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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #343952 it is the complementary color #CBC6AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #343952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #343952: #39394D, #4A4B60, #5B5D73, #6C6F86 and #7D8199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #343952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #343952: #343952, #23273F, #12152C, #010319 and #000006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 30 / 0 / 68

HEX #343952

RGB 52 57 82

HSL 230, 0.22%, 0.26%

LAB 24.53, 4.86, -15.84

 

Complementary color

CMYK 0 / 2 / 15 / 20

HEX #CBC6AD

RGB 203 198 173

HSL 50, 0.22%, 0.74%

LAB 79.67, -2.48, 13.16

 

CMYK 26 / 26 / 0 / 70

HEX #39394D

RGB 57 57 77

HSL 240, 0.15%, 0.26%

LAB 24.74, 5.15, -12.18

 

CMYK 23 / 22 / 0 / 62

HEX #4A4B60

RGB 74 75 96

HSL 237.27, 0.13%, 0.33%

LAB 32.55, 4.72, -12.41

 

CMYK 21 / 19 / 0 / 55

HEX #5B5D73

RGB 91 93 115

HSL 235, 0.12%, 0.4%

LAB 40.07, 4.36, -12.7

 

CMYK 19 / 17 / 0 / 47

HEX #6C6F86

RGB 108 111 134

HSL 233.08, 0.11%, 0.47%

LAB 47.34, 4.06, -13.01

 

CMYK 18 / 16 / 0 / 40

HEX #7D8199

RGB 125 129 153

HSL 231.43, 0.12%, 0.55%

LAB 54.41, 3.78, -13.34

 

CMYK 37 / 30 / 0 / 68

HEX #343952

RGB 52 57 82

HSL 230, 0.22%, 0.26%

LAB 24.53, 4.86, -15.84

 

CMYK 44 / 38 / 0 / 75

HEX #23273F

RGB 35 39 63

HSL 231.43, 0.29%, 0.19%

LAB 16.34, 5.55, -15.85

 

CMYK 59 / 52 / 0 / 83

HEX #12152C

RGB 18 21 44

HSL 233.08, 0.42%, 0.12%

LAB 7.65, 6.6, -16.03

 

CMYK 96 / 88 / 0 / 90

HEX #010319

RGB 1 3 25

HSL 235, 0.92%, 0.05%

LAB 1.28, 3.51, -11.17

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 37 / 30 / 0 / 68

HEX #343952

RGB 52 57 82

HSL 230, 0.22%, 0.26%

LAB 24.53, 4.86, -15.84

 

CMYK 36 / 36 / 0 / 69

HEX #333350

RGB 51 51 80

HSL 240, 0.22%, 0.26%

LAB 22.48, 8.01, -17.71

 

CMYK 30 / 36 / 0 / 69

HEX #383350

RGB 56 51 80

HSL 250.34, 0.22%, 0.26%

LAB 22.96, 9.73, -16.93

 

CMYK 24 / 36 / 0 / 69

HEX #3D3350

RGB 61 51 80

HSL 260.69, 0.22%, 0.26%

LAB 23.47, 11.51, -16.1

 

CMYK 18 / 36 / 0 / 69

HEX #423350

RGB 66 51 80

HSL 271.03, 0.22%, 0.26%

LAB 24.02, 13.34, -15.21

 

CMYK 37 / 30 / 0 / 68

HEX #343952

RGB 52 57 82

HSL 230, 0.22%, 0.26%

LAB 24.53, 4.86, -15.84

 

CMYK 37 / 31 / 0 / 48

HEX #545C85

RGB 84 92 133

HSL 230.2, 0.23%, 0.43%

LAB 39.97, 7.6, -23.88

 

CMYK 36 / 30 / 0 / 28

HEX #7580B8

RGB 117 128 184

HSL 230.15, 0.32%, 0.59%

LAB 54.74, 9.82, -30.75

 

CMYK 37 / 31 / 0 / 8

HEX #95A3EB

RGB 149 163 235

HSL 230.23, 0.68%, 0.75%

LAB 68.45, 12.21, -37.77

 

CMYK 35 / 29 / 0 / 88

HEX #14161F

RGB 20 22 31

HSL 229.09, 0.22%, 0.1%

LAB 7.42, 1.72, -6.6

 

CMYK 37 / 30 / 0 / 68

HEX #343952

RGB 52 57 82

HSL 230, 0.22%, 0.26%

LAB 24.53, 4.86, -15.84

 

CMYK 0 / 36 / 1 / 69

HEX #50334F

RGB 80 51 79

HSL 302.07, 0.22%, 0.26%

LAB 25.68, 18.37, -11.85

 

CMYK 15 / 0 / 36 / 69

HEX #445033

RGB 68 80 51

HSL 84.83, 0.22%, 0.26%

LAB 32.27, -10.65, 15.57

 

CMYK 37 / 30 / 0 / 68

HEX #343952

RGB 52 57 82

HSL 230, 0.22%, 0.26%

LAB 24.53, 4.86, -15.84

 

CMYK 0 / 36 / 30 / 69

HEX #503338

RGB 80 51 56

HSL 349.66, 0.22%, 0.26%

LAB 24.82, 13.92, 2.23

 

CMYK 30 / 0 / 36 / 69

HEX #385033

RGB 56 80 51

HSL 109.66, 0.22%, 0.26%

LAB 31.39, -15.7, 14.24

 

CMYK 37 / 30 / 0 / 68

HEX #343952

RGB 52 57 82

HSL 230, 0.22%, 0.26%

LAB 24.53, 4.86, -15.84

 

CMYK 0 / 36 / 1 / 69

HEX #50334F

RGB 80 51 79

HSL 302.07, 0.22%, 0.26%

LAB 25.68, 18.37, -11.85

 

CMYK 0 / 5 / 36 / 69

HEX #504C33

RGB 80 76 51

HSL 51.72, 0.22%, 0.26%

LAB 32.06, -2.8, 15.49

 

CMYK 36 / 0 / 35 / 69

HEX #335034

RGB 51 80 52

HSL 122.07, 0.22%, 0.26%

LAB 31.09, -17.46, 13.16

 

CMYK 37 / 30 / 0 / 68

HEX #343952

RGB 52 57 82

HSL 230, 0.22%, 0.26%

LAB 24.53, 4.86, -15.84

 

CMYK 0 / 36 / 11 / 69

HEX #503347

RGB 80 51 71

HSL 318.62, 0.22%, 0.26%

LAB 25.35, 16.69, -7.03

 

CMYK 0 / 5 / 36 / 69

HEX #504C33

RGB 80 76 51

HSL 51.72, 0.22%, 0.26%

LAB 32.06, -2.8, 15.49

 

CMYK 36 / 0 / 24 / 69

HEX #33503D

RGB 51 80 61

HSL 140.69, 0.22%, 0.26%

LAB 31.3, -15.57, 7.81

 

Description

Color code: HEX #343952 | qconv.com Color code: HEX #343952 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 57 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 57 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 30 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 30% 0% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

10% - Home
Link: http://www.motan-colortronic.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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