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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 74 / 9 / 0 / 19 it is the complementary color CMYK 0 / 67 / 76 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 74 / 9 / 0 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 74 / 9 / 0 / 19: CMYK 71 / 7 / 0 / 21, CMYK 66 / 7 / 0 / 13, CMYK 61 / 7 / 0 / 6, CMYK 57 / 5 / 0 / 0 and CMYK 50 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 74 / 9 / 0 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 74 / 9 / 0 / 19: CMYK 74 / 9 / 0 / 19, CMYK 80 / 10 / 0 / 26, CMYK 88 / 10 / 0 / 34, CMYK 98 / 11 / 0 / 41 and CMYK 100 / 11 / 0 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 9 / 0 / 19

HEX #36BCCF

RGB 54 188 207

HSL 187.45, 0.61%, 0.51%

LAB 70.35, -28.91, -19.84

 

Complementary color

CMYK 0 / 67 / 76 / 21

HEX #C94330

RGB 201 67 48

HSL 7.45, 0.61%, 0.49%

LAB 47.81, 52.13, 40.33

 

CMYK 71 / 7 / 0 / 21

HEX #3BBCCA

RGB 59 188 202

HSL 185.87, 0.57%, 0.51%

LAB 70.29, -29.82, -17.19

 

CMYK 66 / 7 / 0 / 13

HEX #4CCEDD

RGB 76 206 221

HSL 186.21, 0.68%, 0.58%

LAB 76.62, -30.54, -17.9

 

CMYK 61 / 7 / 0 / 6

HEX #5DE0F0

RGB 93 224 240

HSL 186.53, 0.83%, 0.65%

LAB 82.88, -31.09, -18.55

 

CMYK 57 / 5 / 0 / 0

HEX #6EF2FF

RGB 110 242 255

HSL 185.38, 1%, 0.72%

LAB 88.94, -32.59, -17.25

 

CMYK 50 / 0 / 0 / 0

HEX #7FFFFF

RGB 127 255 255

HSL 180, 1%, 0.75%

LAB 93.12, -35.43, -10.93

 

CMYK 74 / 9 / 0 / 19

HEX #36BCCF

RGB 54 188 207

HSL 187.45, 0.61%, 0.51%

LAB 70.35, -28.91, -19.84

 

CMYK 80 / 10 / 0 / 26

HEX #25AABC

RGB 37 170 188

HSL 187.15, 0.67%, 0.44%

LAB 63.98, -27.76, -19.06

 

CMYK 88 / 10 / 0 / 34

HEX #1498A9

RGB 20 152 169

HSL 186.85, 0.79%, 0.37%

LAB 57.53, -26.25, -18.19

 

CMYK 98 / 11 / 0 / 41

HEX #038696

RGB 3 134 150

HSL 186.53, 0.96%, 0.3%

LAB 51, -24.32, -17.22

 

CMYK 100 / 11 / 0 / 49

HEX #007483

RGB 0 116 131

HSL 186.87, 1%, 0.26%

LAB 44.42, -21.72, -16.06

 

CMYK 74 / 9 / 0 / 19

HEX #36BCCF

RGB 54 188 207

HSL 187.45, 0.61%, 0.51%

LAB 70.35, -28.91, -19.84

 

CMYK 74 / 21 / 0 / 19

HEX #35A3CE

RGB 53 163 206

HSL 196.86, 0.61%, 0.51%

LAB 62.85, -16.52, -30.8

 

CMYK 74 / 33 / 0 / 19

HEX #3589CE

RGB 53 137 206

HSL 207.06, 0.61%, 0.51%

LAB 55.18, -1.9, -42.79

 

CMYK 74 / 46 / 0 / 19

HEX #3570CE

RGB 53 112 206

HSL 216.86, 0.61%, 0.51%

LAB 48.01, 13.36, -54.21

 

CMYK 74 / 58 / 0 / 19

HEX #3556CE

RGB 53 86 206

HSL 227.06, 0.61%, 0.51%

LAB 41.01, 29.99, -65.54

 

