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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A8346 it is the complementary color #D57CB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A8346. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A8346 shade: #2F8341, #409554, #51A767, #62B97A and #73CB8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A8346. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A8346 shade: #2A8346, #197133, #085F20, #004D0D and #003B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A8346 shade: #2A8346, #2A832E, #3E832A, #56832A and #6E832A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A8346 shade: #2A8346, #2A835E, #2A8376, #2A7883 and #2A6083

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A8346 shade matches the following richer shades: #2A8346, #1C9141, #0E9F3C and #00AD37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A8346 shade: #2A8346, #39754C, #476751, #555956 and #634B5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A8346 shade: #3F832A, #2A832D, #2A8345, #2A835D and #2A8374

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A8346 shade: #164525, #206436, #2A8346, #35A257 and #3FC168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A8346 shade: #2A8346, #2A5783 and #832A33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A8346 shade: #2A8346, #452A83 and #83452A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A8346 shade: #2A8346, #2A5783, #832A68 and #83572A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A8346 shade: #2A8346, #2A3C83, #832A68 and #83712A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 47 / 49

HEX #2A8346

RGB 42 131 70

HSL 138.88, 0.51%, 0.34%

LAB 48.47, -40.46, 25.44

 

Complementary color

CMYK 0 / 42 / 13 / 16

HEX #D57CB9

RGB 213 124 185

HSL 318.88, 0.51%, 0.66%

LAB 63.4, 42.81, -17.2

 

CMYK 64 / 0 / 50 / 49

HEX #2F8341

RGB 47 131 65

HSL 132.86, 0.47%, 0.35%

LAB 48.53, -40.23, 28.26

 

CMYK 57 / 0 / 44 / 42

HEX #409554

RGB 64 149 84

HSL 134.12, 0.4%, 0.42%

LAB 55.3, -40.41, 26.76

 

CMYK 51 / 0 / 38 / 35

HEX #51A767

RGB 81 167 103

HSL 135.35, 0.35%, 0.49%

LAB 61.97, -40.37, 25.36

 

CMYK 47 / 0 / 34 / 27

HEX #62B97A

RGB 98 185 122

HSL 136.55, 0.38%, 0.55%

LAB 68.53, -40.21, 24.07

 

CMYK 43 / 0 / 31 / 20

HEX #73CB8D

RGB 115 203 141

HSL 137.73, 0.46%, 0.62%

LAB 75, -40, 22.87

 

CMYK 68 / 0 / 47 / 49

HEX #2A8346

RGB 42 131 70

HSL 138.88, 0.51%, 0.34%

LAB 48.47, -40.46, 25.44

 

CMYK 78 / 0 / 55 / 56

HEX #197133

RGB 25 113 51

HSL 137.73, 0.64%, 0.27%

LAB 41.62, -39.75, 27.09

 

CMYK 92 / 0 / 66 / 63

HEX #085F20

RGB 8 95 32

HSL 136.55, 0.84%, 0.2%

LAB 34.68, -38.21, 28.76

 

CMYK 100 / 0 / 83 / 70

HEX #004D0D

RGB 0 77 13

HSL 130.13, 1%, 0.15%

LAB 27.67, -35.19, 29.98

 

CMYK 100 / 0 / 100 / 77

HEX #003B00

RGB 0 59 0

HSL 120, 1%, 0.12%

LAB 20.55, -30.36, 27.97

 

CMYK 68 / 0 / 47 / 49

HEX #2A8346

RGB 42 131 70

HSL 138.88, 0.51%, 0.34%

LAB 48.47, -40.46, 25.44

 

CMYK 68 / 0 / 65 / 49

HEX #2A832E

RGB 42 131 46

HSL 122.7, 0.51%, 0.34%

LAB 48.16, -44, 37.38

 

CMYK 53 / 0 / 68 / 49

HEX #3E832A

RGB 62 131 42

HSL 106.52, 0.51%, 0.34%

LAB 48.79, -39.19, 40.09

 

