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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3491CE it is the complementary color #CB6E31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3491CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3491CE shade: #3991C9, #4AA3DC, #5BB5EF, #6CC7FF and #7DD9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3491CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3491CE shade: #3491CE, #237FBB, #126DA8, #015B95 and #004982

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3491CE shade: #3692CE, #3669CE, #3640CE, #5536CE and #7E36CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3491CE shade: #3692CE, #3669CE, #3640CE and #3636CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3491CE shade matches the following richer shades: #3692CE, #2296E2 and #0D9AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3491CE shade: #3692CE, #4A8EBA, #5E89A6, #728592 and #87817D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3491CE shade: #36CEB7, #36BCCE, #3694CE, #366BCE and #3643CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3491CE shade: #23648F, #2B7BB0, #3692CE, #57A4D6 and #78B6DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3491CE shade: #3491CE, #8F36CE and #CECC36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3491CE shade: #3491CE, #CE3694 and #94CE36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3491CE shade: #3491CE, #8F36CE, #CE7036 and #75CE36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3491CE shade: #3491CE, #BC36CE, #CE7036 and #48CE36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 30 / 0 / 19

HEX #3491CE

RGB 52 145 206

HSL 203.77, 0.61%, 0.51%

LAB 57.5, -6.67, -39.14

 

Complementary color

CMYK 0 / 46 / 76 / 20

HEX #CB6E31

RGB 203 110 49

HSL 23.77, 0.61%, 0.49%

LAB 56.16, 32.25, 48.6

 

CMYK 72 / 28 / 0 / 21

HEX #3991C9

RGB 57 145 201

HSL 203.33, 0.57%, 0.51%

LAB 57.4, -7.75, -36.47

 

CMYK 66 / 26 / 0 / 14

HEX #4AA3DC

RGB 74 163 220

HSL 203.42, 0.68%, 0.58%

LAB 64.01, -8.9, -36.71

 

CMYK 62 / 24 / 0 / 6

HEX #5BB5EF

RGB 91 181 239

HSL 203.51, 0.82%, 0.65%

LAB 70.53, -9.8, -36.94

 

CMYK 58 / 22 / 0 / 0

HEX #6CC7FF

RGB 108 199 255

HSL 202.86, 1%, 0.71%

LAB 76.83, -11.44, -35.73

 

CMYK 51 / 15 / 0 / 0

HEX #7DD9FF

RGB 125 217 255

HSL 197.54, 1%, 0.75%

LAB 82.49, -17.37, -26.98

 

CMYK 75 / 30 / 0 / 19

HEX #3491CE

RGB 52 145 206

HSL 203.77, 0.61%, 0.51%

LAB 57.5, -6.67, -39.14

 

CMYK 81 / 32 / 0 / 27

HEX #237FBB

RGB 35 127 187

HSL 203.68, 0.68%, 0.44%

LAB 50.83, -4.97, -38.86

 

CMYK 89 / 35 / 0 / 34

HEX #126DA8

RGB 18 109 168

HSL 203.6, 0.81%, 0.36%

LAB 44.08, -2.77, -38.52

 

CMYK 99 / 39 / 0 / 42

HEX #015B95

RGB 1 91 149

HSL 203.51, 0.99%, 0.29%

LAB 37.22, -0.01, -38.11

 

CMYK 100 / 44 / 0 / 49

HEX #004982

RGB 0 73 130

HSL 206.31, 1%, 0.25%

LAB 30.34, 3.78, -37.48

 

CMYK 74 / 29 / 0 / 19

HEX #3692CE

RGB 54 146 206

HSL 203.68, 0.61%, 0.51%

LAB 57.85, -6.99, -38.6

 

CMYK 74 / 49 / 0 / 19

HEX #3669CE

RGB 54 105 206

HSL 219.87, 0.61%, 0.51%

LAB 46.1, 17.92, -57.28

 

