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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DB9FF it is the complementary color #824600. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DB9FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DB9FF shade: #82B9FA, #93CBFF, #A4DDFF, #B5EFFF and #C6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DB9FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DB9FF shade: #7DB9FF, #6CA7EC, #5B95D9, #4A83C6 and #3971B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DB9FF shade: #80BAFF, #8098FF, #8980FF, #AC80FF and #CE80FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DB9FF shade: #80BAFF, #8098FF and #8080FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DB9FF shade matches the following richer shades: #80BAFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DB9FF shade: #80BAFF, #8ABBF5, #94BCEA, #9EBDE0 and #A9BED6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DB9FF shade: #80FFFF, #80DDFF, #80BBFF, #8099FF and #8880FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DB9FF shade: #2D8EFF, #56A4FF, #80BAFF, #A9D1FF and #D2E7FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DB9FF shade: #7DB9FF, #DD80FF and #EEFF80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DB9FF shade: #7DB9FF, #FF80BB and #BBFF80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DB9FF shade: #7DB9FF, #DD80FF, #FFC480 and #A2FF80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DB9FF shade: #7DB9FF, #FF80FB, #FFC480 and #80FF84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 27 / 0 / 0

HEX #7DB9FF

RGB 125 185 255

HSL 212.31, 1%, 0.75%

LAB 73.73, -0.38, -40.5

 

Complementary color

CMYK 0 / 46 / 100 / 49

HEX #824600

RGB 130 70 0

HSL 32.31, 1%, 0.25%

LAB 36.23, 21.44, 46.03

 

CMYK 48 / 26 / 0 / 2

HEX #82B9FA

RGB 130 185 250

HSL 212.5, 0.92%, 0.75%

LAB 73.77, -0.7, -37.72

 

CMYK 42 / 20 / 0 / 0

HEX #93CBFF

RGB 147 203 255

HSL 208.89, 1%, 0.79%

LAB 79.69, -5, -31.18

 

CMYK 36 / 13 / 0 / 0

HEX #A4DDFF

RGB 164 221 255

HSL 202.42, 1%, 0.82%

LAB 85.42, -10.09, -22.35

 

CMYK 29 / 6 / 0 / 0

HEX #B5EFFF

RGB 181 239 255

HSL 192.97, 1%, 0.85%

LAB 91.13, -14.65, -13.65

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 51 / 27 / 0 / 0

HEX #7DB9FF

RGB 125 185 255

HSL 212.31, 1%, 0.75%

LAB 73.73, -0.38, -40.5

 

CMYK 54 / 29 / 0 / 7

HEX #6CA7EC

RGB 108 167 236

HSL 212.34, 0.77%, 0.67%

LAB 67.19, 0.3, -40.45

 

CMYK 58 / 31 / 0 / 15

HEX #5B95D9

RGB 91 149 217

HSL 212.38, 0.62%, 0.6%

LAB 60.54, 1.13, -40.43

 

CMYK 63 / 34 / 0 / 22

HEX #4A83C6

RGB 74 131 198

HSL 212.42, 0.52%, 0.53%

LAB 53.78, 2.14, -40.42

 

CMYK 68 / 37 / 0 / 30

HEX #3971B3

RGB 57 113 179

HSL 212.46, 0.52%, 0.46%

LAB 46.89, 3.44, -40.43

 

CMYK 50 / 27 / 0 / 0

HEX #80BAFF

RGB 128 186 255

HSL 212.6, 1%, 0.75%

LAB 74.14, -0.27, -39.84

 

CMYK 50 / 40 / 0 / 0

HEX #8098FF

RGB 128 152 255

HSL 228.66, 1%, 0.75%

LAB 65.17, 19.04, -53.94

 

CMYK 46 / 50 / 0 / 0

HEX #8980FF

RGB 137 128 255

HSL 244.25, 1%, 0.75%

LAB 59.87, 35.03, -62.36

 

CMYK 33 / 50 / 0 / 0

HEX #AC80FF

RGB 172 128 255

HSL 260.79, 1%, 0.75%

LAB 62.87, 43.24, -57.4

 

CMYK 19 / 50 / 0 / 0

HEX #CE80FF

RGB 206 128 255

HSL 276.85, 1%, 0.75%

LAB 66.35, 51.93, -51.65

 

CMYK 50 / 27 / 0 / 0

HEX #80BAFF

RGB 128 186 255

HSL 212.6, 1%, 0.75%

LAB 74.14, -0.27, -39.84

 

CMYK 50 / 40 / 0 / 0

HEX #8098FF

RGB 128 152 255

HSL 228.66, 1%, 0.75%

LAB 65.17, 19.04, -53.94

 

CMYK 50 / 50 / 0 / 0

HEX #8080FF

RGB 128 128 255

HSL 240, 1%, 0.75%

LAB 59.2, 33.11, -63.47

 

CMYK 50 / 27 / 0 / 0

HEX #80BAFF

RGB 128 186 255

HSL 212.6, 1%, 0.75%

LAB 74.14, -0.27, -39.84

 

CMYK 50 / 27 / 0 / 0

HEX #80BAFF

RGB 128 186 255

HSL 212.6, 1%, 0.75%

LAB 74.14, -0.27, -39.84

 

