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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34DFEB it is the complementary color #CB2014. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34DFEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34DFEB shade: #39DFE6, #4AF1F9, #5BFFFF, #6CFFFF and #7DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34DFEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34DFEB shade: #34DFEB, #23CDD8, #12BBC5, #01A9B2 and #00979F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34DFEB shade: #33DFEB, #33ADEB, #337CEB, #334AEB and #4D33EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34DFEB shade: #33DFEB, #33ADEB, #337CEB, #334AEB and #3333EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34DFEB shade matches the following richer shades: #33DFEB and #21EFFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34DFEB shade: #33DFEB, #45CFD9, #57BFC6, #69AFB4 and #7BA0A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34DFEB shade: #33EB92, #33EBC3, #33E2EB, #33B1EB and #337FEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34DFEB shade: #12AEB9, #16D1DE, #33DFEB, #58E5EF and #7EEBF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34DFEB shade: #34DFEB, #6133EB and #EBAA33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34DFEB shade: #34DFEB, #EB33E2 and #E2EB33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34DFEB shade: #34DFEB, #6133EB, #EB3C33 and #BDEB33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34DFEB shade: #34DFEB, #9833EB, #EB3C33 and #86EB33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 5 / 0 / 8

HEX #34DFEB

RGB 52 223 235

HSL 183.93, 0.82%, 0.56%

LAB 81.57, -37.31, -17.95

 

Complementary color

CMYK 0 / 84 / 90 / 20

HEX #CB2014

RGB 203 32 20

HSL 3.93, 0.82%, 0.44%

LAB 43.92, 63.26, 50.62

 

CMYK 75 / 3 / 0 / 10

HEX #39DFE6

RGB 57 223 230

HSL 182.43, 0.78%, 0.56%

LAB 81.49, -38.29, -15.41

 

CMYK 70 / 3 / 0 / 2

HEX #4AF1F9

RGB 74 241 249

HSL 182.74, 0.94%, 0.63%

LAB 87.58, -39.18, -16.24

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 78 / 5 / 0 / 8

HEX #34DFEB

RGB 52 223 235

HSL 183.93, 0.82%, 0.56%

LAB 81.57, -37.31, -17.95

 

CMYK 84 / 5 / 0 / 15

HEX #23CDD8

RGB 35 205 216

HSL 183.65, 0.72%, 0.49%

LAB 75.44, -36.02, -17.06

 

CMYK 91 / 5 / 0 / 23

HEX #12BBC5

RGB 18 187 197

HSL 183.35, 0.83%, 0.42%

LAB 69.26, -34.4, -16.06

 

CMYK 99 / 5 / 0 / 30

HEX #01A9B2

RGB 1 169 178

HSL 183.05, 0.99%, 0.35%

LAB 63.01, -32.46, -14.98

 

CMYK 100 / 5 / 0 / 38

HEX #00979F

RGB 0 151 159

HSL 183.02, 1%, 0.31%

LAB 56.72, -29.95, -13.74

 

CMYK 78 / 5 / 0 / 8

HEX #33DFEB

RGB 51 223 235

HSL 183.91, 0.82%, 0.56%

LAB 81.55, -37.4, -17.98

 

CMYK 78 / 26 / 0 / 8

HEX #33ADEB

RGB 51 173 235

HSL 200.22, 0.82%, 0.56%

LAB 66.97, -12.32, -40.39

 

CMYK 78 / 47 / 0 / 8

HEX #337CEB

RGB 51 124 235

HSL 216.2, 0.82%, 0.56%

LAB 53.08, 16.37, -62.44

 

CMYK 78 / 69 / 0 / 8

HEX #334AEB

RGB 51 74 235

HSL 232.5, 0.82%, 0.56%

LAB 40.57, 47.53, -82.82

 

CMYK 67 / 78 / 0 / 8

HEX #4D33EB

RGB 77 51 235

HSL 248.48, 0.82%, 0.56%

LAB 37.74, 61.94, -87.44

 

CMYK 78 / 5 / 0 / 8

HEX #33DFEB

RGB 51 223 235

HSL 183.91, 0.82%, 0.56%

LAB 81.55, -37.4, -17.98

 

CMYK 78 / 26 / 0 / 8

HEX #33ADEB

RGB 51 173 235

HSL 200.22, 0.82%, 0.56%

LAB 66.97, -12.32, -40.39

 

CMYK 78 / 47 / 0 / 8

HEX #337CEB

RGB 51 124 235

HSL 216.2, 0.82%, 0.56%

LAB 53.08, 16.37, -62.44

 

CMYK 78 / 69 / 0 / 8

HEX #334AEB

RGB 51 74 235

HSL 232.5, 0.82%, 0.56%

LAB 40.57, 47.53, -82.82

 

CMYK 78 / 78 / 0 / 8

HEX #3333EB

RGB 51 51 235

HSL 240, 0.82%, 0.56%

LAB 36.12, 60.04, -90.18

 

CMYK 78 / 5 / 0 / 8

HEX #33DFEB

RGB 51 223 235

HSL 183.91, 0.82%, 0.56%

LAB 81.55, -37.4, -17.98

 

CMYK 87 / 6 / 0 / 1

HEX #21EFFD

RGB 33 239 253

HSL 183.82, 0.98%, 0.56%

LAB 86.58, -40.62, -19.91

 

CMYK 78 / 5 / 0 / 8

HEX #33DFEB

RGB 51 223 235

HSL 183.91, 0.82%, 0.56%

LAB 81.55, -37.4, -17.98

 