CMYK 34 / 0 / 68 / 49

HEX #56832A

RGB 86 131 42

HSL 90.34, 0.51%, 0.34%

LAB 49.95, -30.88, 41.68

 

CMYK 16 / 0 / 68 / 49

HEX #6E832A

RGB 110 131 42

HSL 74.16, 0.51%, 0.34%

LAB 51.51, -21.02, 43.81

 

CMYK 68 / 0 / 47 / 49

HEX #2A8346

RGB 42 131 70

HSL 138.88, 0.51%, 0.34%

LAB 48.47, -40.46, 25.44

 

CMYK 68 / 0 / 28 / 49

HEX #2A835E

RGB 42 131 94

HSL 155.06, 0.51%, 0.34%

LAB 48.92, -35.51, 12.48

 

CMYK 68 / 0 / 10 / 49

HEX #2A8376

RGB 42 131 118

HSL 171.24, 0.51%, 0.34%

LAB 49.54, -29.29, -0.64

 

CMYK 68 / 8 / 0 / 49

HEX #2A7883

RGB 42 120 131

HSL 187.42, 0.51%, 0.34%

LAB 46.4, -19.75, -12.99

 

CMYK 68 / 27 / 0 / 49

HEX #2A6083

RGB 42 96 131

HSL 203.6, 0.51%, 0.34%

LAB 38.72, -6, -24.79

 

CMYK 68 / 0 / 47 / 49

HEX #2A8346

RGB 42 131 70

HSL 138.88, 0.51%, 0.34%

LAB 48.47, -40.46, 25.44

 

CMYK 81 / 0 / 55 / 43

HEX #1C9141

RGB 28 145 65

HSL 138.97, 0.68%, 0.34%

LAB 52.82, -48.91, 33.44

 

CMYK 91 / 0 / 62 / 38

HEX #0E9F3C

RGB 14 159 60

HSL 139.03, 0.84%, 0.34%

LAB 57.29, -55.69, 41.09

 

CMYK 100 / 0 / 68 / 32

HEX #00AD37

RGB 0 173 55

HSL 139.08, 1%, 0.34%

LAB 61.79, -61.37, 48.28

 

CMYK 68 / 0 / 47 / 49

HEX #2A8346

RGB 42 131 70

HSL 138.88, 0.51%, 0.34%

LAB 48.47, -40.46, 25.44

 

CMYK 51 / 0 / 35 / 54

HEX #39754C

RGB 57 117 76

HSL 139, 0.34%, 0.34%

LAB 44.4, -29.49, 16.79

 

CMYK 31 / 0 / 21 / 60

HEX #476751

RGB 71 103 81

HSL 138.75, 0.18%, 0.34%

LAB 40.63, -16.75, 8.75

 

CMYK 4 / 0 / 3 / 65

HEX #555956

RGB 85 89 86

HSL 135, 0.02%, 0.34%

LAB 37.39, -2.23, 1.18

 

CMYK 0 / 24 / 8 / 61

HEX #634B5B

RGB 99 75 91

HSL 320, 0.14%, 0.34%

LAB 34.88, 13.12, -5.48

 

CMYK 52 / 0 / 68 / 49

HEX #3F832A

RGB 63 131 42

HSL 105.84, 0.51%, 0.34%

LAB 48.83, -38.89, 40.15

 

CMYK 68 / 0 / 66 / 49

HEX #2A832D

RGB 42 131 45

HSL 122.02, 0.51%, 0.34%

LAB 48.15, -44.11, 37.84

 

CMYK 68 / 0 / 47 / 49

HEX #2A8345

RGB 42 131 69

HSL 138.2, 0.51%, 0.34%

LAB 48.45, -40.64, 25.96

 

CMYK 68 / 0 / 29 / 49

HEX #2A835D

RGB 42 131 93

HSL 154.38, 0.51%, 0.34%

LAB 48.9, -35.74, 13.03

 