CMYK 74 / 9 / 0 / 19

HEX #36BCCF

RGB 54 188 207

HSL 187.45, 0.61%, 0.51%

LAB 70.35, -28.91, -19.84

 

CMYK 67 / 0 / 0 / 99

HEX #010303

RGB 1 3 3

HSL 180, 0.5%, 0.01%

LAB 0.71, -0.52, -0.18

 

CMYK 74 / 9 / 0 / 79

HEX #0E3136

RGB 14 49 54

HSL 187.5, 0.59%, 0.13%

LAB 18.17, -10.52, -6.9

 

CMYK 74 / 10 / 0 / 59

HEX #1B5F69

RGB 27 95 105

HSL 187.69, 0.59%, 0.26%

LAB 36.81, -17.13, -11.8

 

CMYK 74 / 9 / 0 / 39

HEX #298E9C

RGB 41 142 156

HSL 187.3, 0.58%, 0.39%

LAB 54.26, -23.41, -15.7

 

CMYK 74 / 9 / 0 / 19

HEX #36BCCF

RGB 54 188 207

HSL 187.45, 0.61%, 0.51%

LAB 70.35, -28.91, -19.84

 

CMYK 50 / 74 / 0 / 19

HEX #6635CE

RGB 102 53 206

HSL 259.22, 0.61%, 0.51%

LAB 37.53, 55.83, -71.08

 

CMYK 0 / 21 / 74 / 19

HEX #CEA335

RGB 206 163 53

HSL 43.14, 0.61%, 0.51%

LAB 69.16, 5.07, 59.91

 

CMYK 74 / 9 / 0 / 19

HEX #36BCCF

RGB 54 188 207

HSL 187.45, 0.61%, 0.51%

LAB 70.35, -28.91, -19.84

 

CMYK 0 / 74 / 9 / 19

HEX #CE35BC

RGB 206 53 188

HSL 307.06, 0.61%, 0.51%

LAB 51.04, 72.16, -38.12

 

CMYK 9 / 0 / 74 / 19

HEX #BCCE35

RGB 188 206 53

HSL 67.06, 0.61%, 0.51%

LAB 79.09, -24.71, 68.84

 

CMYK 74 / 9 / 0 / 19

HEX #36BCCF

RGB 54 188 207

HSL 187.45, 0.61%, 0.51%

LAB 70.35, -28.91, -19.84

 

CMYK 50 / 74 / 0 / 19

HEX #6635CE

RGB 102 53 206

HSL 259.22, 0.61%, 0.51%

LAB 37.53, 55.83, -71.08

 

CMYK 0 / 66 / 74 / 19

HEX #CE4735

RGB 206 71 53

HSL 7.06, 0.61%, 0.51%

LAB 49.36, 52.36, 39.54

 

CMYK 24 / 0 / 74 / 19

HEX #9DCE35

RGB 157 206 53

HSL 79.22, 0.61%, 0.51%

LAB 77.02, -37.13, 66.14

 

CMYK 74 / 9 / 0 / 19

HEX #36BCCF

RGB 54 188 207

HSL 187.45, 0.61%, 0.51%

LAB 70.35, -28.91, -19.84

 

CMYK 29 / 74 / 0 / 19

HEX #9335CE

RGB 147 53 206

HSL 276.86, 0.61%, 0.51%

LAB 43.07, 63.36, -61.8

 

CMYK 0 / 66 / 74 / 19

HEX #CE4735

RGB 206 71 53

HSL 7.06, 0.61%, 0.51%

LAB 49.36, 52.36, 39.54

 

CMYK 46 / 0 / 74 / 19

HEX #70CE35

RGB 112 206 53

HSL 96.86, 0.61%, 0.51%

LAB 74.73, -52.93, 63.13

 

Description

Color code: CMYK 74 / 9 / 0 / 19 | qconv.com Color code: CMYK 74 / 9 / 0 / 19 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 188 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 188 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 9 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 9% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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