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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35DC9D it is the complementary color #CA2362. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35DC9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #35DC9D: #3ADC98, #4BEEAB, #5CFFBE, #6DFFD1 and #7EFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35DC9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #35DC9D: #35DC9D, #24CA8A, #13B877, #02A664 and #009451

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 29 / 14

HEX #35DC9D

RGB 53 220 157

HSL 157.37, 0.7%, 0.54%

LAB 78.68, -56.17, 19.24

 

Complementary color

CMYK 0 / 83 / 51 / 21

HEX #CA2362

RGB 202 35 98

HSL 337.37, 0.7%, 0.46%

LAB 45.14, 65.82, 7.06

 

CMYK 74 / 0 / 31 / 14

HEX #3ADC98

RGB 58 220 152

HSL 154.81, 0.7%, 0.55%

LAB 78.67, -56.61, 21.85

 

CMYK 68 / 0 / 28 / 7

HEX #4BEEAB

RGB 75 238 171

HSL 155.34, 0.83%, 0.61%

LAB 84.78, -57.16, 20.46

 

CMYK 64 / 0 / 25 / 0

HEX #5CFFBE

RGB 92 255 190

HSL 156.07, 1%, 0.68%

LAB 90.56, -57.11, 18.78

 

CMYK 57 / 0 / 18 / 0

HEX #6DFFD1

RGB 109 255 209

HSL 161.1, 1%, 0.71%

LAB 91.4, -49.92, 10.28

 

CMYK 51 / 0 / 11 / 0

HEX #7EFFE4

RGB 126 255 228

HSL 167.44, 1%, 0.75%

LAB 92.38, -42.16, 1.94

 

CMYK 76 / 0 / 29 / 14

HEX #35DC9D

RGB 53 220 157

HSL 157.37, 0.7%, 0.54%

LAB 78.68, -56.17, 19.24

 

CMYK 82 / 0 / 32 / 21

HEX #24CA8A

RGB 36 202 138

HSL 156.87, 0.7%, 0.47%

LAB 72.53, -55.21, 20.74

 

CMYK 90 / 0 / 35 / 28

HEX #13B877

RGB 19 184 119

HSL 156.36, 0.81%, 0.4%

LAB 66.33, -53.86, 22.39

 

CMYK 99 / 0 / 40 / 35

HEX #02A664

RGB 2 166 100

HSL 155.85, 0.98%, 0.33%

LAB 60.07, -52.05, 24.19

 

CMYK 100 / 0 / 45 / 42

HEX #009451

RGB 0 148 81

HSL 152.84, 1%, 0.29%

LAB 53.79, -49.45, 26.19

 

CMYK 76 / 0 / 29 / 14

HEX #35DC9D

RGB 53 220 157

HSL 157.37, 0.7%, 0.54%

LAB 78.68, -56.17, 19.24

 

CMYK 75 / 0 / 16 / 14

HEX #37DBB8

RGB 55 219 184

HSL 167.2, 0.69%, 0.54%

LAB 79, -49.22, 5.42

 

CMYK 75 / 0 / 4 / 14

HEX #37DBD3

RGB 55 219 211

HSL 177.07, 0.69%, 0.54%

LAB 79.72, -42.09, -7.94

 

CMYK 75 / 9 / 0 / 14

HEX #37C8DB

RGB 55 200 219

HSL 186.95, 0.69%, 0.54%

LAB 74.34, -30.96, -20.31

 

CMYK 75 / 21 / 0 / 14

HEX #37ADDB

RGB 55 173 219

HSL 196.83, 0.69%, 0.54%

LAB 66.38, -17.29, -32.52

 

CMYK 76 / 0 / 29 / 14

HEX #35DC9D

RGB 53 220 157

HSL 157.37, 0.7%, 0.54%

LAB 78.68, -56.17, 19.24

 

CMYK 75 / 0 / 31 / 94

HEX #04100B

RGB 4 16 11

HSL 155, 0.6%, 0.04%

LAB 3.8, -4.26, 1.08

 

CMYK 76 / 0 / 28 / 74

HEX #104330

RGB 16 67 48

HSL 157.65, 0.61%, 0.16%

LAB 24.76, -22.1, 6.75

 

CMYK 76 / 0 / 29 / 54

HEX #1C7654

RGB 28 118 84

HSL 157.33, 0.62%, 0.29%

LAB 44.01, -34.56, 11.43

 

CMYK 76 / 0 / 28 / 34

HEX #29A979

RGB 41 169 121

HSL 157.5, 0.61%, 0.41%

LAB 61.85, -45.52, 15.21

 

CMYK 76 / 0 / 29 / 14

HEX #35DC9D

RGB 53 220 157

HSL 157.37, 0.7%, 0.54%

LAB 78.68, -56.17, 19.24

 

CMYK 75 / 61 / 0 / 14

HEX #3755DB

RGB 55 85 219

HSL 229.02, 0.69%, 0.54%

LAB 41.88, 35.55, -71.57

 

CMYK 0 / 58 / 75 / 14

HEX #DB5B37

RGB 219 91 55

HSL 13.17, 0.69%, 0.54%

LAB 54.88, 48.16, 45.08

 

CMYK 76 / 0 / 29 / 14

HEX #35DC9D

RGB 53 220 157

HSL 157.37, 0.7%, 0.54%

LAB 78.68, -56.17, 19.24

 

CMYK 29 / 75 / 0 / 14

HEX #9C37DB

RGB 156 55 219

HSL 276.95, 0.69%, 0.54%

LAB 45.52, 66.99, -65.25

 

CMYK 0 / 29 / 75 / 14

HEX #DB9C37

RGB 219 156 55

HSL 36.95, 0.69%, 0.54%

LAB 68.83, 14.55, 59.27

 

CMYK 76 / 0 / 29 / 14

HEX #35DC9D

RGB 53 220 157

HSL 157.37, 0.7%, 0.54%

LAB 78.68, -56.17, 19.24

 

CMYK 75 / 61 / 0 / 14

HEX #3755DB

RGB 55 85 219

HSL 229.02, 0.69%, 0.54%

LAB 41.88, 35.55, -71.57

 

CMYK 0 / 75 / 46 / 14

HEX #DB3776

RGB 219 55 118

HSL 336.95, 0.69%, 0.54%

LAB 50.8, 66.46, 3.34

 

CMYK 0 / 14 / 75 / 14

HEX #DBBD37

RGB 219 189 55

HSL 49.02, 0.69%, 0.54%

LAB 77.12, -2.93, 67.22

 

CMYK 76 / 0 / 29 / 14

HEX #35DC9D

RGB 53 220 157

HSL 157.37, 0.7%, 0.54%

LAB 78.68, -56.17, 19.24

 

CMYK 66 / 75 / 0 / 14

HEX #4A37DB

RGB 74 55 219

HSL 246.95, 0.69%, 0.54%

LAB 36.56, 55.03, -80.26

 

CMYK 0 / 75 / 46 / 14

HEX #DB3776

RGB 219 55 118

HSL 336.95, 0.69%, 0.54%

LAB 50.8, 66.46, 3.34

 

CMYK 9 / 0 / 75 / 14

HEX #C8DB37

RGB 200 219 55

HSL 66.95, 0.69%, 0.54%

LAB 83.56, -25.93, 72.69

 

Description

Color code: HEX #35DC9D | qconv.com Color code: HEX #35DC9D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 220 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 220 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 29 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 29% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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