CMYK 68 / 5 / 0 / 15

HEX #45CFD9

RGB 69 207 217

HSL 184.05, 0.66%, 0.56%

LAB 76.62, -33.18, -15.76

 

CMYK 56 / 4 / 0 / 22

HEX #57BFC6

RGB 87 191 198

HSL 183.78, 0.49%, 0.56%

LAB 71.8, -27.91, -12.65

 

CMYK 42 / 3 / 0 / 29

HEX #69AFB4

RGB 105 175 180

HSL 184, 0.33%, 0.56%

LAB 67.25, -20.69, -9.49

 

CMYK 24 / 1 / 0 / 36

HEX #7BA0A2

RGB 123 160 162

HSL 183.08, 0.17%, 0.56%

LAB 63.31, -12.12, -5.19

 

CMYK 78 / 0 / 38 / 8

HEX #33EB92

RGB 51 235 146

HSL 150.98, 0.82%, 0.56%

LAB 83.02, -64.16, 30.79

 

CMYK 78 / 0 / 17 / 8

HEX #33EBC3

RGB 51 235 195

HSL 166.96, 0.82%, 0.56%

LAB 84, -53.47, 6.78

 

CMYK 78 / 4 / 0 / 8

HEX #33E2EB

RGB 51 226 235

HSL 182.93, 0.82%, 0.56%

LAB 82.43, -38.78, -16.66

 

CMYK 78 / 25 / 0 / 8

HEX #33B1EB

RGB 51 177 235

HSL 198.91, 0.82%, 0.56%

LAB 68.13, -14.49, -38.58

 

CMYK 78 / 46 / 0 / 8

HEX #337FEB

RGB 51 127 235

HSL 215.22, 0.82%, 0.56%

LAB 53.9, 14.52, -61.12

 

CMYK 90 / 6 / 0 / 27

HEX #12AEB9

RGB 18 174 185

HSL 183.95, 0.82%, 0.4%

LAB 64.89, -31.99, -16.04

 

CMYK 90 / 6 / 0 / 13

HEX #16D1DE

RGB 22 209 222

HSL 183.9, 0.82%, 0.48%

LAB 76.71, -36.78, -18.38

 

CMYK 78 / 5 / 0 / 8

HEX #33DFEB

RGB 51 223 235

HSL 183.91, 0.82%, 0.56%

LAB 81.55, -37.4, -17.98

 

CMYK 63 / 4 / 0 / 6

HEX #58E5EF

RGB 88 229 239

HSL 183.97, 0.83%, 0.64%

LAB 84.15, -34.53, -16.12

 

CMYK 48 / 3 / 0 / 5

HEX #7EEBF2

RGB 126 235 242

HSL 183.62, 0.82%, 0.72%

LAB 87.13, -29.53, -13.11

 

CMYK 78 / 5 / 0 / 8

HEX #34DFEB

RGB 52 223 235

HSL 183.93, 0.82%, 0.56%

LAB 81.57, -37.31, -17.95

 

CMYK 59 / 78 / 0 / 8

HEX #6133EB

RGB 97 51 235

HSL 255, 0.82%, 0.56%

LAB 39.42, 63.9, -84.6

 

CMYK 0 / 28 / 78 / 8

HEX #EBAA33

RGB 235 170 51

HSL 38.8, 0.82%, 0.56%

LAB 73.97, 13.77, 66.28

 

CMYK 78 / 5 / 0 / 8

HEX #34DFEB

RGB 52 223 235

HSL 183.93, 0.82%, 0.56%

LAB 81.57, -37.31, -17.95

 

CMYK 0 / 78 / 4 / 8

HEX #EB33E2

RGB 235 51 226

HSL 302.93, 0.82%, 0.56%

LAB 57.58, 84.24, -49.21

 

CMYK 4 / 0 / 78 / 8

HEX #E2EB33

RGB 226 235 51

HSL 62.93, 0.82%, 0.56%

LAB 89.78, -23.08, 80.2

 

CMYK 78 / 5 / 0 / 8

HEX #34DFEB

RGB 52 223 235

HSL 183.93, 0.82%, 0.56%

LAB 81.57, -37.31, -17.95

 

CMYK 59 / 78 / 0 / 8

HEX #6133EB

RGB 97 51 235

HSL 255, 0.82%, 0.56%

LAB 39.42, 63.9, -84.6

 

CMYK 0 / 74 / 78 / 8

HEX #EB3C33

RGB 235 60 51

HSL 2.93, 0.82%, 0.56%

LAB 53.09, 65.52, 46.16

 

CMYK 20 / 0 / 78 / 8

HEX #BDEB33

RGB 189 235 51

HSL 75, 0.82%, 0.56%

LAB 87.23, -37.88, 76.96

 

CMYK 78 / 5 / 0 / 8

HEX #34DFEB

RGB 52 223 235

HSL 183.93, 0.82%, 0.56%

LAB 81.57, -37.31, -17.95

 

CMYK 35 / 78 / 0 / 8

HEX #9833EB

RGB 152 51 235

HSL 272.93, 0.82%, 0.56%

LAB 45.69, 71.19, -74.08

 

CMYK 0 / 74 / 78 / 8

HEX #EB3C33

RGB 235 60 51

HSL 2.93, 0.82%, 0.56%

LAB 53.09, 65.52, 46.16

 

CMYK 43 / 0 / 78 / 8

HEX #86EB33

RGB 134 235 51

HSL 92.93, 0.82%, 0.56%

LAB 84.34, -57.38, 73.25

 

Description

Color code: HEX #34DFEB | qconv.com Color code: HEX #34DFEB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 223 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 223 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 5 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 5% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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