CMYK 74 / 69 / 0 / 19

HEX #3640CE

RGB 54 64 206

HSL 236.05, 0.61%, 0.51%

LAB 35.81, 43.84, -74.05

 

CMYK 59 / 74 / 0 / 19

HEX #5536CE

RGB 85 54 206

HSL 252.24, 0.61%, 0.51%

LAB 36.03, 52.97, -73.6

 

CMYK 39 / 74 / 0 / 19

HEX #7E36CE

RGB 126 54 206

HSL 268.42, 0.61%, 0.51%

LAB 40.46, 59.22, -66.18

 

CMYK 74 / 29 / 0 / 19

HEX #3692CE

RGB 54 146 206

HSL 203.68, 0.61%, 0.51%

LAB 57.85, -6.99, -38.6

 

CMYK 74 / 49 / 0 / 19

HEX #3669CE

RGB 54 105 206

HSL 219.87, 0.61%, 0.51%

LAB 46.1, 17.92, -57.28

 

CMYK 74 / 69 / 0 / 19

HEX #3640CE

RGB 54 64 206

HSL 236.05, 0.61%, 0.51%

LAB 35.81, 43.84, -74.05

 

CMYK 74 / 74 / 0 / 19

HEX #3636CE

RGB 54 54 206

HSL 240, 0.61%, 0.51%

LAB 33.73, 49.59, -77.47

 

CMYK 74 / 29 / 0 / 19

HEX #3692CE

RGB 54 146 206

HSL 203.68, 0.61%, 0.51%

LAB 57.85, -6.99, -38.6

 

CMYK 85 / 34 / 0 / 11

HEX #2296E2

RGB 34 150 226

HSL 203.75, 0.77%, 0.51%

LAB 59.57, -4.11, -47.09

 

CMYK 95 / 38 / 0 / 3

HEX #0D9AF7

RGB 13 154 247

HSL 203.85, 0.94%, 0.51%

LAB 61.58, 0.31, -55.5

 

CMYK 74 / 29 / 0 / 19

HEX #3692CE

RGB 54 146 206

HSL 203.68, 0.61%, 0.51%

LAB 57.85, -6.99, -38.6

 

CMYK 60 / 24 / 0 / 27

HEX #4A8EBA

RGB 74 142 186

HSL 203.57, 0.45%, 0.51%

LAB 56.43, -8.23, -29.44

 

CMYK 43 / 17 / 0 / 35

HEX #5E89A6

RGB 94 137 166

HSL 204.17, 0.29%, 0.51%

LAB 55.1, -6.87, -19.99

 

CMYK 22 / 9 / 0 / 43

HEX #728592

RGB 114 133 146

HSL 204.38, 0.13%, 0.51%

LAB 54.48, -3.86, -9.26

 

CMYK 0 / 4 / 7 / 47

HEX #87817D

RGB 135 129 125

HSL 24, 0.04%, 0.51%

LAB 54.38, 1.51, 2.96

 

CMYK 74 / 0 / 11 / 19

HEX #36CEB7

RGB 54 206 183

HSL 170.92, 0.61%, 0.51%

LAB 75.04, -44.08, 0.2

 

CMYK 74 / 9 / 0 / 19

HEX #36BCCE

RGB 54 188 206

HSL 187.11, 0.61%, 0.51%

LAB 70.32, -29.22, -19.34

 

CMYK 74 / 28 / 0 / 19

HEX #3694CE

RGB 54 148 206

HSL 202.89, 0.61%, 0.51%

LAB 58.43, -8.12, -37.67

 

CMYK 74 / 48 / 0 / 19

HEX #366BCE

RGB 54 107 206

HSL 219.08, 0.61%, 0.51%

LAB 46.65, 16.65, -56.39

 

CMYK 74 / 67 / 0 / 19

HEX #3643CE

RGB 54 67 206

HSL 234.87, 0.61%, 0.51%

LAB 36.47, 42.03, -72.96

 

