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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34A457 it is the complementary color #CB5BA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34A457. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34A457 shade: #39A452, #4AB665, #5BC878, #6CDA8B and #7DEC9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34A457. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34A457 shade: #34A457, #239244, #128031, #016E1E and #005C0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34A457 shade: #33A356, #33A338, #4DA333, #6BA333 and #89A333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34A457 shade: #33A356, #33A374, #33A392, #3395A3 and #3377A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34A457 shade matches the following richer shades: #33A356, #22B450 and #11C549

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34A457 shade: #33A356, #45915D, #568063, #676F6A and #795D70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34A457 shade: #4DA333, #33A337, #33A355, #33A373 and #33A390

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34A457 shade: #206435, #2A8346, #33A356, #3EC267 and #5DCC80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34A457 shade: #34A457, #336BA3 and #A3333F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34A457 shade: #34A457, #5533A3 and #A35533

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34A457 shade: #34A457, #336BA3, #A33381 and #A36B33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34A457 shade: #34A457, #334AA3, #A33381 and #A38D33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 47 / 36

HEX #34A457

RGB 52 164 87

HSL 138.75, 0.52%, 0.42%

LAB 59.86, -48.56, 30.94

 

Complementary color

CMYK 0 / 55 / 17 / 20

HEX #CB5BA8

RGB 203 91 168

HSL 318.75, 0.52%, 0.58%

LAB 55.08, 53.5, -20.23

 

CMYK 65 / 0 / 50 / 36

HEX #39A452

RGB 57 164 82

HSL 134.02, 0.48%, 0.43%

LAB 59.92, -48.38, 33.62

 

CMYK 59 / 0 / 45 / 29

HEX #4AB665

RGB 74 182 101

HSL 135, 0.43%, 0.5%

LAB 66.41, -48.67, 32.16

 

CMYK 55 / 0 / 40 / 22

HEX #5BC878

RGB 91 200 120

HSL 135.96, 0.5%, 0.57%

LAB 72.82, -48.73, 30.77

 

CMYK 50 / 0 / 36 / 15

HEX #6CDA8B

RGB 108 218 139

HSL 136.91, 0.6%, 0.64%

LAB 79.15, -48.66, 29.46

 

CMYK 47 / 0 / 33 / 7

HEX #7DEC9E

RGB 125 236 158

HSL 137.84, 0.74%, 0.71%

LAB 85.41, -48.51, 28.24

 

CMYK 68 / 0 / 47 / 36

HEX #34A457

RGB 52 164 87

HSL 138.75, 0.52%, 0.42%

LAB 59.86, -48.56, 30.94

 

CMYK 76 / 0 / 53 / 43

HEX #239244

RGB 35 146 68

HSL 137.84, 0.61%, 0.35%

LAB 53.31, -47.82, 32.53

 

CMYK 86 / 0 / 62 / 50

HEX #128031

RGB 18 128 49

HSL 136.91, 0.75%, 0.29%

LAB 46.7, -46.44, 34.15

 

CMYK 99 / 0 / 73 / 57

HEX #016E1E

RGB 1 110 30

HSL 135.96, 0.98%, 0.22%

LAB 40, -44.28, 35.53

 

CMYK 100 / 0 / 88 / 64

HEX #005C0B

RGB 0 92 11

HSL 127.17, 1%, 0.18%

LAB 33.3, -40.24, 36.08

 

CMYK 69 / 0 / 47 / 36

HEX #33A356

RGB 51 163 86

HSL 138.75, 0.52%, 0.42%

LAB 59.5, -48.53, 31

 

CMYK 69 / 0 / 66 / 36

HEX #33A338

RGB 51 163 56

HSL 122.68, 0.52%, 0.42%

LAB 59.14, -52.64, 45.14

 

CMYK 53 / 0 / 69 / 36

HEX #4DA333

RGB 77 163 51

HSL 106.07, 0.52%, 0.42%

LAB 59.9, -46.8, 48.31

 

