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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3471F6 it is the complementary color #CB8E09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3471F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3471F6 shade: #3971F1, #4A83FF, #5B95FF, #6CA7FF and #7DB9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3471F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3471F6 shade: #3471F6, #235FE3, #124DD0, #013BBD and #0029AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3471F6 shade: #316FF6, #313AF6, #5E31F6, #9331F6 and #C831F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3471F6 shade: #316FF6, #313AF6 and #3131F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3471F6 shade matches the following richer shades: #316FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3471F6 shade: #316FF6, #4376E5, #547CD4, #6583C2 and #7789B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3471F6 shade: #31D9F6, #31A4F6, #3170F6, #313BF6 and #5C31F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3471F6 shade: #0946CD, #0A54F4, #316FF6, #598BF8 and #81A7FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3471F6 shade: #3471F6, #DF31F6 and #BFF631

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3471F6 shade: #3471F6, #F63170 and #70F631

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3471F6 shade: #3471F6, #DF31F6, #F6B831 and #48F631

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3471F6 shade: #3471F6, #F631D2, #F6B831 and #31F655

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 54 / 0 / 4

HEX #3471F6

RGB 52 113 246

HSL 221.13, 0.92%, 0.58%

LAB 50.91, 27.42, -72.07

 

Complementary color

CMYK 0 / 30 / 96 / 20

HEX #CB8E09

RGB 203 142 9

HSL 41.13, 0.92%, 0.42%

LAB 63.39, 13.94, 67.05

 

CMYK 76 / 53 / 0 / 5

HEX #3971F1

RGB 57 113 241

HSL 221.74, 0.87%, 0.58%

LAB 50.72, 26.08, -69.59

 

CMYK 71 / 49 / 0 / 0

HEX #4A83FF

RGB 74 131 255

HSL 221.1, 1%, 0.65%

LAB 56.99, 21.97, -67.19

 

CMYK 64 / 42 / 0 / 0

HEX #5B95FF

RGB 91 149 255

HSL 218.78, 1%, 0.68%

LAB 62.46, 13.65, -58.38

 

CMYK 58 / 35 / 0 / 0

HEX #6CA7FF

RGB 108 167 255

HSL 215.92, 1%, 0.71%

LAB 68.05, 6.21, -49.45

 

CMYK 51 / 27 / 0 / 0

HEX #7DB9FF

RGB 125 185 255

HSL 212.31, 1%, 0.75%

LAB 73.73, -0.38, -40.5

 

CMYK 79 / 54 / 0 / 4

HEX #3471F6

RGB 52 113 246

HSL 221.13, 0.92%, 0.58%

LAB 50.91, 27.42, -72.07

 

CMYK 85 / 58 / 0 / 11

HEX #235FE3

RGB 35 95 227

HSL 221.25, 0.77%, 0.51%

LAB 44.36, 30.38, -72.1

 

CMYK 91 / 63 / 0 / 18

HEX #124DD0

RGB 18 77 208

HSL 221.37, 0.84%, 0.44%

LAB 37.83, 33.85, -71.94

 

CMYK 99 / 69 / 0 / 26

HEX #013BBD

RGB 1 59 189

HSL 221.49, 0.99%, 0.37%

LAB 31.37, 37.72, -71.48

 

CMYK 100 / 76 / 0 / 33

HEX #0029AA

RGB 0 41 170

HSL 225.53, 1%, 0.33%

LAB 25.22, 41.88, -70.32

 

CMYK 80 / 55 / 0 / 4

HEX #316FF6

RGB 49 111 246

HSL 221.12, 0.92%, 0.58%

LAB 50.31, 28.4, -73.06

 

CMYK 80 / 76 / 0 / 4

HEX #313AF6

RGB 49 58 246

HSL 237.26, 0.92%, 0.58%

LAB 38.43, 59.84, -92.56

 

CMYK 62 / 80 / 0 / 4

HEX #5E31F6

RGB 94 49 246

HSL 253.71, 0.92%, 0.58%

LAB 39.97, 67.38, -89.93

 

CMYK 40 / 80 / 0 / 4

HEX #9331F6

RGB 147 49 246

HSL 269.85, 0.92%, 0.58%

LAB 45.71, 73.56, -80.27

 

CMYK 19 / 80 / 0 / 4

HEX #C831F6

RGB 200 49 246

HSL 285.99, 0.92%, 0.58%

LAB 53.09, 81.67, -67.93

 

CMYK 80 / 55 / 0 / 4

HEX #316FF6

RGB 49 111 246

HSL 221.12, 0.92%, 0.58%

LAB 50.31, 28.4, -73.06

 

CMYK 80 / 76 / 0 / 4

HEX #313AF6

RGB 49 58 246

HSL 237.26, 0.92%, 0.58%

LAB 38.43, 59.84, -92.56

 

CMYK 80 / 80 / 0 / 4

HEX #3131F6

RGB 49 49 246

HSL 240, 0.92%, 0.58%

LAB 36.94, 64.18, -95.04

 

CMYK 80 / 55 / 0 / 4

HEX #316FF6

RGB 49 111 246

HSL 221.12, 0.92%, 0.58%

LAB 50.31, 28.4, -73.06

 

CMYK 80 / 55 / 0 / 4

HEX #316FF6

RGB 49 111 246

HSL 221.12, 0.92%, 0.58%

LAB 50.31, 28.4, -73.06

 

CMYK 71 / 48 / 0 / 10

HEX #4376E5

RGB 67 118 229

HSL 221.11, 0.76%, 0.58%

LAB 51.62, 19.83, -61.4

 

