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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB3C33 it is the complementary color #14C3CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB3C33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB3C33 shade: #F03C2E, #FF4E41, #FF6054, #FF7267 and #FF847A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB3C33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB3C33 shade: #EB3C33, #DA2A20, #C9180D, #B80600 and #A70000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB3C33 shade: #EB3C33 and #EB3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB3C33 shade: #EB3C33, #EB6D33, #EB9F33, #EBD133 and #D3EB33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB3C33 shade matches the following richer shades: #EB3C33 and #FD2B21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB3C33 shade: #EB3C33, #D94C45, #C65D57, #B46D69 and #A27D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB3C33 shade: #EB338F, #EB335E, #EB3933, #EB6A33 and #EB9B33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB3C33 shade: #B91A12, #DE2016, #EB3C33, #EF6058 and #F2847E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB3C33 shade: #EB3C33, #C0EB33 and #3376EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB3C33 shade: #EB3C33, #33EB39 and #3933EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB3C33 shade: #EB3C33, #C0EB33, #33E5EB and #5E33EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB3C33 shade: #EB3C33, #89EB33, #33E5EB and #9533EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 78 / 8

HEX #EB3C33

RGB 235 60 51

HSL 2.93, 0.82%, 0.56%

LAB 53.09, 65.52, 46.16

 

Complementary color

CMYK 90 / 4 / 0 / 20

HEX #14C3CC

RGB 20 195 204

HSL 182.93, 0.82%, 0.44%

LAB 71.92, -35.89, -15.87

 

CMYK 0 / 75 / 81 / 6

HEX #F03C2E

RGB 240 60 46

HSL 4.33, 0.87%, 0.56%

LAB 53.98, 66.85, 49.92

 

CMYK 0 / 69 / 75 / 0

HEX #FF4E41

RGB 255 78 65

HSL 4.11, 1%, 0.63%

LAB 59.06, 65.94, 46.13

 

CMYK 0 / 62 / 67 / 0

HEX #FF6054

RGB 255 96 84

HSL 4.21, 1%, 0.66%

LAB 61.88, 59.75, 39.06

 

CMYK 0 / 55 / 60 / 0

HEX #FF7267

RGB 255 114 103

HSL 4.34, 1%, 0.7%

LAB 65.18, 52.92, 32.64

 

CMYK 0 / 48 / 52 / 0

HEX #FF847A

RGB 255 132 122

HSL 4.51, 1%, 0.74%

LAB 68.87, 45.72, 26.91

 

CMYK 0 / 74 / 78 / 8

HEX #EB3C33

RGB 235 60 51

HSL 2.93, 0.82%, 0.56%

LAB 53.09, 65.52, 46.16

 

CMYK 0 / 81 / 85 / 15

HEX #DA2A20

RGB 218 42 32

HSL 3.23, 0.74%, 0.49%

LAB 47.84, 65.29, 49.64

 

CMYK 0 / 88 / 94 / 21

HEX #C9180D

RGB 201 24 13

HSL 3.51, 0.88%, 0.42%

LAB 42.91, 64.21, 52.4

 

CMYK 0 / 97 / 100 / 28

HEX #B80600

RGB 184 6 0

HSL 1.96, 1%, 0.36%

LAB 38.41, 62.03, 52.68

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 74 / 78 / 8

HEX #EB3C33

RGB 235 60 51

HSL 2.93, 0.82%, 0.56%

LAB 53.09, 65.52, 46.16

 

CMYK 0 / 78 / 78 / 8

HEX #EB3333

RGB 235 51 51

HSL 0, 0.82%, 0.56%

LAB 52.14, 68.2, 45.18

 

CMYK 0 / 74 / 78 / 8

HEX #EB3C33

RGB 235 60 51

HSL 2.93, 0.82%, 0.56%

LAB 53.09, 65.52, 46.16

 

CMYK 0 / 54 / 78 / 8

HEX #EB6D33

RGB 235 109 51

HSL 18.91, 0.82%, 0.56%

LAB 60.64, 45.37, 53.68

 

CMYK 0 / 32 / 78 / 8

HEX #EB9F33

RGB 235 159 51

HSL 35.22, 0.82%, 0.56%

LAB 71.35, 19.6, 63.86

 

CMYK 0 / 11 / 78 / 8

HEX #EBD133

RGB 235 209 51

HSL 51.52, 0.82%, 0.56%

LAB 83.71, -6.5, 75.09

 

CMYK 10 / 0 / 78 / 8

HEX #D3EB33

RGB 211 235 51

HSL 67.83, 0.82%, 0.56%

LAB 88.69, -29.18, 78.82

 

CMYK 0 / 74 / 78 / 8

HEX #EB3C33

RGB 235 60 51

HSL 2.93, 0.82%, 0.56%

LAB 53.09, 65.52, 46.16

 

CMYK 0 / 83 / 87 / 1

HEX #FD2B21

RGB 253 43 33

HSL 2.73, 0.98%, 0.56%

LAB 54.78, 74.67, 57.67

 

CMYK 0 / 74 / 78 / 8

HEX #EB3C33

RGB 235 60 51

HSL 2.93, 0.82%, 0.56%

LAB 53.09, 65.52, 46.16

 

CMYK 0 / 65 / 68 / 15

HEX #D94C45

RGB 217 76 69

HSL 2.84, 0.66%, 0.56%

LAB 52.23, 54.73, 34.37

 

