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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3574AB it is the complementary color #CA8B54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3574AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3574AB: #3A74A6, #4B86B9, #5C98CC, #6DAADF and #7EBCF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3574AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3574AB: #3574AB, #246298, #135085, #023E72 and #002C5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 32 / 0 / 33

HEX #3574AB

RGB 53 116 171

HSL 207.97, 0.53%, 0.44%

LAB 47.22, -1.91, -35.26

 

Complementary color

CMYK 0 / 31 / 58 / 21

HEX #CA8B54

RGB 202 139 84

HSL 27.97, 0.53%, 0.56%

LAB 63.06, 18.24, 38.74

 

CMYK 65 / 30 / 0 / 35

HEX #3A74A6

RGB 58 116 166

HSL 207.78, 0.48%, 0.44%

LAB 47.16, -2.81, -32.41

 

CMYK 59 / 28 / 0 / 27

HEX #4B86B9

RGB 75 134 185

HSL 207.82, 0.44%, 0.51%

LAB 54.08, -3.76, -32.53

 

CMYK 55 / 25 / 0 / 20

HEX #5C98CC

RGB 92 152 204

HSL 207.86, 0.52%, 0.58%

LAB 60.86, -4.49, -32.66

 

CMYK 51 / 24 / 0 / 13

HEX #6DAADF

RGB 109 170 223

HSL 207.89, 0.64%, 0.65%

LAB 67.52, -5.07, -32.8

 

CMYK 48 / 22 / 0 / 5

HEX #7EBCF2

RGB 126 188 242

HSL 207.93, 0.82%, 0.72%

LAB 74.07, -5.55, -32.95

 

CMYK 69 / 32 / 0 / 33

HEX #3574AB

RGB 53 116 171

HSL 207.97, 0.53%, 0.44%

LAB 47.22, -1.91, -35.26

 

CMYK 76 / 36 / 0 / 40

HEX #246298

RGB 36 98 152

HSL 207.93, 0.62%, 0.37%

LAB 40.21, -0.38, -35.13

 

CMYK 86 / 40 / 0 / 48

HEX #135085

RGB 19 80 133

HSL 207.89, 0.75%, 0.3%

LAB 33.07, 1.72, -34.96

 

CMYK 98 / 46 / 0 / 55

HEX #023E72

RGB 2 62 114

HSL 207.86, 0.97%, 0.23%

LAB 25.78, 4.53, -34.74

 

CMYK 100 / 54 / 0 / 63

HEX #002C5F

RGB 0 44 95

HSL 212.21, 1%, 0.19%

LAB 18.49, 8.77, -34.19

 

CMYK 69 / 32 / 0 / 33

HEX #3574AB

RGB 53 116 171

HSL 207.97, 0.53%, 0.44%

LAB 47.22, -1.91, -35.26

 

CMYK 70 / 43 / 0 / 33

HEX #3462AB

RGB 52 98 171

HSL 216.81, 0.53%, 0.44%

LAB 41.85, 9.13, -43.77

 

CMYK 70 / 54 / 0 / 33

HEX #344EAB

RGB 52 78 171

HSL 226.89, 0.53%, 0.44%

LAB 36.21, 22.18, -52.84

 

CMYK 70 / 66 / 0 / 33

HEX #343AAB

RGB 52 58 171

HSL 236.97, 0.53%, 0.44%

LAB 31.11, 35.18, -61.16

 

CMYK 61 / 70 / 0 / 33

HEX #4234AB

RGB 66 52 171

HSL 247.06, 0.53%, 0.44%

LAB 30.77, 40.77, -61.67

 

CMYK 69 / 32 / 0 / 33

HEX #3574AB

RGB 53 116 171

HSL 207.97, 0.53%, 0.44%

LAB 47.22, -1.91, -35.26

 

CMYK 69 / 32 / 0 / 13

HEX #4597DE

RGB 69 151 222

HSL 207.84, 0.7%, 0.57%

LAB 60.49, -2.22, -43.35

 

CMYK 67 / 33 / 0 / 93

HEX #060C12

RGB 6 12 18

HSL 210, 0.5%, 0.05%

LAB 3.12, -0.51, -3.52

 

CMYK 70 / 32 / 0 / 73

HEX #152F45

RGB 21 47 69

HSL 207.5, 0.53%, 0.18%

LAB 18.46, -1.86, -16.73

 

CMYK 69 / 33 / 0 / 53

HEX #255178

RGB 37 81 120

HSL 208.19, 0.53%, 0.31%

LAB 33.21, -1.58, -26.66

 

CMYK 69 / 32 / 0 / 33

HEX #3574AB

RGB 53 116 171

HSL 207.97, 0.53%, 0.44%

LAB 47.22, -1.91, -35.26

 

CMYK 24 / 70 / 0 / 33

HEX #8234AB

RGB 130 52 171

HSL 279.33, 0.53%, 0.44%

LAB 38.1, 52.81, -49.43

 

CMYK 4 / 0 / 70 / 33

HEX #A5AB34

RGB 165 171 52

HSL 63.03, 0.53%, 0.44%

LAB 67.56, -17.1, 57.45

 

CMYK 69 / 32 / 0 / 33

HEX #3574AB

RGB 53 116 171

HSL 207.97, 0.53%, 0.44%

LAB 47.22, -1.91, -35.26

 

CMYK 0 / 70 / 31 / 33

HEX #AB3476

RGB 171 52 118

HSL 326.72, 0.53%, 0.44%

LAB 41.88, 54.19, -10.81

 

CMYK 31 / 0 / 70 / 33

HEX #76AB34

RGB 118 171 52

HSL 86.72, 0.53%, 0.44%

LAB 64.34, -36.3, 53.15

 

CMYK 69 / 32 / 0 / 33

HEX #3574AB

RGB 53 116 171

HSL 207.97, 0.53%, 0.44%

LAB 47.22, -1.91, -35.26

 

CMYK 24 / 70 / 0 / 33

HEX #8234AB

RGB 130 52 171

HSL 279.33, 0.53%, 0.44%

LAB 38.1, 52.81, -49.43

 

CMYK 0 / 38 / 70 / 33

HEX #AB6A34

RGB 171 106 52

HSL 27.23, 0.53%, 0.44%

LAB 50.94, 21.1, 40.29

 

CMYK 45 / 0 / 70 / 33

HEX #5EAB34

RGB 94 171 52

HSL 98.82, 0.53%, 0.44%

LAB 63.14, -44.72, 51.53

 

CMYK 69 / 32 / 0 / 33

HEX #3574AB

RGB 53 116 171

HSL 207.97, 0.53%, 0.44%

LAB 47.22, -1.91, -35.26

 

CMYK 4 / 70 / 0 / 33

HEX #A534AB

RGB 165 52 171

HSL 296.97, 0.53%, 0.44%

LAB 43.35, 60.62, -40.72

 

CMYK 0 / 38 / 70 / 33

HEX #AB6A34

RGB 171 106 52

HSL 27.23, 0.53%, 0.44%

LAB 50.94, 21.1, 40.29

 

CMYK 66 / 0 / 70 / 33

HEX #3AAB34

RGB 58 171 52

HSL 116.97, 0.53%, 0.44%

LAB 61.89, -54.42, 49.83

 

Description

Color code: HEX #3574AB | qconv.com Color code: HEX #3574AB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 116 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 116 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 32 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 32% 0% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

35% - A Computer Enthusias...
Link: http://mtndesign.net/blog

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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