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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #361392 it is the complementary color #C9EC6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #361392. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #361392: #3B138D, #4C25A0, #5D37B3, #6E49C6 and #7F5BD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #361392. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #361392: #361392, #25017F, #14006C, #030059 and #000046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 87 / 0 / 43

HEX #361392

RGB 54 19 146

HSL 256.54, 0.77%, 0.32%

LAB 21.3, 48.22, -62.06

 

Complementary color

CMYK 15 / 0 / 54 / 7

HEX #C9EC6D

RGB 201 236 109

HSL 76.54, 0.77%, 0.68%

LAB 88.69, -30, 56.96

 

CMYK 58 / 87 / 0 / 45

HEX #3B138D

RGB 59 19 141

HSL 259.67, 0.76%, 0.31%

LAB 21.28, 47.34, -58.97

 

CMYK 53 / 77 / 0 / 37

HEX #4C25A0

RGB 76 37 160

HSL 259.02, 0.62%, 0.39%

LAB 27.84, 46.98, -59.8

 

CMYK 48 / 69 / 0 / 30

HEX #5D37B3

RGB 93 55 179

HSL 258.39, 0.53%, 0.46%

LAB 34.63, 45.94, -60.03

 

CMYK 44 / 63 / 0 / 22

HEX #6E49C6

RGB 110 73 198

HSL 257.76, 0.52%, 0.53%

LAB 41.47, 44.69, -59.98

 

CMYK 41 / 58 / 0 / 15

HEX #7F5BD9

RGB 127 91 217

HSL 257.14, 0.62%, 0.6%

LAB 48.27, 43.43, -59.82

 

CMYK 63 / 87 / 0 / 43

HEX #361392

RGB 54 19 146

HSL 256.54, 0.77%, 0.32%

LAB 21.3, 48.22, -62.06

 

CMYK 71 / 99 / 0 / 50

HEX #25017F

RGB 37 1 127

HSL 257.14, 0.98%, 0.25%

LAB 15.21, 47.75, -60.28

 

CMYK 81 / 100 / 0 / 58

HEX #14006C

RGB 20 0 108

HSL 251.11, 1%, 0.21%

LAB 10.79, 42.47, -55.4

 

CMYK 97 / 100 / 0 / 65

HEX #030059

RGB 3 0 89

HSL 242.02, 1%, 0.17%

LAB 6.69, 36.47, -49.58

 

CMYK 100 / 100 / 0 / 73

HEX #000046

RGB 0 0 70

HSL 240, 1%, 0.14%

LAB 3.99, 27.1, -40.87

 

CMYK 63 / 87 / 0 / 43

HEX #361392

RGB 54 19 146

HSL 256.54, 0.77%, 0.32%

LAB 21.3, 48.22, -62.06

 

CMYK 49 / 88 / 0 / 44

HEX #491290

RGB 73 18 144

HSL 266.19, 0.78%, 0.32%

LAB 23.21, 50.09, -57.59

 

CMYK 35 / 88 / 0 / 44

HEX #5E1290

RGB 94 18 144

HSL 276.19, 0.78%, 0.32%

LAB 26.23, 52.95, -52.52

 

CMYK 20 / 88 / 0 / 44

HEX #731290

RGB 115 18 144

HSL 286.19, 0.78%, 0.32%

LAB 29.64, 56.32, -46.82

 

CMYK 6 / 88 / 0 / 44

HEX #881290

RGB 136 18 144

HSL 296.19, 0.78%, 0.32%

LAB 33.31, 60.07, -40.72

 

CMYK 63 / 87 / 0 / 43

HEX #361392

RGB 54 19 146

HSL 256.54, 0.77%, 0.32%

LAB 21.3, 48.22, -62.06

 

CMYK 63 / 87 / 0 / 23

HEX #491AC5

RGB 73 26 197

HSL 256.49, 0.77%, 0.44%

LAB 29.88, 61.15, -78.54

 

CMYK 63 / 87 / 0 / 3

HEX #5C20F8

RGB 92 32 248

HSL 256.67, 0.94%, 0.55%

LAB 38, 73.67, -94.32

 

CMYK 64 / 86 / 0 / 83

HEX #10062C

RGB 16 6 44

HSL 255.79, 0.76%, 0.1%

LAB 3.81, 13.6, -22.11

 

CMYK 63 / 87 / 0 / 63

HEX #230C5F

RGB 35 12 95

HSL 256.63, 0.78%, 0.21%

LAB 12.26, 34.24, -44.29

 

CMYK 63 / 87 / 0 / 43

HEX #361392

RGB 54 19 146

HSL 256.54, 0.77%, 0.32%

LAB 21.3, 48.22, -62.06

 

CMYK 0 / 88 / 41 / 44

HEX #901255

RGB 144 18 85

HSL 328.1, 0.78%, 0.32%

LAB 31.85, 53.72, -5.41

 

CMYK 76 / 0 / 88 / 44

HEX #239012

RGB 35 144 18

HSL 111.9, 0.78%, 0.32%

LAB 52.23, -52.09, 51.53

 

CMYK 63 / 87 / 0 / 43

HEX #361392

RGB 54 19 146

HSL 256.54, 0.77%, 0.32%

LAB 21.3, 48.22, -62.06

 

CMYK 0 / 64 / 88 / 44

HEX #903412

RGB 144 52 18

HSL 16.19, 0.78%, 0.32%

LAB 34.86, 37.32, 39.51

 

CMYK 88 / 0 / 64 / 44

HEX #129034

RGB 18 144 52

HSL 136.19, 0.78%, 0.32%

LAB 52.2, -51.47, 39.02

 

CMYK 63 / 87 / 0 / 43

HEX #361392

RGB 54 19 146

HSL 256.54, 0.77%, 0.32%

LAB 21.3, 48.22, -62.06

 

CMYK 0 / 88 / 41 / 44

HEX #901255

RGB 144 18 85

HSL 328.1, 0.78%, 0.32%

LAB 31.85, 53.72, -5.41

 

CMYK 24 / 0 / 88 / 44

HEX #6E9012

RGB 110 144 18

HSL 76.19, 0.78%, 0.32%

LAB 55.39, -28.7, 55.5

 

CMYK 88 / 0 / 47 / 44

HEX #12904D

RGB 18 144 77

HSL 148.1, 0.78%, 0.32%

LAB 52.52, -47.6, 26.75

 

CMYK 63 / 87 / 0 / 43

HEX #361392

RGB 54 19 146

HSL 256.54, 0.77%, 0.32%

LAB 21.3, 48.22, -62.06

 

CMYK 0 / 88 / 67 / 44

HEX #901230

RGB 144 18 48

HSL 345.71, 0.78%, 0.32%

LAB 30.82, 50.76, 17.62

 

CMYK 24 / 0 / 88 / 44

HEX #6E9012

RGB 110 144 18

HSL 76.19, 0.78%, 0.32%

LAB 55.39, -28.7, 55.5

 

CMYK 88 / 0 / 20 / 44

HEX #129073

RGB 18 144 115

HSL 166.19, 0.78%, 0.32%

LAB 53.29, -38.97, 6.48

 

Description

Color code: HEX #361392 | qconv.com Color code: HEX #361392 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 19 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 19 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 87 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 87% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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