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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33EB79 it is the complementary color #CC1486. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33EB79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33EB79 shade: #38EB74, #49FD87, #5AFF9A, #6BFFAD and #7CFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33EB79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33EB79 shade: #33EB79, #22D966, #11C753, #00B540 and #00A32D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33EB79 shade: #33EB79, #33EB47, #50EB33, #82EB33 and #B3EB33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33EB79 shade: #33EB79, #33EBAA, #33EBDC, #33C8EB and #3396EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33EB79 shade matches the following richer shades: #33EB79 and #21FD74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33EB79 shade: #33EB79, #45D97D, #57C681, #69B486 and #7BA28A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33EB79 shade: #51EB33, #33EB45, #33EB76, #33EBA7 and #33EBD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33EB79 shade: #12B952, #16DE62, #33EB79, #58EF91 and #7EF2AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33EB79 shade: #33EB79, #3383EB and #EB3339

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33EB79 shade: #33EB79, #7633EB and #EB7633

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33EB79 shade: #33EB79, #3383EB, #EB33A7 and #EB9B33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33EB79 shade: #33EB79, #334BEB, #EB33A7 and #EBD233

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 49 / 8

HEX #33EB79

RGB 51 235 121

HSL 142.83, 0.82%, 0.56%

LAB 82.65, -68.45, 42.69

 

Complementary color

CMYK 0 / 90 / 34 / 20

HEX #CC1486

RGB 204 20 134

HSL 322.83, 0.82%, 0.44%

LAB 45.71, 72.35, -14.25

 

CMYK 76 / 0 / 51 / 8

HEX #38EB74

RGB 56 235 116

HSL 140.11, 0.82%, 0.57%

LAB 82.66, -68.61, 45.1

 

CMYK 71 / 0 / 47 / 1

HEX #49FD87

RGB 73 253 135

HSL 140.67, 0.98%, 0.64%

LAB 88.65, -69.48, 43.6

 

CMYK 65 / 0 / 40 / 0

HEX #5AFF9A

RGB 90 255 154

HSL 143.27, 1%, 0.68%

LAB 89.87, -64.32, 35.99

 

CMYK 58 / 0 / 32 / 0

HEX #6BFFAD

RGB 107 255 173

HSL 146.76, 1%, 0.71%

LAB 90.63, -57.68, 27.58

 

CMYK 51 / 0 / 25 / 0

HEX #7CFFC0

RGB 124 255 192

HSL 151.15, 1%, 0.74%

LAB 91.51, -50.35, 19.23

 

CMYK 78 / 0 / 49 / 8

HEX #33EB79

RGB 51 235 121

HSL 142.83, 0.82%, 0.56%

LAB 82.65, -68.45, 42.69

 

CMYK 84 / 0 / 53 / 15

HEX #22D966

RGB 34 217 102

HSL 142.3, 0.73%, 0.49%

LAB 76.63, -67.1, 44.29

 

CMYK 91 / 0 / 58 / 22

HEX #11C753

RGB 17 199 83

HSL 141.76, 0.84%, 0.42%

LAB 70.59, -65.23, 45.9

 

CMYK 100 / 0 / 65 / 29

HEX #00B540

RGB 0 181 64

HSL 141.22, 1%, 0.35%

LAB 64.5, -62.8, 47.42

 

CMYK 100 / 0 / 72 / 36

HEX #00A32D

RGB 0 163 45

HSL 136.56, 1%, 0.32%

LAB 58.4, -59.36, 48.69

 

CMYK 78 / 0 / 49 / 8

HEX #33EB79

RGB 51 235 121

HSL 142.83, 0.82%, 0.56%

LAB 82.65, -68.45, 42.69

 

CMYK 78 / 0 / 70 / 8

HEX #33EB47

RGB 51 235 71

HSL 126.52, 0.82%, 0.56%

LAB 82.15, -74.46, 63.78

 