CMYK 76 / 30 / 0 / 44

HEX #23648F

RGB 35 100 143

HSL 203.89, 0.61%, 0.35%

LAB 40.34, -5.16, -29.53

 

CMYK 76 / 30 / 0 / 31

HEX #2B7BB0

RGB 43 123 176

HSL 203.91, 0.61%, 0.43%

LAB 49.27, -5.74, -34.96

 

CMYK 74 / 29 / 0 / 19

HEX #3692CE

RGB 54 146 206

HSL 203.68, 0.61%, 0.51%

LAB 57.85, -6.99, -38.6

 

CMYK 59 / 23 / 0 / 16

HEX #57A4D6

RGB 87 164 214

HSL 203.62, 0.61%, 0.59%

LAB 64.51, -9.09, -32.58

 

CMYK 46 / 18 / 0 / 13

HEX #78B6DE

RGB 120 182 222

HSL 203.53, 0.61%, 0.67%

LAB 71.37, -9.34, -26.29

 

CMYK 75 / 30 / 0 / 19

HEX #3491CE

RGB 52 145 206

HSL 203.77, 0.61%, 0.51%

LAB 57.5, -6.67, -39.14

 

CMYK 31 / 74 / 0 / 19

HEX #8F36CE

RGB 143 54 206

HSL 275.13, 0.61%, 0.51%

LAB 42.66, 62.23, -62.49

 

CMYK 0 / 1 / 74 / 19

HEX #CECC36

RGB 206 204 54

HSL 59.21, 0.61%, 0.51%

LAB 79.94, -16.16, 69.8

 

CMYK 75 / 30 / 0 / 19

HEX #3491CE

RGB 52 145 206

HSL 203.77, 0.61%, 0.51%

LAB 57.5, -6.67, -39.14

 

CMYK 0 / 74 / 28 / 19

HEX #CE3694

RGB 206 54 148

HSL 322.89, 0.61%, 0.51%

LAB 49.37, 66.48, -17.11

 

CMYK 28 / 0 / 74 / 19

HEX #94CE36

RGB 148 206 54

HSL 82.89, 0.61%, 0.51%

LAB 76.5, -40.5, 65.12

 

CMYK 75 / 30 / 0 / 19

HEX #3491CE

RGB 52 145 206

HSL 203.77, 0.61%, 0.51%

LAB 57.5, -6.67, -39.14

 

CMYK 31 / 74 / 0 / 19

HEX #8F36CE

RGB 143 54 206

HSL 275.13, 0.61%, 0.51%

LAB 42.66, 62.23, -62.49

 

CMYK 0 / 46 / 74 / 19

HEX #CE7036

RGB 206 112 54

HSL 22.89, 0.61%, 0.51%

LAB 57.05, 32.64, 47.27

 

CMYK 43 / 0 / 74 / 19

HEX #75CE36

RGB 117 206 54

HSL 95.13, 0.61%, 0.51%

LAB 74.95, -51.3, 63.07

 

CMYK 75 / 30 / 0 / 19

HEX #3491CE

RGB 52 145 206

HSL 203.77, 0.61%, 0.51%

LAB 57.5, -6.67, -39.14

 

CMYK 9 / 74 / 0 / 19

HEX #BC36CE

RGB 188 54 206

HSL 292.89, 0.61%, 0.51%

LAB 49.24, 70.94, -51.56

 

CMYK 0 / 46 / 74 / 19

HEX #CE7036

RGB 206 112 54

HSL 22.89, 0.61%, 0.51%

LAB 57.05, 32.64, 47.27

 

CMYK 65 / 0 / 74 / 19

HEX #48CE36

RGB 72 206 54

HSL 112.89, 0.61%, 0.51%

LAB 73.41, -63.28, 61.03

 

Description

Color code: HEX #3491CE | qconv.com Color code: HEX #3491CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 145 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 145 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 30 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 30% 0% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

55% - 我爱学习网
Link: http://www.52study.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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