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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #35BF20 it is the complementary color #CA40DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #35BF20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #35BF20: #3ABF1B, #4BD12E, #5CE341, #6DF554 and #7EFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #35BF20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #35BF20: #35BF20, #24AD0D, #139B00, #028900 and #007700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 83 / 25

HEX #35BF20

RGB 53 191 32

HSL 112.08, 0.71%, 0.44%

LAB 68.11, -63.38, 62.49

 

Complementary color

CMYK 9 / 71 / 0 / 13

HEX #CA40DF

RGB 202 64 223

HSL 292.08, 0.71%, 0.56%

LAB 53.55, 73.38, -54.24

 

CMYK 70 / 0 / 86 / 25

HEX #3ABF1B

RGB 58 191 27

HSL 108.66, 0.75%, 0.43%

LAB 68.2, -62.71, 63.79

 

CMYK 64 / 0 / 78 / 18

HEX #4BD12E

RGB 75 209 46

HSL 109.33, 0.64%, 0.5%

LAB 74.38, -64.17, 64.6

 

CMYK 59 / 0 / 71 / 11

HEX #5CE341

RGB 92 227 65

HSL 110, 0.74%, 0.57%

LAB 80.51, -65.16, 64.53

 

CMYK 56 / 0 / 66 / 4

HEX #6DF554

RGB 109 245 84

HSL 110.68, 0.89%, 0.65%

LAB 86.6, -65.81, 63.96

 

CMYK 51 / 0 / 60 / 0

HEX #7EFF67

RGB 126 255 103

HSL 110.92, 1%, 0.7%

LAB 90.29, -63.29, 60.44

 

CMYK 72 / 0 / 83 / 25

HEX #35BF20

RGB 53 191 32

HSL 112.08, 0.71%, 0.44%

LAB 68.11, -63.38, 62.49

 

CMYK 79 / 0 / 92 / 32

HEX #24AD0D

RGB 36 173 13

HSL 111.38, 0.86%, 0.36%

LAB 61.9, -61.2, 60.85

 

CMYK 88 / 0 / 100 / 39

HEX #139B00

RGB 19 155 0

HSL 112.65, 1%, 0.3%

LAB 55.67, -58.14, 57.52

 

CMYK 99 / 0 / 100 / 46

HEX #028900

RGB 2 137 0

HSL 119.12, 1%, 0.27%

LAB 49.38, -54.16, 52.43

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 72 / 0 / 83 / 25

HEX #35BF20

RGB 53 191 32

HSL 112.08, 0.71%, 0.44%

LAB 68.11, -63.38, 62.49

 

CMYK 83 / 0 / 81 / 25

HEX #20BF25

RGB 32 191 37

HSL 121.89, 0.71%, 0.44%

LAB 67.8, -66.01, 60.73

 

CMYK 83 / 0 / 66 / 25

HEX #20BF40

RGB 32 191 64

HSL 132.08, 0.71%, 0.44%

LAB 67.98, -63.82, 51.32

 

CMYK 83 / 0 / 53 / 25

HEX #20BF5A

RGB 32 191 90

HSL 141.89, 0.71%, 0.44%

LAB 68.25, -60.51, 39.81

 

CMYK 83 / 0 / 39 / 25

HEX #20BF75

RGB 32 191 117

HSL 152.08, 0.71%, 0.44%

LAB 68.64, -55.83, 26.58

 

CMYK 72 / 0 / 83 / 25

HEX #35BF20

RGB 53 191 32

HSL 112.08, 0.71%, 0.44%

LAB 68.11, -63.38, 62.49

 

CMYK 72 / 0 / 83 / 5

HEX #43F229

RGB 67 242 41

HSL 112.24, 0.89%, 0.55%

LAB 84.41, -76.25, 75.15

 

CMYK 71 / 0 / 84 / 85

HEX #0B2606

RGB 11 38 6

HSL 110.63, 0.73%, 0.09%

LAB 12.42, -18.15, 15.54

 

CMYK 72 / 0 / 83 / 65

HEX #19590F

RGB 25 89 15

HSL 111.89, 0.71%, 0.2%

LAB 32.67, -35.01, 34.29

 

CMYK 72 / 0 / 84 / 45

HEX #278C17

RGB 39 140 23

HSL 111.79, 0.72%, 0.32%

LAB 50.98, -49.78, 49.11

 

CMYK 72 / 0 / 83 / 25

HEX #35BF20

RGB 53 191 32

HSL 112.08, 0.71%, 0.44%

LAB 68.11, -63.38, 62.49

 

CMYK 83 / 5 / 0 / 25

HEX #20B5BF

RGB 32 181 191

HSL 183.77, 0.71%, 0.44%

LAB 67.36, -32.59, -15.6

 

CMYK 0 / 83 / 39 / 25

HEX #BF2075

RGB 191 32 117

HSL 327.92, 0.71%, 0.44%

LAB 43.35, 65.45, -7.61

 

CMYK 72 / 0 / 83 / 25

HEX #35BF20

RGB 53 191 32

HSL 112.08, 0.71%, 0.44%

LAB 68.11, -63.38, 62.49

 

CMYK 83 / 72 / 0 / 25

HEX #2035BF

RGB 32 53 191

HSL 232.08, 0.71%, 0.44%

LAB 30.91, 43.45, -73.39

 

CMYK 0 / 83 / 72 / 25

HEX #BF2035

RGB 191 32 53

HSL 352.08, 0.71%, 0.44%

LAB 41.79, 60.86, 30.18

 

CMYK 72 / 0 / 83 / 25

HEX #35BF20

RGB 53 191 32

HSL 112.08, 0.71%, 0.44%

LAB 68.11, -63.38, 62.49

 

CMYK 83 / 5 / 0 / 25

HEX #20B5BF

RGB 32 181 191

HSL 183.77, 0.71%, 0.44%

LAB 67.36, -32.59, -15.6

 

CMYK 11 / 83 / 0 / 25

HEX #AA20BF

RGB 170 32 191

HSL 292.08, 0.71%, 0.44%

LAB 43.27, 71.15, -52.59

 

CMYK 0 / 77 / 83 / 25

HEX #BF2B20

RGB 191 43 32

HSL 4.15, 0.71%, 0.44%

LAB 42.62, 57.12, 43

 

CMYK 72 / 0 / 83 / 25

HEX #35BF20

RGB 53 191 32

HSL 112.08, 0.71%, 0.44%

LAB 68.11, -63.38, 62.49

 

CMYK 83 / 30 / 0 / 25

HEX #2085BF

RGB 32 133 191

HSL 201.89, 0.71%, 0.44%

LAB 52.78, -7.28, -38.09

 

CMYK 11 / 83 / 0 / 25

HEX #AA20BF

RGB 170 32 191

HSL 292.08, 0.71%, 0.44%

LAB 43.27, 71.15, -52.59

 

CMYK 0 / 53 / 83 / 25

HEX #BF5A20

RGB 191 90 32

HSL 21.89, 0.71%, 0.44%

LAB 50.09, 37.21, 49.77

 

Description

Color code: HEX #35BF20 | qconv.com Color code: HEX #35BF20 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 191 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 191 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 83 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 83% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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