, 0.42%

LAB 38.82, 50.53, -41.03

 

CMYK 13 / 59 / 0 / 30

HEX #9A49B2

RGB 154 73 178

HSL 286.29, 0.42%, 0.49%

LAB 45.43, 50.13, -41.66

 

CMYK 13 / 54 / 0 / 23

HEX #AB5BC5

RGB 171 91 197

HSL 285.28, 0.48%, 0.56%

LAB 52.03, 49.5, -42.09

 

CMYK 13 / 50 / 0 / 15

HEX #BC6DD8

RGB 188 109 216

HSL 284.3, 0.58%, 0.64%

LAB 58.59, 48.77, -42.4

 

CMYK 13 / 46 / 0 / 8

HEX #CD7FEB

RGB 205 127 235

HSL 283.33, 0.73%, 0.71%

LAB 65.09, 48, -42.65

 

CMYK 20 / 66 / 0 / 36

HEX #8437A4

RGB 132 55 164

HSL 282.39, 0.5%, 0.43%

LAB 38.41, 50.38, -44.73

 

CMYK 21 / 74 / 0 / 43

HEX #732591

RGB 115 37 145

HSL 283.33, 0.59%, 0.36%

LAB 31.83, 50.39, -43.89

 

CMYK 22 / 85 / 0 / 51

HEX #62137E

RGB 98 19 126

HSL 284.3, 0.74%, 0.28%

LAB 25.47, 49.45, -42.46

 

CMYK 24 / 99 / 0 / 58

HEX #51016B

RGB 81 1 107

HSL 285.28, 0.98%, 0.21%

LAB 19.36, 47.31, -40.31

 

CMYK 27 / 100 / 0 / 65

HEX #400058

RGB 64 0 88

HSL 283.64, 1%, 0.17%

LAB 14.37, 41.19, -35.95

 

CMYK 20 / 66 / 0 / 36

HEX #8437A4

RGB 132 55 164

HSL 282.39, 0.5%, 0.43%

LAB 38.41, 50.38, -44.73

 

CMYK 1 / 66 / 0 / 36

HEX #A237A4

RGB 162 55 164

HSL 298.9, 0.5%, 0.43%

LAB 42.9, 57.53, -37.3

 

CMYK 0 / 66 / 16 / 36

HEX #A4378A

RGB 164 55 138

HSL 314.31, 0.5%, 0.43%

LAB 41.94, 53.8, -23.11

 

CMYK 0 / 66 / 34 / 36

HEX #A4376C

RGB 164 55 108

HSL 330.83, 0.5%, 0.43%

LAB 40.75, 49.7, -6.42

 

CMYK 0 / 66 / 52 / 36

HEX #A4374E

RGB 164 55 78

HSL 347.34, 0.5%, 0.43%

LAB 39.87, 46.57, 11.15

 

CMYK 20 / 66 / 0 / 36

HEX #8437A4

RGB 132 55 164

HSL 282.39, 0.5%, 0.43%

LAB 38.41, 50.38, -44.73

 

CMYK 37 / 66 / 0 / 36

HEX #6737A4

RGB 103 55 164

HSL 266.42, 0.5%, 0.43%

LAB 34.59, 43.84, -51.07

 

CMYK 55 / 66 / 0 / 36

HEX #4937A4

RGB 73 55 164

HSL 249.91, 0.5%, 0.43%

LAB 31.41, 37.91, -56.38

 

CMYK 66 / 66 / 0 / 36

HEX #3737A4

RGB 55 55 164

HSL 240, 0.5%, 0.43%

LAB 29.97, 35.04, -58.8

 

CMYK 20 / 66 / 0 / 36

HEX #8437A4

RGB 132 55 164

HSL 282.39, 0.5%, 0.43%

LAB 38.41, 50.38, -44.73

 

CMYK 23 / 80 / 0 / 29

HEX #8C25B6

RGB 140 37 182

HSL 282.62, 0.66%, 0.43%

LAB 38.33, 62.8, -55.51

 

CMYK 27 / 91 / 0 / 22

HEX #9313C8

RGB 147 19 200

HSL 282.43, 0.83%, 0.43%

LAB 39.31, 71.78, -64.44

 

CMYK 29 / 99 / 0 / 15

HEX #9A02DA

RGB 154 2 218

HSL 282.22, 0.98%, 0.43%

LAB 41.18, 78.13, -71.76

 

CMYK 20 / 66 / 0 / 36

HEX #8437A4

RGB 132 55 164

HSL 282.39, 0.5%, 0.43%

LAB 38.41, 50.38, -44.73

 

CMYK 15 / 50 / 0 / 42

HEX #7D4993

RGB 125 73 147

HSL 282.16, 0.34%, 0.43%

LAB 39.97, 35.45, -32.07

 

CMYK 9 / 30 / 0 / 49

HEX #765A81

RGB 118 90 129

HSL 283.08, 0.18%, 0.43%

LAB 42.38, 19.09, -17.47

 

CMYK 1 / 3 / 0 / 56

HEX #6E6C6F

RGB 110 108 111

HSL 280, 0.01%, 0.43%

LAB 45.89, 1.39, -1.4

 

