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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #337DFB it is the complementary color #CC8204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #337DFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #337DFB shade: #387DF6, #498FFF, #5AA1FF, #6BB3FF and #7CC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #337DFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #337DFB shade: #337DFB, #226BE8, #1159D5, #0047C2 and #0035AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #337DFB shade: #327CFB, #3246FB, #5432FB, #8A32FB and #C032FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #337DFB shade: #327CFB, #3246FB and #3232FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #337DFB shade matches the following richer shades: #327CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #337DFB shade: #327CFB, #4381EA, #5485D9, #658AC8 and #768EB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #337DFB shade: #32EAFB, #32B5FB, #327FFB, #324AFB and #5032FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #337DFB shade: #0452D6, #0A63FA, #327CFB, #5B96FC and #83B0FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #337DFB shade: #337DFB, #D632FB and #CFFB32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #337DFB shade: #337DFB, #FB327F and #7FFB32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #337DFB shade: #337DFB, #D632FB, #FBAE32 and #57FB32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #337DFB shade: #337DFB, #FB32E3, #FBAE32 and #32FB4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 50 / 0 / 2

HEX #337DFB

RGB 51 125 251

HSL 217.8, 0.96%, 0.59%

LAB 54.38, 21.67, -69.23

 

Complementary color

CMYK 0 / 36 / 98 / 20

HEX #CC8204

RGB 204 130 4

HSL 37.8, 0.96%, 0.41%

LAB 60.61, 20.85, 65.93

 

CMYK 77 / 49 / 0 / 4

HEX #387DF6

RGB 56 125 246

HSL 218.21, 0.91%, 0.59%

LAB 54.2, 20.32, -66.75

 

CMYK 71 / 44 / 0 / 0

HEX #498FFF

RGB 73 143 255

HSL 216.92, 1%, 0.64%

LAB 60.14, 14.56, -62.12

 

CMYK 65 / 37 / 0 / 0

HEX #5AA1FF

RGB 90 161 255

HSL 214.18, 1%, 0.68%

LAB 65.66, 6.45, -53.29

 

CMYK 58 / 30 / 0 / 0

HEX #6BB3FF

RGB 107 179 255

HSL 210.81, 1%, 0.71%

LAB 71.27, -0.75, -44.39

 

CMYK 51 / 23 / 0 / 0

HEX #7CC5FF

RGB 124 197 255

HSL 206.56, 1%, 0.74%

LAB 76.94, -7.12, -35.51

 

CMYK 80 / 50 / 0 / 2

HEX #337DFB

RGB 51 125 251

HSL 217.8, 0.96%, 0.59%

LAB 54.38, 21.67, -69.23

 

CMYK 85 / 54 / 0 / 9

HEX #226BE8

RGB 34 107 232

HSL 217.88, 0.81%, 0.52%

LAB 47.86, 24.53, -69.23

 

CMYK 92 / 58 / 0 / 16

HEX #1159D5

RGB 17 89 213

HSL 217.96, 0.85%, 0.45%

LAB 41.32, 27.92, -69.09

 

CMYK 100 / 63 / 0 / 24

HEX #0047C2

RGB 0 71 194

HSL 218.04, 1%, 0.38%

LAB 34.81, 31.78, -68.76

 

CMYK 100 / 70 / 0 / 31

HEX #0035AF

RGB 0 53 175

HSL 221.83, 1%, 0.34%

LAB 28.49, 36.23, -67.92

 

CMYK 80 / 51 / 0 / 2

HEX #327CFB

RGB 50 124 251

HSL 217.91, 0.96%, 0.59%

LAB 54.09, 22.2, -69.7

 

CMYK 80 / 72 / 0 / 2

HEX #3246FB

RGB 50 70 251

HSL 234.03, 0.96%, 0.59%

LAB 41.25, 55.1, -90.7

 

CMYK 67 / 80 / 0 / 2

HEX #5432FB

RGB 84 50 251

HSL 250.15, 0.96%, 0.59%

LAB 39.8, 67.45, -93.04

 

CMYK 45 / 80 / 0 / 2

HEX #8A32FB

RGB 138 50 251

HSL 266.27, 0.96%, 0.59%

LAB 45.15, 73.16, -84.03

 

CMYK 24 / 80 / 0 / 2

HEX #C032FB

RGB 192 50 251

HSL 282.39, 0.96%, 0.59%

LAB 52.35, 81.01, -71.99

 

CMYK 80 / 51 / 0 / 2

HEX #327CFB

RGB 50 124 251

HSL 217.91, 0.96%, 0.59%

LAB 54.09, 22.2, -69.7

 

CMYK 80 / 72 / 0 / 2

HEX #3246FB

RGB 50 70 251

HSL 234.03, 0.96%, 0.59%

LAB 41.25, 55.1, -90.7

 

CMYK 80 / 80 / 0 / 2

HEX #3232FB

RGB 50 50 251

HSL 240, 0.96%, 0.59%

LAB 37.71, 65.25, -96.57

 

CMYK 80 / 51 / 0 / 2

HEX #327CFB

RGB 50 124 251

HSL 217.91, 0.96%, 0.59%

LAB 54.09, 22.2, -69.7

 

CMYK 80 / 51 / 0 / 2

HEX #327CFB

RGB 50 124 251

HSL 217.91, 0.96%, 0.59%

LAB 54.09, 22.2, -69.7

 

CMYK 71 / 45 / 0 / 8

HEX #4381EA

RGB 67 129 234

HSL 217.72, 0.8%, 0.59%

LAB 54.9, 14.82, -58.92

 