CMYK 34 / 0 / 69 / 36

HEX #6BA333

RGB 107 163 51

HSL 90, 0.52%, 0.42%

LAB 61.27, -36.88, 50.18

 

CMYK 16 / 0 / 69 / 36

HEX #89A333

RGB 137 163 51

HSL 73.93, 0.52%, 0.42%

LAB 63.14, -25.03, 52.69

 

CMYK 69 / 0 / 47 / 36

HEX #33A356

RGB 51 163 86

HSL 138.75, 0.52%, 0.42%

LAB 59.5, -48.53, 31

 

CMYK 69 / 0 / 29 / 36

HEX #33A374

RGB 51 163 116

HSL 154.82, 0.52%, 0.42%

LAB 60.03, -42.66, 15.48

 

CMYK 69 / 0 / 10 / 36

HEX #33A392

RGB 51 163 146

HSL 170.89, 0.52%, 0.42%

LAB 60.76, -35.2, -0.28

 

CMYK 69 / 9 / 0 / 36

HEX #3395A3

RGB 51 149 163

HSL 187.5, 0.52%, 0.42%

LAB 56.92, -23.39, -15.65

 

CMYK 69 / 27 / 0 / 36

HEX #3377A3

RGB 51 119 163

HSL 203.57, 0.52%, 0.42%

LAB 47.68, -6.86, -29.87

 

CMYK 69 / 0 / 47 / 36

HEX #33A356

RGB 51 163 86

HSL 138.75, 0.52%, 0.42%

LAB 59.5, -48.53, 31

 

CMYK 81 / 0 / 56 / 29

HEX #22B450

RGB 34 180 80

HSL 138.9, 0.68%, 0.42%

LAB 64.61, -58.08, 40.26

 

CMYK 91 / 0 / 63 / 23

HEX #11C549

RGB 17 197 73

HSL 138.67, 0.84%, 0.42%

LAB 69.85, -65.85, 49.53

 

CMYK 69 / 0 / 47 / 36

HEX #33A356

RGB 51 163 86

HSL 138.75, 0.52%, 0.42%

LAB 59.5, -48.53, 31

 

CMYK 52 / 0 / 36 / 43

HEX #45915D

RGB 69 145 93

HSL 138.95, 0.36%, 0.42%

LAB 54.35, -35.73, 20.6

 

CMYK 33 / 0 / 23 / 50

HEX #568063

RGB 86 128 99

HSL 138.57, 0.2%, 0.42%

LAB 49.88, -21.11, 11.19

 

CMYK 7 / 0 / 5 / 56

HEX #676F6A

RGB 103 111 106

HSL 142.5, 0.04%, 0.42%

LAB 46.03, -4.09, 1.73

 

CMYK 0 / 23 / 7 / 53

HEX #795D70

RGB 121 93 112

HSL 319.29, 0.13%, 0.42%

LAB 42.86, 14.83, -6.37

 

CMYK 53 / 0 / 69 / 36

HEX #4DA333

RGB 77 163 51

HSL 106.07, 0.52%, 0.42%

LAB 59.9, -46.8, 48.31

 

CMYK 69 / 0 / 66 / 36

HEX #33A337

RGB 51 163 55

HSL 122.14, 0.52%, 0.42%

LAB 59.14, -52.75, 45.56

 

CMYK 69 / 0 / 48 / 36

HEX #33A355

RGB 51 163 85

HSL 138.21, 0.52%, 0.42%

LAB 59.48, -48.7, 31.5

 

CMYK 69 / 0 / 29 / 36

HEX #33A373

RGB 51 163 115

HSL 154.29, 0.52%, 0.42%

LAB 60.01, -42.88, 16.01

 

CMYK 69 / 0 / 12 / 36

HEX #33A390

RGB 51 163 144

HSL 169.82, 0.52%, 0.42%

LAB 60.7, -35.74, 0.76

 

