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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #348E91 it is the complementary color #CB716E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #348E91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #348E91: #398E8C, #4AA09F, #5BB2B2, #6CC4C5 and #7DD6D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #348E91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #348E91: #348E91, #237C7E, #126A6B, #015858 and #004645

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 2 / 0 / 43

HEX #348E91

RGB 52 142 145

HSL 181.94, 0.47%, 0.39%

LAB 54.15, -25.17, -9.48

 

Complementary color

CMYK 0 / 44 / 46 / 20

HEX #CB716E

RGB 203 113 110

HSL 1.94, 0.47%, 0.61%

LAB 57.69, 35.04, 17.4

 

CMYK 60 / 0 / 1 / 44

HEX #398E8C

RGB 57 142 140

HSL 178.59, 0.43%, 0.39%

LAB 54.14, -25.72, -6.59

 

CMYK 54 / 0 / 1 / 37

HEX #4AA09F

RGB 74 160 159

HSL 179.3, 0.37%, 0.46%

LAB 60.87, -25.97, -7.38

 

CMYK 49 / 0 / 0 / 30

HEX #5BB2B2

RGB 91 178 178

HSL 180, 0.36%, 0.53%

LAB 67.49, -26.09, -8.09

 

CMYK 45 / 1 / 0 / 23

HEX #6CC4C5

RGB 108 196 197

HSL 180.67, 0.43%, 0.6%

LAB 74, -26.15, -8.75

 

CMYK 42 / 1 / 0 / 15

HEX #7DD6D8

RGB 125 214 216

HSL 181.32, 0.54%, 0.67%

LAB 80.41, -26.16, -9.36

 

CMYK 64 / 2 / 0 / 43

HEX #348E91

RGB 52 142 145

HSL 181.94, 0.47%, 0.39%

LAB 54.15, -25.17, -9.48

 

CMYK 72 / 2 / 0 / 51

HEX #237C7E

RGB 35 124 126

HSL 181.32, 0.57%, 0.32%

LAB 47.34, -24.52, -8.63

 

CMYK 83 / 1 / 0 / 58

HEX #126A6B

RGB 18 106 107

HSL 180.67, 0.71%, 0.25%

LAB 40.41, -23.49, -7.63

 

CMYK 99 / 0 / 0 / 65

HEX #015858

RGB 1 88 88

HSL 180, 0.98%, 0.17%

LAB 33.33, -22.04, -6.49

 

CMYK 100 / 0 / 1 / 73

HEX #004645

RGB 0 70 69

HSL 179.14, 1%, 0.14%

LAB 26.19, -19.31, -4.97

 

CMYK 64 / 2 / 0 / 43

HEX #348E91

RGB 52 142 145

HSL 181.94, 0.47%, 0.39%

LAB 54.15, -25.17, -9.48

 

CMYK 64 / 12 / 0 / 43

HEX #348192

RGB 52 129 146

HSL 190.85, 0.47%, 0.39%

LAB 50.1, -18.04, -16.18

 

CMYK 64 / 23 / 0 / 43

HEX #347192

RGB 52 113 146

HSL 201.06, 0.47%, 0.39%

LAB 45.1, -9.04, -23.85

 

CMYK 64 / 34 / 0 / 43

HEX #346192

RGB 52 97 146

HSL 211.28, 0.47%, 0.39%

LAB 40.17, 0.65, -31.55

 

CMYK 64 / 44 / 0 / 43

HEX #345292

RGB 52 82 146

HSL 220.85, 0.47%, 0.39%

LAB 35.67, 10.29, -38.68

 

CMYK 64 / 2 / 0 / 43

HEX #348E91

RGB 52 142 145

HSL 181.94, 0.47%, 0.39%

LAB 54.15, -25.17, -9.48

 

CMYK 64 / 2 / 0 / 23

HEX #46C0C4

RGB 70 192 196

HSL 181.9, 0.52%, 0.52%

LAB 71.55, -31.93, -11.99

 

CMYK 64 / 2 / 0 / 3

HEX #59F2F7

RGB 89 242 247

HSL 181.9, 0.91%, 0.66%

LAB 88.13, -38.19, -14.34

 

CMYK 65 / 2 / 0 / 83

HEX #0F2A2B

RGB 15 42 43

HSL 182.14, 0.48%, 0.11%

LAB 15.13, -9.84, -3.79

 

CMYK 64 / 2 / 0 / 63

HEX #225C5E

RGB 34 92 94

HSL 182, 0.47%, 0.25%

LAB 35.6, -17.87, -6.78

 

CMYK 64 / 2 / 0 / 43

HEX #348E91

RGB 52 142 145

HSL 181.94, 0.47%, 0.39%

LAB 54.15, -25.17, -9.48

 

CMYK 51 / 64 / 0 / 43

HEX #483492

RGB 72 52 146

HSL 252.77, 0.47%, 0.39%

LAB 29.18, 33.89, -49.06

 

CMYK 0 / 25 / 64 / 43

HEX #926E34

RGB 146 110 52

HSL 37.02, 0.47%, 0.39%

LAB 48.9, 7.67, 37.17

 

CMYK 64 / 2 / 0 / 43

HEX #348E91

RGB 52 142 145

HSL 181.94, 0.47%, 0.39%

LAB 54.15, -25.17, -9.48

 

CMYK 0 / 64 / 1 / 43

HEX #923490

RGB 146 52 144

HSL 301.28, 0.47%, 0.39%

LAB 38.86, 51.26, -31.79

 

CMYK 1 / 0 / 64 / 43

HEX #909234

RGB 144 146 52

HSL 61.28, 0.47%, 0.39%

LAB 58.73, -13.26, 47.86

 

CMYK 64 / 2 / 0 / 43

HEX #348E91

RGB 52 142 145

HSL 181.94, 0.47%, 0.39%

LAB 54.15, -25.17, -9.48

 

CMYK 51 / 64 / 0 / 43

HEX #483492

RGB 72 52 146

HSL 252.77, 0.47%, 0.39%

LAB 29.18, 33.89, -49.06

 

CMYK 0 / 63 / 64 / 43

HEX #923634

RGB 146 54 52

HSL 1.28, 0.47%, 0.39%

LAB 35.98, 38.7, 21.73

 

CMYK 14 / 0 / 64 / 43

HEX #7D9234

RGB 125 146 52

HSL 73.4, 0.47%, 0.39%

LAB 57.24, -21.51, 45.82

 

CMYK 64 / 2 / 0 / 43

HEX #348E91

RGB 52 142 145

HSL 181.94, 0.47%, 0.39%

LAB 54.15, -25.17, -9.48

 

CMYK 31 / 64 / 0 / 43

HEX #653492

RGB 101 52 146

HSL 271.28, 0.47%, 0.39%

LAB 32.48, 40.36, -43.58

 

CMYK 0 / 63 / 64 / 43

HEX #923634

RGB 146 54 52

HSL 1.28, 0.47%, 0.39%

LAB 35.98, 38.7, 21.73

 

CMYK 34 / 0 / 64 / 43

HEX #619234

RGB 97 146 52

HSL 91.28, 0.47%, 0.39%

LAB 55.43, -32.79, 43.33

 

Description

Color code: HEX #348E91 | qconv.com Color code: HEX #348E91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 142 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 142 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 2 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 2% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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