CMYK 68 / 0 / 11 / 49

HEX #2A8374

RGB 42 131 116

HSL 169.89, 0.51%, 0.34%

LAB 49.48, -29.86, 0.45

 

CMYK 68 / 0 / 46 / 73

HEX #164525

RGB 22 69 37

HSL 139.15, 0.52%, 0.18%

LAB 25.44, -24.34, 14.74

 

CMYK 68 / 0 / 46 / 61

HEX #206436

RGB 32 100 54

HSL 139.41, 0.52%, 0.26%

LAB 37.28, -32.58, 19.98

 

CMYK 68 / 0 / 47 / 49

HEX #2A8346

RGB 42 131 70

HSL 138.88, 0.51%, 0.34%

LAB 48.47, -40.46, 25.44

 

CMYK 67 / 0 / 46 / 36

HEX #35A257

RGB 53 162 87

HSL 138.72, 0.51%, 0.42%

LAB 59.24, -47.6, 30.15

 

CMYK 67 / 0 / 46 / 24

HEX #3FC168

RGB 63 193 104

HSL 138.92, 0.51%, 0.5%

LAB 69.61, -54.66, 34.66

 

CMYK 68 / 0 / 47 / 49

HEX #2A8346

RGB 42 131 70

HSL 138.88, 0.51%, 0.34%

LAB 48.47, -40.46, 25.44

 

CMYK 68 / 34 / 0 / 49

HEX #2A5783

RGB 42 87 131

HSL 209.66, 0.51%, 0.34%

LAB 35.88, -0.39, -29.23

 

CMYK 0 / 68 / 61 / 49

HEX #832A33

RGB 131 42 51

HSL 353.93, 0.51%, 0.34%

LAB 31.16, 38.79, 15.61

 

CMYK 68 / 0 / 47 / 49

HEX #2A8346

RGB 42 131 70

HSL 138.88, 0.51%, 0.34%

LAB 48.47, -40.46, 25.44

 

CMYK 47 / 68 / 0 / 49

HEX #452A83

RGB 69 42 131

HSL 258.2, 0.51%, 0.34%

LAB 25.44, 34.67, -45.84

 

CMYK 0 / 47 / 68 / 49

HEX #83452A

RGB 131 69 42

HSL 18.2, 0.51%, 0.34%

LAB 36.46, 24.06, 27.79

 

CMYK 68 / 0 / 47 / 49

HEX #2A8346

RGB 42 131 70

HSL 138.88, 0.51%, 0.34%

LAB 48.47, -40.46, 25.44

 

CMYK 68 / 34 / 0 / 49

HEX #2A5783

RGB 42 87 131

HSL 209.66, 0.51%, 0.34%

LAB 35.88, -0.39, -29.23

 

CMYK 0 / 68 / 21 / 49

HEX #832A68

RGB 131 42 104

HSL 318.2, 0.51%, 0.34%

LAB 32.88, 44.85, -16.37

 

CMYK 0 / 34 / 68 / 49

HEX #83572A

RGB 131 87 42

HSL 30.34, 0.51%, 0.34%

LAB 40.91, 13.53, 32.91

 

CMYK 68 / 0 / 47 / 49

HEX #2A8346

RGB 42 131 70

HSL 138.88, 0.51%, 0.34%

LAB 48.47, -40.46, 25.44

 

CMYK 68 / 54 / 0 / 49

HEX #2A3C83

RGB 42 60 131

HSL 227.87, 0.51%, 0.34%

LAB 27.74, 17.66, -42.22

 

CMYK 0 / 68 / 21 / 49

HEX #832A68

RGB 131 42 104

HSL 318.2, 0.51%, 0.34%

LAB 32.88, 44.85, -16.37

 

CMYK 0 / 14 / 68 / 49

HEX #83712A

RGB 131 113 42

HSL 47.87, 0.51%, 0.34%

LAB 48.01, -1.66, 40.67

 

Description

Color code: HEX #2A8346 | qconv.com Color code: HEX #2A8346 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 131 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 131 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 47 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 47% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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