CMYK 66 / 0 / 78 / 8

HEX #50EB33

RGB 80 235 51

HSL 110.54, 0.82%, 0.56%

LAB 82.57, -71.29, 70.96

 

CMYK 45 / 0 / 78 / 8

HEX #82EB33

RGB 130 235 51

HSL 94.24, 0.82%, 0.56%

LAB 84.17, -58.62, 73.03

 

CMYK 24 / 0 / 78 / 8

HEX #B3EB33

RGB 179 235 51

HSL 78.26, 0.82%, 0.56%

LAB 86.62, -41.7, 76.18

 

CMYK 78 / 0 / 49 / 8

HEX #33EB79

RGB 51 235 121

HSL 142.83, 0.82%, 0.56%

LAB 82.65, -68.45, 42.69

 

CMYK 78 / 0 / 28 / 8

HEX #33EBAA

RGB 51 235 170

HSL 158.8, 0.82%, 0.56%

LAB 83.45, -59.28, 19.07

 

CMYK 78 / 0 / 6 / 8

HEX #33EBDC

RGB 51 235 220

HSL 175.11, 0.82%, 0.56%

LAB 84.63, -46.99, -5.45

 

CMYK 78 / 15 / 0 / 8

HEX #33C8EB

RGB 51 200 235

HSL 191.41, 0.82%, 0.56%

LAB 74.83, -26.38, -28.21

 

CMYK 78 / 36 / 0 / 8

HEX #3396EB

RGB 51 150 235

HSL 207.72, 0.82%, 0.56%

LAB 60.35, 0.67, -50.81

 

CMYK 78 / 0 / 49 / 8

HEX #33EB79

RGB 51 235 121

HSL 142.83, 0.82%, 0.56%

LAB 82.65, -68.45, 42.69

 

CMYK 87 / 0 / 54 / 1

HEX #21FD74

RGB 33 253 116

HSL 142.64, 0.98%, 0.56%

LAB 87.89, -76.55, 51.43

 

CMYK 78 / 0 / 49 / 8

HEX #33EB79

RGB 51 235 121

HSL 142.83, 0.82%, 0.56%

LAB 82.65, -68.45, 42.69

 

CMYK 68 / 0 / 42 / 15

HEX #45D97D

RGB 69 217 125

HSL 142.7, 0.66%, 0.56%

LAB 77.5, -58.97, 34.21

 

CMYK 56 / 0 / 35 / 22

HEX #57C681

RGB 87 198 129

HSL 142.7, 0.49%, 0.56%

LAB 72.23, -47.26, 25.27

 

CMYK 42 / 0 / 26 / 29

HEX #69B486

RGB 105 180 134

HSL 143.2, 0.33%, 0.56%

LAB 67.55, -33.7, 16.31

 

CMYK 24 / 0 / 15 / 36

HEX #7BA28A

RGB 123 162 138

HSL 143.08, 0.17%, 0.56%

LAB 63.25, -18.37, 8.18

 

CMYK 66 / 0 / 78 / 8

HEX #51EB33

RGB 81 235 51

HSL 110.22, 0.82%, 0.56%

LAB 82.6, -71.1, 70.99

 

CMYK 78 / 0 / 71 / 8

HEX #33EB45

RGB 51 235 69

HSL 125.87, 0.82%, 0.56%

LAB 82.14, -74.63, 64.5

 

CMYK 78 / 0 / 50 / 8

HEX #33EB76

RGB 51 235 118

HSL 141.85, 0.82%, 0.56%

LAB 82.61, -68.91, 44.08

 

CMYK 78 / 0 / 29 / 8

HEX #33EBA7

RGB 51 235 167

HSL 157.83, 0.82%, 0.56%

LAB 83.4, -59.93, 20.55

 

CMYK 78 / 0 / 8 / 8

HEX #33EBD8

RGB 51 235 216

HSL 173.8, 0.82%, 0.56%

LAB 84.52, -48.07, -3.5

 