CMYK 18 / 0 / 25 / 51

HEX #677E5E

RGB 103 126 94

HSL 103.13, 0.15%, 0.43%

LAB 50.23, -14.83, 14.74

 

CMYK 55 / 66 / 0 / 36

HEX #4937A4

RGB 73 55 164

HSL 249.91, 0.5%, 0.43%

LAB 31.41, 37.91, -56.38

 

CMYK 38 / 66 / 0 / 36

HEX #6637A4

RGB 102 55 164

HSL 265.87, 0.5%, 0.43%

LAB 34.47, 43.62, -51.27

 

CMYK 20 / 66 / 0 / 36

HEX #8437A4

RGB 132 55 164

HSL 282.39, 0.5%, 0.43%

LAB 38.41, 50.38, -44.73

 

CMYK 2 / 66 / 0 / 36

HEX #A137A4

RGB 161 55 164

HSL 298.35, 0.5%, 0.43%

LAB 42.75, 57.29, -37.55

 

CMYK 0 / 66 / 15 / 36

HEX #A4378B

RGB 164 55 139

HSL 313.76, 0.5%, 0.43%

LAB 41.98, 53.95, -23.65

 

CMYK 19 / 67 / 0 / 60

HEX #532267

RGB 83 34 103

HSL 282.61, 0.5%, 0.27%

LAB 23.55, 34.92, -30.92

 

CMYK 20 / 66 / 0 / 47

HEX #6B2D86

RGB 107 45 134

HSL 281.8, 0.5%, 0.35%

LAB 31.17, 42.58, -38.22

 

CMYK 20 / 66 / 0 / 36

HEX #8437A4

RGB 132 55 164

HSL 282.39, 0.5%, 0.43%

LAB 38.41, 50.38, -44.73

 

CMYK 19 / 65 / 0 / 24

HEX #9C44C1

RGB 156 68 193

HSL 282.24, 0.5%, 0.51%

LAB 45.71, 56.1, -49.96

 

CMYK 15 / 51 / 0 / 20

HEX #AC63CB

RGB 172 99 203

HSL 282.12, 0.5%, 0.59%

LAB 54.03, 46.89, -42.35

 

CMYK 20 / 66 / 0 / 36

HEX #8437A4

RGB 132 55 164

HSL 282.39, 0.5%, 0.43%

LAB 38.41, 50.38, -44.73

 

CMYK 0 / 66 / 60 / 36

HEX #A43742

RGB 164 55 66

HSL 353.94, 0.5%, 0.43%

LAB 39.61, 45.61, 18.32

 

CMYK 66 / 0 / 46 / 36

HEX #37A458

RGB 55 164 88

HSL 138.17, 0.5%, 0.43%

LAB 59.95, -47.81, 30.55

 

CMYK 20 / 66 / 0 / 36

HEX #8437A4

RGB 132 55 164

HSL 282.39, 0.5%, 0.43%

LAB 38.41, 50.38, -44.73

 

CMYK 0 / 20 / 66 / 36

HEX #A48437

RGB 164 132 55

HSL 42.39, 0.5%, 0.43%

LAB 56.75, 3.53, 44.94

 

CMYK 66 / 0 / 20 / 36

HEX #37A484

RGB 55 164 132

HSL 162.39, 0.5%, 0.43%

LAB 60.81, -38.63, 7.67

 

CMYK 20 / 66 / 0 / 36

HEX #8437A4

RGB 132 55 164

HSL 282.39, 0.5%, 0.43%

LAB 38.41, 50.38, -44.73

 

CMYK 0 / 66 / 60 / 36

HEX #A43742

RGB 164 55 66

HSL 353.94, 0.5%, 0.43%

LAB 39.61, 45.61, 18.32

 

CMYK 46 / 0 / 66 / 36

HEX #58A437

RGB 88 164 55

HSL 101.83, 0.5%, 0.43%

LAB 60.69, -43.5, 47.62

 

CMYK 66 / 0 / 6 / 36

HEX #37A49A

RGB 55 164 154

HSL 174.5, 0.5%, 0.43%

LAB 61.39, -32.84, -3.85

 

CMYK 20 / 66 / 0 / 36

HEX #8437A4

RGB 132 55 164

HSL 282.39, 0.5%, 0.43%

LAB 38.41, 50.38, -44.73

 

CMYK 0 / 53 / 66 / 36

HEX #A44D37

RGB 164 77 55

HSL 12.11, 0.5%, 0.43%

LAB 43.47, 34.22, 29.83

 

CMYK 46 / 0 / 66 / 36

HEX #58A437

RGB 88 164 55

HSL 101.83, 0.5%, 0.43%

LAB 60.69, -43.5, 47.62

 

CMYK 66 / 13 / 0 / 36

HEX #378FA4

RGB 55 143 164

HSL 191.56, 0.5%, 0.43%

LAB 55.21, -19.3, -18.81

 

Description

Color code: HEX #8437A4 | qconv.com Color code: HEX #8437A4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 55 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 55 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 66 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 66% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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