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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33639B it is the complementary color #CC9C64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33639B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #33639B: #386396, #4975A9, #5A87BC, #6B99CF and #7CABE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33639B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #33639B: #33639B, #225188, #113F75, #002D62 and #001B4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 36 / 0 / 39

HEX #33639B

RGB 51 99 155

HSL 212.31, 0.5%, 0.4%

LAB 41.21, 2.45, -35.31

 

Complementary color

CMYK 0 / 24 / 51 / 20

HEX #CC9C64

RGB 204 156 100

HSL 32.31, 0.5%, 0.6%

LAB 67.68, 11.16, 36.07

 

CMYK 63 / 34 / 0 / 41

HEX #386396

RGB 56 99 150

HSL 212.55, 0.46%, 0.4%

LAB 41.16, 1.61, -32.38

 

CMYK 57 / 31 / 0 / 34

HEX #4975A9

RGB 73 117 169

HSL 212.5, 0.4%, 0.47%

LAB 48.26, 0.62, -32.39

 

CMYK 52 / 28 / 0 / 26

HEX #5A87BC

RGB 90 135 188

HSL 212.45, 0.42%, 0.55%

LAB 55.21, -0.14, -32.43

 

CMYK 48 / 26 / 0 / 19

HEX #6B99CF

RGB 107 153 207

HSL 212.4, 0.51%, 0.62%

LAB 62.01, -0.74, -32.5

 

CMYK 45 / 24 / 0 / 11

HEX #7CABE2

RGB 124 171 226

HSL 212.35, 0.64%, 0.69%

LAB 68.68, -1.23, -32.59

 

CMYK 67 / 36 / 0 / 39

HEX #33639B

RGB 51 99 155

HSL 212.31, 0.5%, 0.4%

LAB 41.21, 2.45, -35.31

 

CMYK 75 / 40 / 0 / 47

HEX #225188

RGB 34 81 136

HSL 212.35, 0.6%, 0.33%

LAB 33.99, 4.08, -35.32

 

CMYK 85 / 46 / 0 / 54

HEX #113F75

RGB 17 63 117

HSL 212.4, 0.75%, 0.26%

LAB 26.62, 6.36, -35.29

 

CMYK 100 / 54 / 0 / 62

HEX #002D62

RGB 0 45 98

HSL 212.45, 1%, 0.19%

LAB 19.05, 9.41, -35.25

 

CMYK 100 / 66 / 0 / 69

HEX #001B4F

RGB 0 27 79

HSL 219.49, 1%, 0.15%

LAB 11.61, 14.35, -34.61

 

CMYK 67 / 36 / 0 / 39

HEX #33639B

RGB 51 99 155

HSL 212.31, 0.5%, 0.4%

LAB 41.21, 2.45, -35.31

 

CMYK 67 / 47 / 0 / 40

HEX #335199

RGB 51 81 153

HSL 222.35, 0.5%, 0.4%

LAB 35.77, 13.35, -42.77

 

CMYK 67 / 58 / 0 / 40

HEX #334099

RGB 51 64 153

HSL 232.35, 0.5%, 0.4%

LAB 31.04, 24.68, -50.39

 

CMYK 65 / 67 / 0 / 40

HEX #363399

RGB 54 51 153

HSL 241.76, 0.5%, 0.4%

LAB 27.99, 33.61, -55.37

 

CMYK 54 / 67 / 0 / 40

HEX #473399

RGB 71 51 153

HSL 251.76, 0.5%, 0.4%

LAB 29.43, 36.48, -52.95

 

CMYK 67 / 36 / 0 / 39

HEX #33639B

RGB 51 99 155

HSL 212.31, 0.5%, 0.4%

LAB 41.21, 2.45, -35.31

 

CMYK 67 / 36 / 0 / 19

HEX #4484CE

RGB 68 132 206

HSL 212.17, 0.58%, 0.54%

LAB 54.23, 3.25, -44.27

 

CMYK 50 / 50 / 0 / 99

HEX #010102

RGB 1 1 2

HSL 240, 0.33%, 0.01%

LAB 0.29, 0.14, -0.38

 

CMYK 68 / 36 / 0 / 79

HEX #112235

RGB 17 34 53

HSL 211.67, 0.51%, 0.14%

LAB 12.74, 0.02, -14.56

 

CMYK 67 / 37 / 0 / 59

HEX #224268

RGB 34 66 104

HSL 212.57, 0.51%, 0.27%

LAB 27.4, 1.61, -25.73

 

CMYK 67 / 36 / 0 / 39

HEX #33639B

RGB 51 99 155

HSL 212.31, 0.5%, 0.4%

LAB 41.21, 2.45, -35.31

 

CMYK 18 / 67 / 0 / 40

HEX #7D3399

RGB 125 51 153

HSL 283.53, 0.5%, 0.4%

LAB 36.04, 48.23, -41.95

 

CMYK 9 / 0 / 67 / 40

HEX #8B9933

RGB 139 153 51

HSL 68.24, 0.5%, 0.4%

LAB 60.35, -19.16, 49.86

 

CMYK 67 / 36 / 0 / 39

HEX #33639B

RGB 51 99 155

HSL 212.31, 0.5%, 0.4%

LAB 41.21, 2.45, -35.31

 

CMYK 0 / 67 / 36 / 40

HEX #993362

RGB 153 51 98

HSL 332.35, 0.5%, 0.4%

LAB 37.88, 46.82, -4.61

 

CMYK 36 / 0 / 67 / 40

HEX #629933

RGB 98 153 51

HSL 92.35, 0.5%, 0.4%

LAB 57.67, -35.7, 46.22

 

CMYK 67 / 36 / 0 / 39

HEX #33639B

RGB 51 99 155

HSL 212.31, 0.5%, 0.4%

LAB 41.21, 2.45, -35.31

 

CMYK 18 / 67 / 0 / 40

HEX #7D3399

RGB 125 51 153

HSL 283.53, 0.5%, 0.4%

LAB 36.04, 48.23, -41.95

 

CMYK 0 / 31 / 67 / 40

HEX #996933

RGB 153 105 51

HSL 31.76, 0.5%, 0.4%

LAB 48.4, 13.65, 37.36

 

CMYK 49 / 0 / 67 / 40

HEX #4E9933

RGB 78 153 51

HSL 104.12, 0.5%, 0.4%

LAB 56.72, -42.48, 44.92

 

CMYK 67 / 36 / 0 / 39

HEX #33639B

RGB 51 99 155

HSL 212.31, 0.5%, 0.4%

LAB 41.21, 2.45, -35.31

 

CMYK 0 / 67 / 3 / 40

HEX #993395

RGB 153 51 149

HSL 302.35, 0.5%, 0.4%

LAB 40.1, 54.33, -32.81

 

CMYK 0 / 31 / 67 / 40

HEX #996933

RGB 153 105 51

HSL 31.76, 0.5%, 0.4%

LAB 48.4, 13.65, 37.36

 

CMYK 67 / 0 / 65 / 40

HEX #339936

RGB 51 153 54

HSL 121.76, 0.5%, 0.4%

LAB 55.84, -49.28, 42.36

 

Description

Color code: HEX #33639B | qconv.com Color code: HEX #33639B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 99 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 99 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 36 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 36% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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