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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35EBAC it is the complementary color #CA1453. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35EBAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #35EBAC shade: #3AEBA7, #4BFDBA, #5CFFCD, #6DFFE0 and #7EFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35EBAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #35EBAC shade: #35EBAC, #24D999, #13C786, #02B573 and #00A360

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #35EBAC shade: #33EBAB, #33EB79, #33EB48, #4FEB33 and #81EB33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #35EBAC shade: #33EBAB, #33EBDD, #33C7EB, #3396EB and #3364EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #35EBAC shade matches the following richer shades: #33EBAB and #21FDB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #35EBAC shade: #33EBAB, #45D9A6, #57C6A0, #69B49A and #7BA295

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #35EBAC shade: #33EB48, #33EB79, #33EBAA, #33EBDB and #33C9EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #35EBAC shade: #12B97F, #16DE99, #33EBAB, #58EFBB and #7EF2CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #35EBAC shade: #35EBAC, #334EEB and #EB6133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #35EBAC shade: #35EBAC, #AA33EB and #EBAA33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #35EBAC shade: #35EBAC, #334EEB, #EB3373 and #EBCF33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #35EBAC shade: #35EBAC, #4E33EB, #EB3373 and #CFEB33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 27 / 8

HEX #35EBAC

RGB 53 235 172

HSL 159.23, 0.82%, 0.56%

LAB 83.52, -58.63, 18.13

 

Complementary color

CMYK 0 / 90 / 59 / 21

HEX #CA1453

RGB 202 20 83

HSL 339.23, 0.82%, 0.44%

LAB 43.77, 67.63, 14.52

 

CMYK 75 / 0 / 29 / 8

HEX #3AEBA7

RGB 58 235 167

HSL 156.95, 0.82%, 0.57%

LAB 83.5, -59.15, 20.7

 

CMYK 70 / 0 / 26 / 1

HEX #4BFDBA

RGB 75 253 186

HSL 157.42, 0.98%, 0.64%

LAB 89.53, -59.79, 19.34

 

CMYK 64 / 0 / 20 / 0

HEX #5CFFCD

RGB 92 255 205

HSL 161.6, 1%, 0.68%

LAB 90.87, -53.84, 11.52

 

CMYK 57 / 0 / 12 / 0

HEX #6DFFE0

RGB 109 255 224

HSL 167.26, 1%, 0.71%

LAB 91.75, -46.49, 3.03

 

CMYK 51 / 0 / 5 / 0

HEX #7EFFF3

RGB 126 255 243

HSL 174.42, 1%, 0.75%

LAB 92.76, -38.6, -5.26

 

CMYK 77 / 0 / 27 / 8

HEX #35EBAC

RGB 53 235 172

HSL 159.23, 0.82%, 0.56%

LAB 83.52, -58.63, 18.13

 

CMYK 83 / 0 / 29 / 15

HEX #24D999

RGB 36 217 153

HSL 158.78, 0.72%, 0.5%

LAB 77.46, -57.6, 19.61

 

CMYK 90 / 0 / 33 / 22

HEX #13C786

RGB 19 199 134

HSL 158.33, 0.83%, 0.43%

LAB 71.36, -56.19, 21.23

 

CMYK 99 / 0 / 36 / 29

HEX #02B573

RGB 2 181 115

HSL 157.88, 0.98%, 0.36%

LAB 65.2, -54.38, 22.99

 

CMYK 100 / 0 / 41 / 36

HEX #00A360

RGB 0 163 96

HSL 155.34, 1%, 0.32%

LAB 59.01, -51.87, 24.94

 

CMYK 78 / 0 / 27 / 8

HEX #33EBAB

RGB 51 235 171

HSL 159.13, 0.82%, 0.56%

LAB 83.47, -59.06, 18.58

 

CMYK 78 / 0 / 49 / 8

HEX #33EB79

RGB 51 235 121

HSL 142.83, 0.82%, 0.56%

LAB 82.65, -68.45, 42.69

 