CMYK 60 / 42 / 0 / 17

HEX #547CD4

RGB 84 124 212

HSL 221.25, 0.6%, 0.58%

LAB 53.01, 12.98, -49.55

 

CMYK 48 / 32 / 0 / 24

HEX #6583C2

RGB 101 131 194

HSL 220.65, 0.43%, 0.58%

LAB 54.96, 6.69, -36.19

 

CMYK 33 / 23 / 0 / 31

HEX #7789B1

RGB 119 137 177

HSL 221.38, 0.27%, 0.58%

LAB 57.06, 3.23, -23.14

 

CMYK 80 / 12 / 0 / 4

HEX #31D9F6

RGB 49 217 246

HSL 188.83, 0.92%, 0.58%

LAB 80.14, -31.42, -25.97

 

CMYK 80 / 33 / 0 / 4

HEX #31A4F6

RGB 49 164 246

HSL 204.97, 0.92%, 0.58%

LAB 64.85, -3.66, -49.74

 

CMYK 80 / 54 / 0 / 4

HEX #3170F6

RGB 49 112 246

HSL 220.81, 0.92%, 0.58%

LAB 50.56, 27.77, -72.64

 

CMYK 80 / 76 / 0 / 4

HEX #313BF6

RGB 49 59 246

HSL 236.95, 0.92%, 0.58%

LAB 38.61, 59.33, -92.26

 

CMYK 63 / 80 / 0 / 4

HEX #5C31F6

RGB 92 49 246

HSL 253.1, 0.92%, 0.58%

LAB 39.79, 67.19, -90.22

 

CMYK 96 / 66 / 0 / 20

HEX #0946CD

RGB 9 70 205

HSL 221.33, 0.92%, 0.42%

LAB 35.69, 36.94, -73.72

 

CMYK 96 / 66 / 0 / 4

HEX #0A54F4

RGB 10 84 244

HSL 221.03, 0.92%, 0.5%

LAB 42.67, 42.64, -84.47

 

CMYK 80 / 55 / 0 / 4

HEX #316FF6

RGB 49 111 246

HSL 221.12, 0.92%, 0.58%

LAB 50.31, 28.4, -73.06

 

CMYK 64 / 44 / 0 / 3

HEX #598BF8

RGB 89 139 248

HSL 221.13, 0.92%, 0.66%

LAB 59.31, 16.93, -59.57

 

CMYK 48 / 33 / 0 / 2

HEX #81A7FA

RGB 129 167 250

HSL 221.16, 0.92%, 0.74%

LAB 68.9, 9.14, -45.33

 

CMYK 79 / 54 / 0 / 4

HEX #3471F6

RGB 52 113 246

HSL 221.13, 0.92%, 0.58%

LAB 50.91, 27.42, -72.07

 

CMYK 9 / 80 / 0 / 4

HEX #DF31F6

RGB 223 49 246

HSL 292.99, 0.92%, 0.58%

LAB 56.62, 85.6, -62.06

 

CMYK 22 / 0 / 80 / 4

HEX #BFF631

RGB 191 246 49

HSL 76.75, 0.92%, 0.58%

LAB 90.42, -42.05, 80.39

 

CMYK 79 / 54 / 0 / 4

HEX #3471F6

RGB 52 113 246

HSL 221.13, 0.92%, 0.58%

LAB 50.91, 27.42, -72.07

 

CMYK 0 / 80 / 54 / 4

HEX #F63170

RGB 246 49 112

HSL 340.81, 0.92%, 0.58%

LAB 55.03, 74.76, 13.63

 

CMYK 54 / 0 / 80 / 4

HEX #70F631

RGB 112 246 49

HSL 100.81, 0.92%, 0.58%

LAB 86.79, -67.76, 75.76

 

CMYK 79 / 54 / 0 / 4

HEX #3471F6

RGB 52 113 246

HSL 221.13, 0.92%, 0.58%

LAB 50.91, 27.42, -72.07

 

CMYK 9 / 80 / 0 / 4

HEX #DF31F6

RGB 223 49 246

HSL 292.99, 0.92%, 0.58%

LAB 56.62, 85.6, -62.06

 

CMYK 0 / 25 / 80 / 4

HEX #F6B831

RGB 246 184 49

HSL 41.12, 0.92%, 0.58%

LAB 78.52, 11.02, 71.5

 

CMYK 71 / 0 / 80 / 4

HEX #48F631

RGB 72 246 49

HSL 112.99, 0.92%, 0.58%

LAB 85.76, -76.25, 74.43

 

CMYK 79 / 54 / 0 / 4

HEX #3471F6

RGB 52 113 246

HSL 221.13, 0.92%, 0.58%

LAB 50.91, 27.42, -72.07

 

CMYK 0 / 80 / 15 / 4

HEX #F631D2

RGB 246 49 210

HSL 310.96, 0.92%, 0.58%

LAB 58.45, 84.68, -38.64

 

CMYK 0 / 25 / 80 / 4

HEX #F6B831

RGB 246 184 49

HSL 41.12, 0.92%, 0.58%

LAB 78.52, 11.02, 71.5

 

CMYK 80 / 0 / 65 / 4

HEX #31F655

RGB 49 246 85

HSL 130.96, 0.92%, 0.58%

LAB 85.62, -76.7, 62.12

 

Description

Color code: HEX #3471F6 | qconv.com Color code: HEX #3471F6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 113 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 113 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 54 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 54% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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