CMYK 90 / 0 / 56 / 27

HEX #12B952

RGB 18 185 82

HSL 142.99, 0.82%, 0.4%

LAB 66.09, -60.85, 41.03

 

CMYK 90 / 0 / 56 / 13

HEX #16DE62

RGB 22 222 98

HSL 142.8, 0.82%, 0.48%

LAB 78.05, -70.11, 47.84

 

CMYK 78 / 0 / 49 / 8

HEX #33EB79

RGB 51 235 121

HSL 142.83, 0.82%, 0.56%

LAB 82.65, -68.45, 42.69

 

CMYK 63 / 0 / 39 / 6

HEX #58EF91

RGB 88 239 145

HSL 142.65, 0.83%, 0.64%

LAB 84.92, -60.3, 33.95

 

CMYK 48 / 0 / 30 / 5

HEX #7EF2AA

RGB 126 242 170

HSL 142.76, 0.82%, 0.72%

LAB 87.41, -48.63, 24.82

 

CMYK 78 / 0 / 49 / 8

HEX #33EB79

RGB 51 235 121

HSL 142.83, 0.82%, 0.56%

LAB 82.65, -68.45, 42.69

 

CMYK 78 / 44 / 0 / 8

HEX #3383EB

RGB 51 131 235

HSL 213.91, 0.82%, 0.56%

LAB 55, 12.05, -59.34

 

CMYK 0 / 78 / 76 / 8

HEX #EB3339

RGB 235 51 57

HSL 358.04, 0.82%, 0.56%

LAB 52.2, 68.4, 41.96

 

CMYK 78 / 0 / 49 / 8

HEX #33EB79

RGB 51 235 121

HSL 142.83, 0.82%, 0.56%

LAB 82.65, -68.45, 42.69

 

CMYK 50 / 78 / 0 / 8

HEX #7633EB

RGB 118 51 235

HSL 261.85, 0.82%, 0.56%

LAB 41.56, 66.39, -81.01

 

CMYK 0 / 50 / 78 / 8

HEX #EB7633

RGB 235 118 51

HSL 21.85, 0.82%, 0.56%

LAB 62.39, 40.95, 55.38

 

CMYK 78 / 0 / 49 / 8

HEX #33EB79

RGB 51 235 121

HSL 142.83, 0.82%, 0.56%

LAB 82.65, -68.45, 42.69

 

CMYK 78 / 44 / 0 / 8

HEX #3383EB

RGB 51 131 235

HSL 213.91, 0.82%, 0.56%

LAB 55, 12.05, -59.34

 

CMYK 0 / 78 / 29 / 8

HEX #EB33A7

RGB 235 51 167

HSL 322.17, 0.82%, 0.56%

LAB 54.89, 76.56, -19.49

 

CMYK 0 / 34 / 78 / 8

HEX #EB9B33

RGB 235 155 51

HSL 33.91, 0.82%, 0.56%

LAB 70.42, 21.72, 62.99

 

CMYK 78 / 0 / 49 / 8

HEX #33EB79

RGB 51 235 121

HSL 142.83, 0.82%, 0.56%

LAB 82.65, -68.45, 42.69

 

CMYK 78 / 68 / 0 / 8

HEX #334BEB

RGB 51 75 235

HSL 232.17, 0.82%, 0.56%

LAB 40.79, 46.93, -82.46

 

CMYK 0 / 78 / 29 / 8

HEX #EB33A7

RGB 235 51 167

HSL 322.17, 0.82%, 0.56%

LAB 54.89, 76.56, -19.49

 

CMYK 0 / 11 / 78 / 8

HEX #EBD233

RGB 235 210 51

HSL 51.85, 0.82%, 0.56%

LAB 83.96, -7.01, 75.32

 

Description

Color code: HEX #33EB79 | qconv.com Color code: HEX #33EB79 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 235 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 235 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 49 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 49% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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