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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3480FF00 it is the complementary color #CB7F0000. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3480FF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3480FF00: #3980FA00, #4A92FF00, #5BA4FF00, #6CB6FF00 and #7DC8FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3480FF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3480FF00: #3480FF00, #236EEC00, #125CD900, #014AC600 and #0038B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #3480FF00

RGBA 52 128 255 0

HSLA 217.54, 1%, 0.6%, 0

LABA 55.47, 21.37, -69.67, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #CB7F0000

RGBA 203 127 0 0

HSLA 37.54, 1%, 0.4%, 0

LABA 59.78, 22, 65.97, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3980FA00

RGBA 57 128 250 0

HSLA 217.93, 0.95%, 0.6%, 0

LABA 55.29, 20.03, -67.2, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4A92FF00

RGBA 74 146 255 0

HSLA 216.13, 1%, 0.65%, 0

LABA 60.99, 12.9, -60.76, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5BA4FF00

RGBA 91 164 255 0

HSLA 213.29, 1%, 0.68%, 0

LABA 66.52, 4.88, -51.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6CB6FF00

RGBA 108 182 255 0

HSLA 209.8, 1%, 0.71%, 0

LABA 72.14, -2.23, -43.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7DC8FF00

RGBA 125 200 255 0

HSLA 205.38, 1%, 0.75%, 0

LABA 77.81, -8.51, -34.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3480FF00

RGBA 52 128 255 0

HSLA 217.54, 1%, 0.6%, 0

LABA 55.47, 21.37, -69.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #236EEC00

RGBA 35 110 236 0

HSLA 217.61, 0.84%, 0.53%, 0

LABA 48.96, 24.2, -69.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #125CD900

RGBA 18 92 217 0

HSLA 217.69, 0.85%, 0.46%, 0

LABA 42.45, 27.56, -69.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #014AC600

RGBA 1 74 198 0

HSLA 217.77, 0.99%, 0.39%, 0

LABA 35.95, 31.4, -69.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0038B300

RGBA 0 56 179 0

HSLA 221.23, 1%, 0.35%, 0

LABA 29.62, 35.81, -68.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3480FF00

RGBA 52 128 255 0

HSLA 217.54, 1%, 0.6%, 0

LABA 55.47, 21.37, -69.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #325FFF00

RGBA 50 95 255 0

HSLA 226.83, 1%, 0.6%, 0

LABA 47.08, 41.72, -83.33, 0

 

CMYK 0 / 0 / 0 / 0

HEX #323DFF00

RGBA 50 61 255 0

HSLA 236.78, 1%, 0.6%, 0

LABA 39.97, 61.17, -95.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4A32FF00

RGBA 74 50 255 0

HSLA 247.02, 1%, 0.6%, 0

LABA 39.51, 67.8, -95.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6C32FF00

RGBA 108 50 255 0

HSLA 256.98, 1%, 0.6%, 0

LABA 42.29, 70.7, -91.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3480FF00

RGBA 52 128 255 0

HSLA 217.54, 1%, 0.6%, 0

LABA 55.47, 21.37, -69.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0A1A3300

RGBA 10 26 51 0

HSLA 216.59, 0.67%, 0.12%, 0

LABA 9.34, 3.61, -18.51, 0

 

CMYK 0 / 0 / 0 / 0

HEX #15336600

RGBA 21 51 102 0

HSLA 217.78, 0.66%, 0.24%, 0

LABA 21.9, 8.99, -33.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1F4D9900

RGBA 31 77 153 0

HSLA 217.38, 0.66%, 0.36%, 0

LABA 33.77, 13.1, -46.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2A66CC00

RGBA 42 102 204 0

HSLA 217.78, 0.66%, 0.48%, 0

LABA 44.74, 17.72, -58.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3480FF00

RGBA 52 128 255 0

HSLA 217.54, 1%, 0.6%, 0

LABA 55.47, 21.37, -69.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D932FF00

RGBA 217 50 255 0

HSLA 288.88, 1%, 0.6%, 0

LABA 56.34, 85.82, -67.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D2FF3200

RGBA 210 255 50 0

HSLA 73.17, 1%, 0.6%, 0

LABA 94.08, -38.72, 83.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3480FF00

RGBA 52 128 255 0

HSLA 217.54, 1%, 0.6%, 0

LABA 55.47, 21.37, -69.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF328100

RGBA 255 50 129 0

HSLA 336.88, 1%, 0.6%, 0

LABA 57.2, 78.03, 6.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #81FF3200

RGBA 129 255 50 0

HSLA 96.88, 1%, 0.6%, 0

LABA 90.05, -66.31, 78.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3480FF00

RGBA 52 128 255 0

HSLA 217.54, 1%, 0.6%, 0

LABA 55.47, 21.37, -69.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D932FF00

RGBA 217 50 255 0

HSLA 288.88, 1%, 0.6%, 0

LABA 56.34, 85.82, -67.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB03200

RGBA 255 176 50 0

HSLA 36.88, 1%, 0.6%, 0

LABA 77.6, 19.02, 70.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #58FF3200

RGBA 88 255 50 0

HSLA 108.88, 1%, 0.6%, 0

LABA 88.84, -76.08, 77.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3480FF00

RGBA 52 128 255 0

HSLA 217.54, 1%, 0.6%, 0

LABA 55.47, 21.37, -69.67, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF32E700

RGBA 255 50 231 0

HSLA 307.02, 1%, 0.6%, 0

LABA 61.05, 89.03, -46.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFB03200

RGBA 255 176 50 0

HSLA 36.88, 1%, 0.6%, 0

LABA 77.6, 19.02, 70.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #32FF4A00

RGBA 50 255 74 0

HSLA 127.02, 1%, 0.6%, 0

LABA 88.3, -80.23, 69.08, 0

 

Description

Color code: HEX #3480FF00 | qconv.com Color code: HEX #3480FF00 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 128 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 128 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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