CMYK 0 / 53 / 56 / 22

HEX #C65D57

RGB 198 93 87

HSL 3.24, 0.49%, 0.56%

LAB 52.42, 41.38, 23.56

 

CMYK 0 / 39 / 42 / 29

HEX #B46D69

RGB 180 109 105

HSL 3.2, 0.33%, 0.56%

LAB 53.66, 27.76, 14.29

 

CMYK 0 / 23 / 24 / 36

HEX #A27D7B

RGB 162 125 123

HSL 3.08, 0.17%, 0.56%

LAB 55.87, 14.01, 6.6

 

CMYK 0 / 78 / 39 / 8

HEX #EB338F

RGB 235 51 143

HSL 330, 0.82%, 0.56%

LAB 54.04, 74.05, -6.58

 

CMYK 0 / 78 / 60 / 8

HEX #EB335E

RGB 235 51 94

HSL 345.98, 0.82%, 0.56%

LAB 52.77, 70.18, 21.01

 

CMYK 0 / 76 / 78 / 8

HEX #EB3933

RGB 235 57 51

HSL 1.96, 0.82%, 0.56%

LAB 52.76, 66.46, 45.81

 

CMYK 0 / 55 / 78 / 8

HEX #EB6A33

RGB 235 106 51

HSL 17.93, 0.82%, 0.56%

LAB 60.08, 46.81, 53.13

 

CMYK 0 / 34 / 78 / 8

HEX #EB9B33

RGB 235 155 51

HSL 33.91, 0.82%, 0.56%

LAB 70.42, 21.72, 62.99

 

CMYK 0 / 86 / 90 / 27

HEX #B91A12

RGB 185 26 18

HSL 2.87, 0.82%, 0.4%

LAB 39.74, 59.51, 46.77

 

CMYK 0 / 86 / 90 / 13

HEX #DE2016

RGB 222 32 22

HSL 3, 0.82%, 0.48%

LAB 47.78, 68.47, 54.32

 

CMYK 0 / 74 / 78 / 8

HEX #EB3C33

RGB 235 60 51

HSL 2.93, 0.82%, 0.56%

LAB 53.09, 65.52, 46.16

 

CMYK 0 / 60 / 63 / 6

HEX #EF6058

RGB 239 96 88

HSL 3.18, 0.83%, 0.64%

LAB 59.36, 54.61, 33.16

 

CMYK 0 / 45 / 48 / 5

HEX #F2847E

RGB 242 132 126

HSL 3.1, 0.82%, 0.72%

LAB 67.19, 41.34, 22.13

 

CMYK 0 / 74 / 78 / 8

HEX #EB3C33

RGB 235 60 51

HSL 2.93, 0.82%, 0.56%

LAB 53.09, 65.52, 46.16

 

CMYK 18 / 0 / 78 / 8

HEX #C0EB33

RGB 192 235 51

HSL 74.02, 0.82%, 0.56%

LAB 87.42, -36.71, 77.2

 

CMYK 78 / 50 / 0 / 8

HEX #3376EB

RGB 51 118 235

HSL 218.15, 0.82%, 0.56%

LAB 51.45, 20.12, -65.07

 

CMYK 0 / 74 / 78 / 8

HEX #EB3C33

RGB 235 60 51

HSL 2.93, 0.82%, 0.56%

LAB 53.09, 65.52, 46.16

 

CMYK 78 / 0 / 76 / 8

HEX #33EB39

RGB 51 235 57

HSL 121.96, 0.82%, 0.56%

LAB 82.06, -75.54, 68.48

 

CMYK 76 / 78 / 0 / 8

HEX #3933EB

RGB 57 51 235

HSL 241.96, 0.82%, 0.56%

LAB 36.43, 60.41, -89.64

 

CMYK 0 / 74 / 78 / 8

HEX #EB3C33

RGB 235 60 51

HSL 2.93, 0.82%, 0.56%

LAB 53.09, 65.52, 46.16

 

CMYK 18 / 0 / 78 / 8

HEX #C0EB33

RGB 192 235 51

HSL 74.02, 0.82%, 0.56%

LAB 87.42, -36.71, 77.2

 

CMYK 78 / 3 / 0 / 8

HEX #33E5EB

RGB 51 229 235

HSL 181.96, 0.82%, 0.56%

LAB 83.31, -40.14, -15.34

 

CMYK 60 / 78 / 0 / 8

HEX #5E33EB

RGB 94 51 235

HSL 254.02, 0.82%, 0.56%

LAB 39.15, 63.58, -85.07

 

CMYK 0 / 74 / 78 / 8

HEX #EB3C33

RGB 235 60 51

HSL 2.93, 0.82%, 0.56%

LAB 53.09, 65.52, 46.16

 

CMYK 42 / 0 / 78 / 8

HEX #89EB33

RGB 137 235 51

HSL 91.96, 0.82%, 0.56%

LAB 84.47, -56.43, 73.42

 

CMYK 78 / 3 / 0 / 8

HEX #33E5EB

RGB 51 229 235

HSL 181.96, 0.82%, 0.56%

LAB 83.31, -40.14, -15.34

 

CMYK 37 / 78 / 0 / 8

HEX #9533EB

RGB 149 51 235

HSL 271.96, 0.82%, 0.56%

LAB 45.3, 70.74, -74.74

 

Description

Color code: HEX #EB3C33 | qconv.com Color code: HEX #EB3C33 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 60 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 60 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 78 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 78% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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