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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33EF6B it is the complementary color #CC1094. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33EF6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #33EF6B: #38EF66, #49FF79, #5AFF8C, #6BFF9F and #7CFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33EF6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #33EF6B: #33EF6B, #22DD58, #11CB45, #00B932 and #00A71F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 55 / 6

HEX #33EF6B

RGB 51 239 107

HSL 137.87, 0.85%, 0.57%

LAB 83.7, -71.77, 50.54

 

Complementary color

CMYK 0 / 92 / 27 / 20

HEX #CC1094

RGB 204 16 148

HSL 317.87, 0.85%, 0.43%

LAB 46.1, 74.37, -22.16

 

CMYK 77 / 0 / 57 / 6

HEX #38EF66

RGB 56 239 102

HSL 135.08, 0.85%, 0.58%

LAB 83.72, -71.81, 52.83

 

CMYK 71 / 0 / 53 / 0

HEX #49FF79

RGB 73 255 121

HSL 135.82, 1%, 0.64%

LAB 89.07, -72.18, 50.7

 

CMYK 65 / 0 / 45 / 0

HEX #5AFF8C

RGB 90 255 140

HSL 138.18, 1%, 0.68%

LAB 89.67, -66.6, 42.56

 

CMYK 58 / 0 / 38 / 0

HEX #6BFF9F

RGB 107 255 159

HSL 141.08, 1%, 0.71%

LAB 90.39, -60.18, 34.28

 

CMYK 51 / 0 / 30 / 0

HEX #7CFFB2

RGB 124 255 178

HSL 144.73, 1%, 0.74%

LAB 91.24, -53.03, 25.98

 

CMYK 79 / 0 / 55 / 6

HEX #33EF6B

RGB 51 239 107

HSL 137.87, 0.85%, 0.57%

LAB 83.7, -71.77, 50.54

 

CMYK 85 / 0 / 60 / 13

HEX #22DD58

RGB 34 221 88

HSL 137.33, 0.73%, 0.5%

LAB 77.73, -70.23, 51.99

 

CMYK 92 / 0 / 66 / 20

HEX #11CB45

RGB 17 203 69

HSL 136.77, 0.85%, 0.43%

LAB 71.73, -68.11, 53.32

 

CMYK 100 / 0 / 73 / 27

HEX #00B932

RGB 0 185 50

HSL 136.22, 1%, 0.36%

LAB 65.69, -65.39, 54.33

 

CMYK 100 / 0 / 81 / 35

HEX #00A71F

RGB 0 167 31

HSL 131.14, 1%, 0.33%

LAB 59.65, -61.6, 54.71

 

CMYK 79 / 0 / 55 / 6

HEX #33EF6B

RGB 51 239 107

HSL 137.87, 0.85%, 0.57%

LAB 83.7, -71.77, 50.54

 

CMYK 78 / 0 / 43 / 7

HEX #34EE88

RGB 52 238 136

HSL 147.1, 0.85%, 0.57%

LAB 83.79, -66.9, 36.81

 

CMYK 78 / 0 / 30 / 7

HEX #34EEA7

RGB 52 238 167

HSL 157.1, 0.85%, 0.57%

LAB 84.31, -60.95, 21.82

 

CMYK 78 / 0 / 17 / 7

HEX #34EEC6

RGB 52 238 198

HSL 167.1, 0.85%, 0.57%

LAB 84.97, -53.84, 6.62

 

CMYK 78 / 0 / 4 / 7

HEX #34EEE5

RGB 52 238 229

HSL 177.1, 0.85%, 0.57%

LAB 85.77, -45.74, -8.49

 

CMYK 79 / 0 / 55 / 6

HEX #33EF6B

RGB 51 239 107

HSL 137.87, 0.85%, 0.57%

LAB 83.7, -71.77, 50.54

 

CMYK 80 / 0 / 54 / 86

HEX #072310

RGB 7 35 16

HSL 139.29, 0.67%, 0.08%

LAB 11.17, -16.1, 9.29

 

CMYK 79 / 0 / 55 / 66

HEX #125627

RGB 18 86 39

HSL 138.53, 0.65%, 0.2%

LAB 31.65, -32.29, 21.42

 

CMYK 79 / 0 / 55 / 46

HEX #1D893D

RGB 29 137 61

HSL 137.78, 0.65%, 0.33%

LAB 50.08, -46.51, 32.17

 

CMYK 79 / 0 / 55 / 26

HEX #28BC54

RGB 40 188 84

HSL 137.84, 0.65%, 0.45%

LAB 67.32, -59.49, 41.61

 

CMYK 79 / 0 / 55 / 6

HEX #33EF6B

RGB 51 239 107

HSL 137.87, 0.85%, 0.57%

LAB 83.7, -71.77, 50.54

 

CMYK 78 / 38 / 0 / 7

HEX #3494EE

RGB 52 148 238

HSL 209.03, 0.85%, 0.57%

LAB 59.96, 3.03, -53.08

 

CMYK 0 / 78 / 69 / 7

HEX #EE3449

RGB 238 52 73

HSL 353.23, 0.85%, 0.57%

LAB 53.07, 69.61, 33.98

 

CMYK 79 / 0 / 55 / 6

HEX #33EF6B

RGB 51 239 107

HSL 137.87, 0.85%, 0.57%

LAB 83.7, -71.77, 50.54

 

CMYK 56 / 78 / 0 / 7

HEX #6834EE

RGB 104 52 238

HSL 256.77, 0.85%, 0.57%

LAB 40.53, 65.05, -84.46

 

CMYK 0 / 56 / 78 / 7

HEX #EE6834

RGB 238 104 52

HSL 16.77, 0.85%, 0.57%

LAB 60.18, 48.9, 52.93

 

CMYK 79 / 0 / 55 / 6

HEX #33EF6B

RGB 51 239 107

HSL 137.87, 0.85%, 0.57%

LAB 83.7, -71.77, 50.54

 

CMYK 78 / 38 / 0 / 7

HEX #3494EE

RGB 52 148 238

HSL 209.03, 0.85%, 0.57%

LAB 59.96, 3.03, -53.08

 

CMYK 0 / 78 / 22 / 7

HEX #EE34B9

RGB 238 52 185

HSL 317.1, 0.85%, 0.57%

LAB 56.22, 79.09, -27.87

 

CMYK 0 / 40 / 78 / 7

HEX #EE8E34

RGB 238 142 52

HSL 29.03, 0.85%, 0.57%

LAB 67.85, 29.86, 60.32

 

CMYK 79 / 0 / 55 / 6

HEX #33EF6B

RGB 51 239 107

HSL 137.87, 0.85%, 0.57%

LAB 83.7, -71.77, 50.54

 

CMYK 78 / 61 / 0 / 7

HEX #345CEE

RGB 52 92 238

HSL 227.1, 0.85%, 0.57%

LAB 45.02, 37.68, -77.2

 

CMYK 0 / 78 / 22 / 7

HEX #EE34B9

RGB 238 52 185

HSL 317.1, 0.85%, 0.57%

LAB 56.22, 79.09, -27.87

 

CMYK 0 / 17 / 78 / 7

HEX #EEC634

RGB 238 198 52

HSL 47.1, 0.85%, 0.57%

LAB 81.19, 0.43, 72.63

 

Description

Color code: HEX #33EF6B | qconv.com Color code: HEX #33EF6B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 239 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 239 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 55 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 55% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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