CMYK 78 / 0 / 69 / 8

HEX #33EB48

RGB 51 235 72

HSL 126.85, 0.82%, 0.56%

LAB 82.16, -74.38, 63.42

 

CMYK 66 / 0 / 78 / 8

HEX #4FEB33

RGB 79 235 51

HSL 110.87, 0.82%, 0.56%

LAB 82.55, -71.49, 70.93

 

CMYK 45 / 0 / 78 / 8

HEX #81EB33

RGB 129 235 51

HSL 94.57, 0.82%, 0.56%

LAB 84.13, -58.93, 72.98

 

CMYK 78 / 0 / 27 / 8

HEX #33EBAB

RGB 51 235 171

HSL 159.13, 0.82%, 0.56%

LAB 83.47, -59.06, 18.58

 

CMYK 78 / 0 / 6 / 8

HEX #33EBDD

RGB 51 235 221

HSL 175.43, 0.82%, 0.56%

LAB 84.66, -46.72, -5.93

 

CMYK 78 / 15 / 0 / 8

HEX #33C7EB

RGB 51 199 235

HSL 191.74, 0.82%, 0.56%

LAB 74.54, -25.89, -28.65

 

CMYK 78 / 36 / 0 / 8

HEX #3396EB

RGB 51 150 235

HSL 207.72, 0.82%, 0.56%

LAB 60.35, 0.67, -50.81

 

CMYK 78 / 57 / 0 / 8

HEX #3364EB

RGB 51 100 235

HSL 224.02, 0.82%, 0.56%

LAB 46.73, 31.48, -72.72

 

CMYK 78 / 0 / 27 / 8

HEX #33EBAB

RGB 51 235 171

HSL 159.13, 0.82%, 0.56%

LAB 83.47, -59.06, 18.58

 

CMYK 87 / 0 / 30 / 1

HEX #21FDB1

RGB 33 253 177

HSL 159.27, 0.98%, 0.56%

LAB 88.8, -65.86, 22.85

 

CMYK 78 / 0 / 27 / 8

HEX #33EBAB

RGB 51 235 171

HSL 159.13, 0.82%, 0.56%

LAB 83.47, -59.06, 18.58

 

CMYK 68 / 0 / 24 / 15

HEX #45D9A6

RGB 69 217 166

HSL 159.32, 0.66%, 0.56%

LAB 78.25, -50.81, 13.94

 

CMYK 56 / 0 / 19 / 22

HEX #57C6A0

RGB 87 198 160

HSL 159.46, 0.49%, 0.56%

LAB 72.86, -40.82, 9.58

 

CMYK 42 / 0 / 14 / 29

HEX #69B49A

RGB 105 180 154

HSL 159.2, 0.33%, 0.56%

LAB 68.01, -29.48, 5.99

 

CMYK 24 / 0 / 8 / 36

HEX #7BA295

RGB 123 162 149

HSL 160, 0.17%, 0.56%

LAB 63.53, -16.08, 2.42

 

CMYK 78 / 0 / 69 / 8

HEX #33EB48

RGB 51 235 72

HSL 126.85, 0.82%, 0.56%

LAB 82.16, -74.38, 63.42

 

CMYK 78 / 0 / 49 / 8

HEX #33EB79

RGB 51 235 121

HSL 142.83, 0.82%, 0.56%

LAB 82.65, -68.45, 42.69

 

CMYK 78 / 0 / 28 / 8

HEX #33EBAA

RGB 51 235 170

HSL 158.8, 0.82%, 0.56%

LAB 83.45, -59.28, 19.07

 

CMYK 78 / 0 / 7 / 8

HEX #33EBDB

RGB 51 235 219

HSL 174.78, 0.82%, 0.56%

LAB 84.6, -47.26, -4.96

 

CMYK 78 / 14 / 0 / 8

HEX #33C9EB

RGB 51 201 235

HSL 191.09, 0.82%, 0.56%

LAB 75.12, -26.88, -27.76

 

