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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #337F58 it is the complementary color #CC80A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #337F58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #337F58: #387F53, #499166, #5AA379, #6BB58C and #7CC79F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #337F58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #337F58: #337F58, #226D45, #115B32, #00491F and #00370C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 31 / 50

HEX #337F58

RGB 51 127 88

HSL 149.21, 0.43%, 0.35%

LAB 47.74, -33.17, 14.35

 

Complementary color

CMYK 0 / 37 / 18 / 20

HEX #CC80A7

RGB 204 128 167

HSL 329.21, 0.43%, 0.65%

LAB 62.56, 34.79, -8.34

 

CMYK 56 / 0 / 35 / 50

HEX #387F53

RGB 56 127 83

HSL 142.82, 0.39%, 0.36%

LAB 47.81, -33, 17.35

 

CMYK 50 / 0 / 30 / 43

HEX #499166

RGB 73 145 102

HSL 144.17, 0.33%, 0.43%

LAB 54.69, -32.86, 16.04

 

CMYK 45 / 0 / 26 / 36

HEX #5AA379

RGB 90 163 121

HSL 145.48, 0.29%, 0.5%

LAB 61.44, -32.64, 14.86

 

CMYK 41 / 0 / 23 / 29

HEX #6BB58C

RGB 107 181 140

HSL 146.76, 0.33%, 0.56%

LAB 68.07, -32.39, 13.78

 

CMYK 38 / 0 / 20 / 22

HEX #7CC79F

RGB 124 199 159

HSL 148, 0.4%, 0.63%

LAB 74.59, -32.13, 12.78

 

CMYK 60 / 0 / 31 / 50

HEX #337F58

RGB 51 127 88

HSL 149.21, 0.43%, 0.35%

LAB 47.74, -33.17, 14.35

 

CMYK 69 / 0 / 37 / 57

HEX #226D45

RGB 34 109 69

HSL 148, 0.52%, 0.28%

LAB 40.75, -33.01, 15.82

 

CMYK 81 / 0 / 45 / 64

HEX #115B32

RGB 17 91 50

HSL 146.76, 0.69%, 0.21%

LAB 33.63, -32.4, 17.52

 

CMYK 100 / 0 / 58 / 71

HEX #00491F

RGB 0 73 31

HSL 145.48, 1%, 0.14%

LAB 26.34, -31.29, 19.4

 

CMYK 100 / 0 / 78 / 78

HEX #00370C

RGB 0 55 12

HSL 133.09, 1%, 0.11%

LAB 19.05, -27.58, 21.34

 

CMYK 60 / 0 / 31 / 50

HEX #337F58

RGB 51 127 88

HSL 149.21, 0.43%, 0.35%

LAB 47.74, -33.17, 14.35

 

CMYK 61 / 0 / 21 / 50

HEX #327F64

RGB 50 127 100

HSL 158.96, 0.44%, 0.35%

LAB 47.98, -30.6, 7.7

 

CMYK 61 / 0 / 11 / 50

HEX #327F71

RGB 50 127 113

HSL 169.09, 0.44%, 0.35%

LAB 48.32, -27.22, 0.55

 

CMYK 61 / 0 / 1 / 50

HEX #327F7E

RGB 50 127 126

HSL 179.22, 0.44%, 0.35%

LAB 48.71, -23.52, -6.53

 

CMYK 61 / 9 / 0 / 50

HEX #32747F

RGB 50 116 127

HSL 188.57, 0.44%, 0.35%

LAB 45.22, -17.37, -12.36

 

CMYK 60 / 0 / 31 / 50

HEX #337F58

RGB 51 127 88

HSL 149.21, 0.43%, 0.35%

LAB 47.74, -33.17, 14.35

 

CMYK 60 / 0 / 31 / 30

HEX #47B27B

RGB 71 178 123

HSL 149.16, 0.43%, 0.49%

LAB 65.44, -43.62, 19.18

 

CMYK 60 / 0 / 31 / 10

HEX #5CE59F

RGB 92 229 159

HSL 149.34, 0.72%, 0.63%

LAB 82.28, -53.06, 23.28

 

CMYK 60 / 0 / 32 / 90

HEX #0A1911

RGB 10 25 17

HSL 148, 0.43%, 0.07%

LAB 7.23, -7.65, 3.1

 

CMYK 59 / 0 / 30 / 70

HEX #1F4C35

RGB 31 76 53

HSL 149.33, 0.42%, 0.21%

LAB 28.69, -21.77, 9.09

 

CMYK 60 / 0 / 31 / 50

HEX #337F58

RGB 51 127 88

HSL 149.21, 0.43%, 0.35%

LAB 47.74, -33.17, 14.35

 

CMYK 61 / 41 / 0 / 50

HEX #324B7F

RGB 50 75 127

HSL 220.52, 0.44%, 0.35%

LAB 32.35, 7.58, -32.32

 

CMYK 0 / 55 / 61 / 50

HEX #7F3932

RGB 127 57 50

HSL 5.45, 0.44%, 0.35%

LAB 33.28, 29.68, 18.88

 

CMYK 60 / 0 / 31 / 50

HEX #337F58

RGB 51 127 88

HSL 149.21, 0.43%, 0.35%

LAB 47.74, -33.17, 14.35

 

CMYK 31 / 61 / 0 / 50

HEX #57327F

RGB 87 50 127

HSL 268.83, 0.44%, 0.35%

LAB 29, 33.08, -37.47

 

CMYK 0 / 31 / 61 / 50

HEX #7F5732

RGB 127 87 50

HSL 28.83, 0.44%, 0.35%

LAB 40.51, 12.3, 27.88

 

CMYK 60 / 0 / 31 / 50

HEX #337F58

RGB 51 127 88

HSL 149.21, 0.43%, 0.35%

LAB 47.74, -33.17, 14.35

 

CMYK 61 / 41 / 0 / 50

HEX #324B7F

RGB 50 75 127

HSL 220.52, 0.44%, 0.35%

LAB 32.35, 7.58, -32.32

 

CMYK 0 / 61 / 29 / 50

HEX #7F325A

RGB 127 50 90

HSL 328.83, 0.44%, 0.35%

LAB 32.99, 37.84, -7.28

 

CMYK 0 / 19 / 61 / 50

HEX #7F6732

RGB 127 103 50

HSL 41.3, 0.44%, 0.35%

LAB 44.86, 2.84, 33.04

 

CMYK 60 / 0 / 31 / 50

HEX #337F58

RGB 51 127 88

HSL 149.21, 0.43%, 0.35%

LAB 47.74, -33.17, 14.35

 

CMYK 61 / 59 / 0 / 50

HEX #32347F

RGB 50 52 127

HSL 238.44, 0.44%, 0.35%

LAB 25.76, 23.13, -42.89

 

CMYK 0 / 61 / 29 / 50

HEX #7F325A

RGB 127 50 90

HSL 328.83, 0.44%, 0.35%

LAB 32.99, 37.84, -7.28

 

CMYK 0 / 1 / 61 / 50

HEX #7F7E32

RGB 127 126 50

HSL 59.22, 0.44%, 0.35%

LAB 51.46, -10.21, 40.5

 

Description

Color code: HEX #337F58 | qconv.com Color code: HEX #337F58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 127 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 127 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 31 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 31% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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