CMYK 68 / 0 / 47 / 61

HEX #206435

RGB 32 100 53

HSL 138.53, 0.52%, 0.26%

LAB 37.26, -32.77, 20.54

 

CMYK 68 / 0 / 47 / 49

HEX #2A8346

RGB 42 131 70

HSL 138.88, 0.51%, 0.34%

LAB 48.47, -40.46, 25.44

 

CMYK 69 / 0 / 47 / 36

HEX #33A356

RGB 51 163 86

HSL 138.75, 0.52%, 0.42%

LAB 59.5, -48.53, 31

 

CMYK 68 / 0 / 47 / 24

HEX #3EC267

RGB 62 194 103

HSL 138.64, 0.52%, 0.5%

LAB 69.89, -55.37, 35.51

 

CMYK 54 / 0 / 37 / 20

HEX #5DCC80

RGB 93 204 128

HSL 138.92, 0.52%, 0.58%

LAB 74.24, -48.5, 28.51

 

CMYK 68 / 0 / 47 / 36

HEX #34A457

RGB 52 164 87

HSL 138.75, 0.52%, 0.42%

LAB 59.86, -48.56, 30.94

 

CMYK 69 / 34 / 0 / 36

HEX #336BA3

RGB 51 107 163

HSL 210, 0.52%, 0.42%

LAB 44.04, 0.37, -35.59

 

CMYK 0 / 69 / 61 / 36

HEX #A3333F

RGB 163 51 63

HSL 353.57, 0.52%, 0.42%

LAB 38.75, 46.75, 19.03

 

CMYK 68 / 0 / 47 / 36

HEX #34A457

RGB 52 164 87

HSL 138.75, 0.52%, 0.42%

LAB 59.86, -48.56, 30.94

 

CMYK 48 / 69 / 0 / 36

HEX #5533A3

RGB 85 51 163

HSL 258.21, 0.52%, 0.42%

LAB 31.68, 42.09, -55.3

 

CMYK 0 / 48 / 69 / 36

HEX #A35533

RGB 163 85 51

HSL 18.21, 0.52%, 0.42%

LAB 44.97, 29.28, 33.81

 

CMYK 68 / 0 / 47 / 36

HEX #34A457

RGB 52 164 87

HSL 138.75, 0.52%, 0.42%

LAB 59.86, -48.56, 30.94

 

CMYK 69 / 34 / 0 / 36

HEX #336BA3

RGB 51 107 163

HSL 210, 0.52%, 0.42%

LAB 44.04, 0.37, -35.59

 

CMYK 0 / 69 / 21 / 36

HEX #A33381

RGB 163 51 129

HSL 318.21, 0.52%, 0.42%

LAB 40.8, 53.81, -19.37

 

CMYK 0 / 34 / 69 / 36

HEX #A36B33

RGB 163 107 51

HSL 30, 0.52%, 0.42%

LAB 50.15, 16.97, 39.64

 

CMYK 68 / 0 / 47 / 36

HEX #34A457

RGB 52 164 87

HSL 138.75, 0.52%, 0.42%

LAB 59.86, -48.56, 30.94

 

CMYK 69 / 55 / 0 / 36

HEX #334AA3

RGB 51 74 163

HSL 227.68, 0.52%, 0.42%

LAB 34.49, 21.71, -50.85

 

CMYK 0 / 69 / 21 / 36

HEX #A33381

RGB 163 51 129

HSL 318.21, 0.52%, 0.42%

LAB 40.8, 53.81, -19.37

 

CMYK 0 / 13 / 69 / 36

HEX #A38D33

RGB 163 141 51

HSL 48.21, 0.52%, 0.42%

LAB 59.04, -2.14, 49.16

 

Description

Color code: HEX #34A457 | qconv.com Color code: HEX #34A457 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 164 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 164 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 47 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 47% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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