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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33AFF8 it is the complementary color #CC5007. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33AFF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #33AFF8: #38AFF3, #49C1FF, #5AD3FF, #6BE5FF and #7CF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33AFF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #33AFF8: #33AFF8, #229DE5, #118BD2, #0079BF and #0067AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 29 / 0 / 3

HEX #33AFF8

RGB 51 175 248

HSL 202.23, 0.93%, 0.59%

LAB 68.12, -8.93, -45.66

 

Complementary color

CMYK 0 / 61 / 97 / 20

HEX #CC5007

RGB 204 80 7

HSL 22.23, 0.93%, 0.41%

LAB 50.2, 46.57, 58.67

 

CMYK 77 / 28 / 0 / 5

HEX #38AFF3

RGB 56 175 243

HSL 201.82, 0.89%, 0.59%

LAB 68, -10.16, -43.13

 

CMYK 71 / 24 / 0 / 0

HEX #49C1FF

RGB 73 193 255

HSL 200.44, 1%, 0.64%

LAB 74.05, -13.85, -40.14

 

CMYK 65 / 17 / 0 / 0

HEX #5AD3FF

RGB 90 211 255

HSL 196, 1%, 0.68%

LAB 79.6, -20.78, -31.5

 

CMYK 58 / 10 / 0 / 0

HEX #6BE5FF

RGB 107 229 255

HSL 190.54, 1%, 0.71%

LAB 85.19, -26.89, -22.92

 

CMYK 51 / 3 / 0 / 0

HEX #7CF7FF

RGB 124 247 255

HSL 183.66, 1%, 0.74%

LAB 90.79, -32.29, -14.42

 

CMYK 79 / 29 / 0 / 3

HEX #33AFF8

RGB 51 175 248

HSL 202.23, 0.93%, 0.59%

LAB 68.12, -8.93, -45.66

 

CMYK 85 / 31 / 0 / 10

HEX #229DE5

RGB 34 157 229

HSL 202.15, 0.79%, 0.52%

LAB 61.75, -7.02, -45.3

 

CMYK 92 / 34 / 0 / 18

HEX #118BD2

RGB 17 139 210

HSL 202.07, 0.85%, 0.45%

LAB 55.32, -4.66, -44.88

 

CMYK 100 / 37 / 0 / 25

HEX #0079BF

RGB 0 121 191

HSL 201.99, 1%, 0.37%

LAB 48.81, -1.87, -44.4

 

CMYK 100 / 40 / 0 / 33

HEX #0067AC

RGB 0 103 172

HSL 204.07, 1%, 0.34%

LAB 42.28, 1.69, -43.75

 

CMYK 79 / 29 / 0 / 3

HEX #33AFF8

RGB 51 175 248

HSL 202.23, 0.93%, 0.59%

LAB 68.12, -8.93, -45.66

 

CMYK 79 / 42 / 0 / 3

HEX #358FF7

RGB 53 143 247

HSL 212.16, 0.92%, 0.59%

LAB 59.08, 9.37, -59.45

 

CMYK 79 / 55 / 0 / 3

HEX #356FF7

RGB 53 111 247

HSL 222.06, 0.92%, 0.59%

LAB 50.5, 29.13, -73.3

 

CMYK 79 / 68 / 0 / 3

HEX #354FF7

RGB 53 79 247

HSL 231.96, 0.92%, 0.59%

LAB 42.86, 48.82, -85.8

 

CMYK 76 / 79 / 0 / 3

HEX #3B35F7

RGB 59 53 247

HSL 241.86, 0.92%, 0.59%

LAB 38.18, 63.17, -93.52

 

CMYK 79 / 29 / 0 / 3

HEX #33AFF8

RGB 51 175 248

HSL 202.23, 0.93%, 0.59%

LAB 68.12, -8.93, -45.66

 

CMYK 80 / 30 / 0 / 83

HEX #091F2C

RGB 9 31 44

HSL 202.29, 0.66%, 0.1%

LAB 10.7, -3.49, -11.28

 

CMYK 79 / 29 / 0 / 63

HEX #14435F

RGB 20 67 95

HSL 202.4, 0.65%, 0.23%

LAB 26.7, -5.07, -21.07

 

CMYK 79 / 29 / 0 / 43

HEX #1E6792

RGB 30 103 146

HSL 202.24, 0.66%, 0.35%

LAB 41.3, -6.5, -29.83

 

CMYK 79 / 29 / 0 / 23

HEX #298BC5

RGB 41 139 197

HSL 202.31, 0.66%, 0.47%

LAB 55.04, -7.7, -37.94

 

CMYK 79 / 29 / 0 / 3

HEX #33AFF8

RGB 51 175 248

HSL 202.23, 0.93%, 0.59%

LAB 68.12, -8.93, -45.66

 

CMYK 34 / 79 / 0 / 3

HEX #A335F7

RGB 163 53 247

HSL 274.02, 0.92%, 0.59%

LAB 48.32, 74.77, -76.48

 

CMYK 0 / 2 / 79 / 3

HEX #F7F135

RGB 247 241 53

HSL 58.14, 0.92%, 0.59%

LAB 92.99, -17.27, 83.12

 

CMYK 79 / 29 / 0 / 3

HEX #33AFF8

RGB 51 175 248

HSL 202.23, 0.93%, 0.59%

LAB 68.12, -8.93, -45.66

 

CMYK 0 / 79 / 29 / 3

HEX #F735B0

RGB 247 53 176

HSL 321.96, 0.92%, 0.59%

LAB 57.52, 79.81, -20.53

 

CMYK 29 / 0 / 79 / 3

HEX #B0F735

RGB 176 247 53

HSL 81.96, 0.92%, 0.59%

LAB 89.86, -47.87, 78.53

 

CMYK 79 / 29 / 0 / 3

HEX #33AFF8

RGB 51 175 248

HSL 202.23, 0.93%, 0.59%

LAB 68.12, -8.93, -45.66

 

CMYK 34 / 79 / 0 / 3

HEX #A335F7

RGB 163 53 247

HSL 274.02, 0.92%, 0.59%

LAB 48.32, 74.77, -76.48

 

CMYK 0 / 50 / 79 / 3

HEX #F77C35

RGB 247 124 53

HSL 21.96, 0.92%, 0.59%

LAB 65.32, 42.66, 57.92

 

CMYK 45 / 0 / 79 / 3

HEX #89F735

RGB 137 247 53

HSL 94.02, 0.92%, 0.59%

LAB 88.02, -60.91, 76.15

 

CMYK 79 / 29 / 0 / 3

HEX #33AFF8

RGB 51 175 248

HSL 202.23, 0.93%, 0.59%

LAB 68.12, -8.93, -45.66

 

CMYK 11 / 79 / 0 / 3

HEX #DD35F7

RGB 221 53 247

HSL 291.96, 0.92%, 0.59%

LAB 56.72, 84.41, -62.48

 

CMYK 0 / 50 / 79 / 3

HEX #F77C35

RGB 247 124 53

HSL 21.96, 0.92%, 0.59%

LAB 65.32, 42.66, 57.92

 

CMYK 68 / 0 / 79 / 3

HEX #4FF735

RGB 79 247 53

HSL 111.96, 0.92%, 0.59%

LAB 86.23, -75.13, 73.83

 

Description

Color code: HEX #33AFF8 | qconv.com Color code: HEX #33AFF8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 175 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 175 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 29 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 29% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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