CMYK 90 / 0 / 31 / 27

HEX #12B97F

RGB 18 185 127

HSL 159.16, 0.82%, 0.4%

LAB 66.79, -52.55, 18.72

 

CMYK 90 / 0 / 31 / 13

HEX #16DE99

RGB 22 222 153

HSL 159.3, 0.82%, 0.48%

LAB 78.88, -60.38, 21.54

 

CMYK 78 / 0 / 27 / 8

HEX #33EBAB

RGB 51 235 171

HSL 159.13, 0.82%, 0.56%

LAB 83.47, -59.06, 18.58

 

CMYK 63 / 0 / 22 / 6

HEX #58EFBB

RGB 88 239 187

HSL 159.34, 0.83%, 0.64%

LAB 85.7, -52, 13.49

 

CMYK 48 / 0 / 17 / 5

HEX #7EF2CA

RGB 126 242 202

HSL 159.31, 0.82%, 0.72%

LAB 88.07, -42.22, 9.21

 

CMYK 77 / 0 / 27 / 8

HEX #35EBAC

RGB 53 235 172

HSL 159.23, 0.82%, 0.56%

LAB 83.52, -58.63, 18.13

 

CMYK 78 / 67 / 0 / 8

HEX #334EEB

RGB 51 78 235

HSL 231.2, 0.82%, 0.56%

LAB 41.45, 45.14, -81.36

 

CMYK 0 / 59 / 78 / 8

HEX #EB6133

RGB 235 97 51

HSL 15, 0.82%, 0.56%

LAB 58.46, 51.01, 51.54

 

CMYK 77 / 0 / 27 / 8

HEX #35EBAC

RGB 53 235 172

HSL 159.23, 0.82%, 0.56%

LAB 83.52, -58.63, 18.13

 

CMYK 28 / 78 / 0 / 8

HEX #AA33EB

RGB 170 51 235

HSL 278.8, 0.82%, 0.56%

LAB 48.15, 74.05, -69.97

 

CMYK 0 / 28 / 78 / 8

HEX #EBAA33

RGB 235 170 51

HSL 38.8, 0.82%, 0.56%

LAB 73.97, 13.77, 66.28

 

CMYK 77 / 0 / 27 / 8

HEX #35EBAC

RGB 53 235 172

HSL 159.23, 0.82%, 0.56%

LAB 83.52, -58.63, 18.13

 

CMYK 78 / 67 / 0 / 8

HEX #334EEB

RGB 51 78 235

HSL 231.2, 0.82%, 0.56%

LAB 41.45, 45.14, -81.36

 

CMYK 0 / 78 / 51 / 8

HEX #EB3373

RGB 235 51 115

HSL 339.13, 0.82%, 0.56%

LAB 53.24, 71.62, 9.02

 

CMYK 0 / 12 / 78 / 8

HEX #EBCF33

RGB 235 207 51

HSL 50.87, 0.82%, 0.56%

LAB 83.19, -5.49, 74.64

 

CMYK 77 / 0 / 27 / 8

HEX #35EBAC

RGB 53 235 172

HSL 159.23, 0.82%, 0.56%

LAB 83.52, -58.63, 18.13

 

CMYK 67 / 78 / 0 / 8

HEX #4E33EB

RGB 78 51 235

HSL 248.8, 0.82%, 0.56%

LAB 37.82, 62.02, -87.31

 

CMYK 0 / 78 / 51 / 8

HEX #EB3373

RGB 235 51 115

HSL 339.13, 0.82%, 0.56%

LAB 53.24, 71.62, 9.02

 

CMYK 12 / 0 / 78 / 8

HEX #CFEB33

RGB 207 235 51

HSL 69.13, 0.82%, 0.56%

LAB 88.41, -30.78, 78.47

 

Description

Color code: HEX #35EBAC | qconv.com Color code: HEX #35EBAC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 235 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 235 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 27 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 27% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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