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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #373417 it is the complementary color #C8CBE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #373417. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #373417: #3C3412, #4D4625, #5E5838, #6F6A4B and #807C5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #373417. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #373417: #373417, #262204, #151000, #040000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 58 / 78

HEX #373417

RGB 55 52 23

HSL 54.38, 0.41%, 0.15%

LAB 21.32, -3.59, 18.66

 

Complementary color

CMYK 14 / 13 / 0 / 9

HEX #C8CBE8

RGB 200 203 232

HSL 234.38, 0.41%, 0.85%

LAB 82.28, 4.68, -14.66

 

CMYK 0 / 13 / 70 / 76

HEX #3C3412

RGB 60 52 18

HSL 48.57, 0.54%, 0.15%

LAB 21.8, -1.47, 22.31

 

CMYK 0 / 9 / 52 / 70

HEX #4D4625

RGB 77 70 37

HSL 49.5, 0.35%, 0.22%

LAB 29.64, -2.35, 20.87

 

CMYK 0 / 6 / 40 / 63

HEX #5E5838

RGB 94 88 56

HSL 50.53, 0.25%, 0.29%

LAB 37.2, -2.93, 19.45

 

CMYK 0 / 5 / 32 / 56

HEX #6F6A4B

RGB 111 106 75

HSL 51.67, 0.19%, 0.36%

LAB 44.51, -3.35, 18.15

 

CMYK 0 / 3 / 27 / 50

HEX #807C5E

RGB 128 124 94

HSL 52.94, 0.15%, 0.44%

LAB 51.62, -3.66, 16.97

 

CMYK 0 / 5 / 58 / 78

HEX #373417

RGB 55 52 23

HSL 54.38, 0.41%, 0.15%

LAB 21.32, -3.59, 18.66

 

CMYK 0 / 11 / 89 / 85

HEX #262204

RGB 38 34 4

HSL 52.94, 0.81%, 0.08%

LAB 13.01, -2.7, 17.53

 

CMYK 0 / 24 / 100 / 92

HEX #151000

RGB 21 16 0

HSL 45.71, 1%, 0.04%

LAB 4.79, -0.38, 7.16

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 5 / 58 / 78

HEX #373417

RGB 55 52 23

HSL 54.38, 0.41%, 0.15%

LAB 21.32, -3.59, 18.66

 

CMYK 4 / 0 / 58 / 79

HEX #333516

RGB 51 53 22

HSL 63.87, 0.41%, 0.15%

LAB 21.24, -6.39, 19.07

 

CMYK 13 / 0 / 58 / 79

HEX #2E3516

RGB 46 53 22

HSL 73.55, 0.41%, 0.15%

LAB 20.77, -8.91, 18.4

 

CMYK 23 / 0 / 58 / 79

HEX #293516

RGB 41 53 22

HSL 83.23, 0.41%, 0.15%

LAB 20.34, -11.36, 17.79

 

CMYK 32 / 0 / 58 / 79

HEX #243516

RGB 36 53 22

HSL 92.9, 0.41%, 0.15%

LAB 19.96, -13.69, 17.23

 

CMYK 0 / 5 / 58 / 78

HEX #373417

RGB 55 52 23

HSL 54.38, 0.41%, 0.15%

LAB 21.32, -3.59, 18.66

 

CMYK 0 / 6 / 58 / 58

HEX #6A642C

RGB 106 100 44

HSL 54.19, 0.41%, 0.29%

LAB 41.78, -5.73, 32.1

 

CMYK 0 / 6 / 58 / 38

HEX #9D9442

RGB 157 148 66

HSL 54.07, 0.41%, 0.44%

LAB 60.55, -7.58, 43.72

 

CMYK 0 / 5 / 58 / 18

HEX #D0C557

RGB 208 197 87

HSL 54.55, 0.56%, 0.58%

LAB 78.48, -9.9, 55.35

 

CMYK 0 / 0 / 50 / 98

HEX #040402

RGB 4 4 2

HSL 60, 0.33%, 0.01%

LAB 1.06, -0.28, 0.76

 

CMYK 0 / 5 / 58 / 78

HEX #373417

RGB 55 52 23

HSL 54.38, 0.41%, 0.15%

LAB 21.32, -3.59, 18.66

 

CMYK 58 / 0 / 53 / 79

HEX #163519

RGB 22 53 25

HSL 125.81, 0.41%, 0.15%

LAB 19.17, -18.83, 14.19

 

CMYK 28 / 58 / 0 / 79

HEX #261635

RGB 38 22 53

HSL 270.97, 0.41%, 0.15%

LAB 10.87, 15.67, -17.37

 

CMYK 0 / 5 / 58 / 78

HEX #373417

RGB 55 52 23

HSL 54.38, 0.41%, 0.15%

LAB 21.32, -3.59, 18.66

 

CMYK 58 / 0 / 6 / 79

HEX #163532

RGB 22 53 50

HSL 174.19, 0.41%, 0.15%

LAB 19.83, -12.39, -1.64

 

CMYK 6 / 58 / 0 / 79

HEX #321635

RGB 50 22 53

HSL 294.19, 0.41%, 0.15%

LAB 12.66, 19.9, -14.42

 

CMYK 0 / 5 / 58 / 78

HEX #373417

RGB 55 52 23

HSL 54.38, 0.41%, 0.15%

LAB 21.32, -3.59, 18.66

 

CMYK 58 / 0 / 53 / 79

HEX #163519

RGB 22 53 25

HSL 125.81, 0.41%, 0.15%

LAB 19.17, -18.83, 14.19

 

CMYK 58 / 53 / 0 / 79

HEX #161935

RGB 22 25 53

HSL 234.19, 0.41%, 0.15%

LAB 9.98, 8.25, -18.9

 

CMYK 0 / 58 / 6 / 79

HEX #351632

RGB 53 22 50

HSL 305.81, 0.41%, 0.15%

LAB 12.99, 20.31, -11.71

 

CMYK 0 / 5 / 58 / 78

HEX #373417

RGB 55 52 23

HSL 54.38, 0.41%, 0.15%

LAB 21.32, -3.59, 18.66

 

CMYK 58 / 0 / 34 / 79

HEX #163523

RGB 22 53 35

HSL 145.16, 0.41%, 0.15%

LAB 19.38, -16.64, 7.91

 

CMYK 58 / 53 / 0 / 79

HEX #161935

RGB 22 25 53

HSL 234.19, 0.41%, 0.15%

LAB 9.98, 8.25, -18.9

 

CMYK 0 / 58 / 23 / 79

HEX #351629

RGB 53 22 41

HSL 323.23, 0.41%, 0.15%

LAB 12.55, 18.47, -5.84

 

Description

Color code: HEX #373417 | qconv.com Color code: HEX #373417 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 52 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 52 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 58 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 58% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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