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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #372B86 it is the complementary color #C8D479. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #372B86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #372B86: #3C2B81, #4D3D94, #5E4FA7, #6F61BA and #8073CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #372B86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #372B86: #372B86, #261973, #150760, #04004D and #00003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 68 / 0 / 47

HEX #372B86

RGB 55 43 134

HSL 247.91, 0.51%, 0.35%

LAB 24.52, 32.34, -49.29

 

Complementary color

CMYK 6 / 0 / 43 / 17

HEX #C8D479

RGB 200 212 121

HSL 67.91, 0.51%, 0.65%

LAB 82.24, -17.65, 43.52

 

CMYK 53 / 67 / 0 / 49

HEX #3C2B81

RGB 60 43 129

HSL 251.86, 0.5%, 0.34%

LAB 24.56, 31.63, -46.07

 

CMYK 48 / 59 / 0 / 42

HEX #4D3D94

RGB 77 61 148

HSL 251.03, 0.42%, 0.41%

LAB 31.93, 30.04, -45.82

 

CMYK 44 / 53 / 0 / 35

HEX #5E4FA7

RGB 94 79 167

HSL 250.23, 0.36%, 0.48%

LAB 39.18, 28.64, -45.53

 

CMYK 40 / 48 / 0 / 27

HEX #6F61BA

RGB 111 97 186

HSL 249.44, 0.39%, 0.55%

LAB 46.28, 27.43, -45.27

 

CMYK 38 / 44 / 0 / 20

HEX #8073CD

RGB 128 115 205

HSL 248.67, 0.47%, 0.63%

LAB 53.23, 26.38, -45.05

 

CMYK 59 / 68 / 0 / 47

HEX #372B86

RGB 55 43 134

HSL 247.91, 0.51%, 0.35%

LAB 24.52, 32.34, -49.29

 

CMYK 67 / 78 / 0 / 55

HEX #261973

RGB 38 25 115

HSL 248.67, 0.64%, 0.27%

LAB 17.2, 34.23, -49.27

 

CMYK 78 / 93 / 0 / 62

HEX #150760

RGB 21 7 96

HSL 249.44, 0.86%, 0.2%

LAB 10.23, 35.58, -48.37

 

CMYK 95 / 100 / 0 / 70

HEX #04004D

RGB 4 0 77

HSL 243.12, 1%, 0.15%

LAB 5.07, 31.43, -44

 

CMYK 100 / 100 / 0 / 77

HEX #00003A

RGB 0 0 58

HSL 240, 1%, 0.11%

LAB 2.76, 19.39, -34.26

 

CMYK 59 / 68 / 0 / 47

HEX #372B86

RGB 55 43 134

HSL 247.91, 0.51%, 0.35%

LAB 24.52, 32.34, -49.29

 

CMYK 49 / 68 / 0 / 47

HEX #452B86

RGB 69 43 134

HSL 257.14, 0.51%, 0.35%

LAB 25.9, 34.99, -46.97

 

CMYK 37 / 68 / 0 / 47

HEX #542B86

RGB 84 43 134

HSL 267.03, 0.51%, 0.35%

LAB 27.67, 38.18, -44.03

 

CMYK 26 / 68 / 0 / 47

HEX #632B86

RGB 99 43 134

HSL 276.92, 0.51%, 0.35%

LAB 29.67, 41.63, -40.7

 

CMYK 14 / 68 / 0 / 47

HEX #732B86

RGB 115 43 134

HSL 287.47, 0.51%, 0.35%

LAB 32.02, 45.49, -36.8

 

CMYK 59 / 68 / 0 / 47

HEX #372B86

RGB 55 43 134

HSL 247.91, 0.51%, 0.35%

LAB 24.52, 32.34, -49.29

 

CMYK 59 / 68 / 0 / 27

HEX #4C3BB9

RGB 76 59 185

HSL 248.1, 0.52%, 0.48%

LAB 34.33, 42.66, -64.13

 

CMYK 59 / 68 / 0 / 7

HEX #614CEC

RGB 97 76 236

HSL 247.88, 0.81%, 0.61%

LAB 43.9, 51.84, -77.82

 

CMYK 59 / 69 / 0 / 87

HEX #0D0A20

RGB 13 10 32

HSL 248.18, 0.52%, 0.08%

LAB 3.68, 6.08, -13.12

 

CMYK 59 / 67 / 0 / 67

HEX #221B53

RGB 34 27 83

HSL 247.5, 0.51%, 0.22%

LAB 14.11, 21.13, -33.17

 

CMYK 59 / 68 / 0 / 47

HEX #372B86

RGB 55 43 134

HSL 247.91, 0.51%, 0.35%

LAB 24.52, 32.34, -49.29

 

CMYK 0 / 68 / 22 / 47

HEX #862B69

RGB 134 43 105

HSL 319.12, 0.51%, 0.35%

LAB 33.6, 45.45, -15.85

 

CMYK 49 / 0 / 68 / 47

HEX #45862B

RGB 69 134 43

HSL 102.86, 0.51%, 0.35%

LAB 50.08, -38.16, 41.13

 

CMYK 59 / 68 / 0 / 47

HEX #372B86

RGB 55 43 134

HSL 247.91, 0.51%, 0.35%

LAB 24.52, 32.34, -49.29

 

CMYK 0 / 60 / 68 / 47

HEX #86362B

RGB 134 54 43

HSL 7.25, 0.51%, 0.35%

LAB 33.73, 33.55, 24.05

 

CMYK 68 / 0 / 60 / 47

HEX #2B8636

RGB 43 134 54

HSL 127.25, 0.51%, 0.35%

LAB 49.29, -43.91, 34.83

 

CMYK 59 / 68 / 0 / 47

HEX #372B86

RGB 55 43 134

HSL 247.91, 0.51%, 0.35%

LAB 24.52, 32.34, -49.29

 

CMYK 0 / 68 / 22 / 47

HEX #862B69

RGB 134 43 105

HSL 319.12, 0.51%, 0.35%

LAB 33.6, 45.45, -15.85

 

CMYK 7 / 0 / 68 / 47

HEX #7C862B

RGB 124 134 43

HSL 66.59, 0.51%, 0.35%

LAB 53.5, -16.37, 45.78

 

CMYK 68 / 0 / 46 / 47

HEX #2B8648

RGB 43 134 72

HSL 139.12, 0.51%, 0.35%

LAB 49.53, -41.12, 25.72

 

CMYK 59 / 68 / 0 / 47

HEX #372B86

RGB 55 43 134

HSL 247.91, 0.51%, 0.35%

LAB 24.52, 32.34, -49.29

 

CMYK 0 / 68 / 42 / 47

HEX #862B4E

RGB 134 43 78

HSL 336.92, 0.51%, 0.35%

LAB 32.58, 41.92, 0.03

 

CMYK 7 / 0 / 68 / 47

HEX #7C862B

RGB 124 134 43

HSL 66.59, 0.51%, 0.35%

LAB 53.5, -16.37, 45.78

 

CMYK 68 / 0 / 26 / 47

HEX #2B8663

RGB 43 134 99

HSL 156.92, 0.51%, 0.35%

LAB 50.05, -35.47, 11.18

 

Description

Color code: HEX #372B86 | qconv.com Color code: HEX #372B86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 43 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 43 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 68 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 68% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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