CMYK 61 / 39 / 0 / 15

HEX #5485D9

RGB 84 133 217

HSL 217.89, 0.64%, 0.59%

LAB 55.76, 9.21, -48

 

CMYK 50 / 31 / 0 / 22

HEX #658AC8

RGB 101 138 200

HSL 217.58, 0.47%, 0.59%

LAB 57.19, 4.39, -36.11

 

CMYK 36 / 22 / 0 / 28

HEX #768EB7

RGB 118 142 183

HSL 217.85, 0.31%, 0.59%

LAB 58.62, 1.66, -24.18

 

CMYK 80 / 7 / 0 / 2

HEX #32EAFB

RGB 50 234 251

HSL 185.07, 0.96%, 0.59%

LAB 85.25, -37.81, -20.85

 

CMYK 80 / 28 / 0 / 2

HEX #32B5FB

RGB 50 181 251

HSL 200.9, 0.96%, 0.59%

LAB 69.96, -11.27, -44.41

 

CMYK 80 / 49 / 0 / 2

HEX #327FFB

RGB 50 127 251

HSL 217.01, 0.96%, 0.59%

LAB 54.89, 20.34, -68.41

 

CMYK 80 / 71 / 0 / 2

HEX #324AFB

RGB 50 74 251

HSL 232.84, 0.96%, 0.59%

LAB 42.06, 52.85, -89.36

 

CMYK 68 / 80 / 0 / 2

HEX #5032FB

RGB 80 50 251

HSL 248.96, 0.96%, 0.59%

LAB 39.5, 67.13, -93.55

 

CMYK 98 / 62 / 0 / 16

HEX #0452D6

RGB 4 82 214

HSL 217.71, 0.96%, 0.43%

LAB 39.44, 32.47, -72.75

 

CMYK 96 / 60 / 0 / 2

HEX #0A63FA

RGB 10 99 250

HSL 217.75, 0.96%, 0.51%

LAB 46.83, 35.44, -80.99

 

CMYK 80 / 51 / 0 / 2

HEX #327CFB

RGB 50 124 251

HSL 217.91, 0.96%, 0.59%

LAB 54.09, 22.2, -69.7

 

CMYK 64 / 40 / 0 / 1

HEX #5B96FC

RGB 91 150 252

HSL 218.01, 0.96%, 0.67%

LAB 62.56, 12.05, -56.57

 

CMYK 48 / 30 / 0 / 1

HEX #83B0FC

RGB 131 176 252

HSL 217.69, 0.95%, 0.75%

LAB 71.49, 5.1, -42.35

 

CMYK 80 / 50 / 0 / 2

HEX #337DFB

RGB 51 125 251

HSL 217.8, 0.96%, 0.59%

LAB 54.38, 21.67, -69.23

 

CMYK 15 / 80 / 0 / 2

HEX #D632FB

RGB 214 50 251

HSL 288.96, 0.96%, 0.59%

LAB 55.63, 84.64, -66.52

 

CMYK 18 / 0 / 80 / 2

HEX #CFFB32

RGB 207 251 50

HSL 73.13, 0.96%, 0.59%

LAB 92.79, -38.1, 82.62

 

CMYK 80 / 50 / 0 / 2

HEX #337DFB

RGB 51 125 251

HSL 217.8, 0.96%, 0.59%

LAB 54.38, 21.67, -69.23

 

CMYK 0 / 80 / 49 / 2

HEX #FB327F

RGB 251 50 127

HSL 337.01, 0.96%, 0.59%

LAB 56.41, 76.88, 6.75

 

CMYK 49 / 0 / 80 / 2

HEX #7FFB32

RGB 127 251 50

HSL 97.01, 0.96%, 0.59%

LAB 88.8, -65.44, 77.53

 

CMYK 80 / 50 / 0 / 2

HEX #337DFB

RGB 51 125 251

HSL 217.8, 0.96%, 0.59%

LAB 54.38, 21.67, -69.23

 

CMYK 15 / 80 / 0 / 2

HEX #D632FB

RGB 214 50 251

HSL 288.96, 0.96%, 0.59%

LAB 55.63, 84.64, -66.52

 

CMYK 0 / 31 / 80 / 2

HEX #FBAE32

RGB 251 174 50

HSL 37.01, 0.96%, 0.59%

LAB 76.69, 18.39, 69.75

 

CMYK 65 / 0 / 80 / 2

HEX #57FB32

RGB 87 251 50

HSL 108.96, 0.96%, 0.59%

LAB 87.61, -75.02, 76

 

CMYK 80 / 50 / 0 / 2

HEX #337DFB

RGB 51 125 251

HSL 217.8, 0.96%, 0.59%

LAB 54.38, 21.67, -69.23

 

CMYK 0 / 80 / 10 / 2

HEX #FB32E3

RGB 251 50 227

HSL 307.16, 0.96%, 0.59%

LAB 60.19, 87.71, -45.46

 

CMYK 0 / 31 / 80 / 2

HEX #FBAE32

RGB 251 174 50

HSL 37.01, 0.96%, 0.59%

LAB 76.69, 18.39, 69.75

 

CMYK 80 / 0 / 71 / 2

HEX #32FB4A

RGB 50 251 74

HSL 127.16, 0.96%, 0.59%

LAB 87.08, -79.06, 67.81

 

Description

Color code: HEX #337DFB | qconv.com Color code: HEX #337DFB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 125 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 125 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 50 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 50% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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