CMYK 44 / 24 / 0 / 4

HEX #8ABBF5

RGB 138 187 245

HSL 212.52, 0.84%, 0.75%

LAB 74.53, -1.3, -33.81

 

CMYK 37 / 20 / 0 / 8

HEX #94BCEA

RGB 148 188 234

HSL 212.09, 0.67%, 0.75%

LAB 74.95, -2.2, -27.17

 

CMYK 29 / 16 / 0 / 12

HEX #9EBDE0

RGB 158 189 224

HSL 211.82, 0.52%, 0.75%

LAB 75.48, -2.45, -20.91

 

CMYK 21 / 11 / 0 / 16

HEX #A9BED6

RGB 169 190 214

HSL 212, 0.35%, 0.75%

LAB 76.14, -2.02, -14.42

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 50 / 13 / 0 / 0

HEX #80DDFF

RGB 128 221 255

HSL 196.06, 1%, 0.75%

LAB 83.72, -18.76, -25.09

 

CMYK 50 / 27 / 0 / 0

HEX #80BBFF

RGB 128 187 255

HSL 212.13, 1%, 0.75%

LAB 74.41, -0.82, -39.42

 

CMYK 50 / 40 / 0 / 0

HEX #8099FF

RGB 128 153 255

HSL 228.19, 1%, 0.75%

LAB 65.43, 18.46, -53.53

 

CMYK 47 / 50 / 0 / 0

HEX #8880FF

RGB 136 128 255

HSL 243.78, 1%, 0.75%

LAB 59.79, 34.82, -62.49

 

CMYK 82 / 44 / 0 / 0

HEX #2D8EFF

RGB 45 142 255

HSL 212.29, 1%, 0.59%

LAB 59.09, 12.19, -63.85

 

CMYK 66 / 36 / 0 / 0

HEX #56A4FF

RGB 86 164 255

HSL 212.31, 1%, 0.67%

LAB 66.33, 4.08, -52.24

 

CMYK 50 / 27 / 0 / 0

HEX #80BAFF

RGB 128 186 255

HSL 212.6, 1%, 0.75%

LAB 74.14, -0.27, -39.84

 

CMYK 34 / 18 / 0 / 0

HEX #A9D1FF

RGB 169 209 255

HSL 212.09, 1%, 0.83%

LAB 82.52, -2.47, -26.74

 

CMYK 18 / 9 / 0 / 0

HEX #D2E7FF

RGB 210 231 255

HSL 212, 1%, 0.91%

LAB 90.81, -2.08, -13.95

 

CMYK 51 / 27 / 0 / 0

HEX #7DB9FF

RGB 125 185 255

HSL 212.31, 1%, 0.75%

LAB 73.73, -0.38, -40.5

 

CMYK 13 / 50 / 0 / 0

HEX #DD80FF

RGB 221 128 255

HSL 283.94, 1%, 0.75%

LAB 68.04, 55.88, -48.87

 

CMYK 7 / 0 / 50 / 0

HEX #EEFF80

RGB 238 255 128

HSL 68.03, 1%, 0.75%

LAB 96.52, -23.11, 58.19

 

CMYK 51 / 27 / 0 / 0

HEX #7DB9FF

RGB 125 185 255

HSL 212.31, 1%, 0.75%

LAB 73.73, -0.38, -40.5

 

CMYK 0 / 50 / 27 / 0

HEX #FF80BB

RGB 255 128 187

HSL 332.13, 1%, 0.75%

LAB 69.67, 54.65, -8.35

 

CMYK 27 / 0 / 50 / 0

HEX #BBFF80

RGB 187 255 128

HSL 92.13, 1%, 0.75%

LAB 93.3, -41.83, 53.56

 

CMYK 51 / 27 / 0 / 0

HEX #7DB9FF

RGB 125 185 255

HSL 212.31, 1%, 0.75%

LAB 73.73, -0.38, -40.5

 

CMYK 13 / 50 / 0 / 0

HEX #DD80FF

RGB 221 128 255

HSL 283.94, 1%, 0.75%

LAB 68.04, 55.88, -48.87

 

CMYK 0 / 23 / 50 / 0

HEX #FFC480

RGB 255 196 128

HSL 32.13, 1%, 0.75%

LAB 83.07, 13.2, 42.09

 

CMYK 36 / 0 / 50 / 0

HEX #A2FF80

RGB 162 255 128

HSL 103.94, 1%, 0.75%

LAB 92.02, -50.09, 51.72

 

CMYK 51 / 27 / 0 / 0

HEX #7DB9FF

RGB 125 185 255

HSL 212.31, 1%, 0.75%

LAB 73.73, -0.38, -40.5

 

CMYK 0 / 50 / 2 / 0

HEX #FF80FB

RGB 255 128 251

HSL 301.89, 1%, 0.75%

LAB 72, 64.27, -40.18

 

CMYK 0 / 23 / 50 / 0

HEX #FFC480

RGB 255 196 128

HSL 32.13, 1%, 0.75%

LAB 83.07, 13.2, 42.09

 

CMYK 50 / 0 / 48 / 0

HEX #80FF84

RGB 128 255 132

HSL 121.89, 1%, 0.75%

LAB 90.68, -59.37, 47.88

 

Description

Color code: HEX #7DB9FF | qconv.com Color code: HEX #7DB9FF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 185 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 185 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 27 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 27% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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