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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #323A76 it is the complementary color #CDC589. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #323A76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #323A76: #373A71, #484C84, #595E97, #6A70AA and #7B82BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #323A76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #323A76: #323A76, #212863, #101650, #00043D and #00002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 51 / 0 / 54

HEX #323A76

RGB 50 58 118

HSL 232.94, 0.4%, 0.33%

LAB 26.77, 15.82, -35.59

 

Complementary color

CMYK 0 / 4 / 33 / 20

HEX #CDC589

RGB 205 197 137

HSL 52.94, 0.4%, 0.67%

LAB 78.88, -6.25, 31.15

 

CMYK 51 / 49 / 0 / 56

HEX #373A71

RGB 55 58 113

HSL 236.9, 0.35%, 0.33%

LAB 26.82, 15.27, -32.31

 

CMYK 45 / 42 / 0 / 48

HEX #484C84

RGB 72 76 132

HSL 236, 0.29%, 0.4%

LAB 34.42, 14.07, -32.04

 

CMYK 41 / 38 / 0 / 41

HEX #595E97

RGB 89 94 151

HSL 235.16, 0.26%, 0.47%

LAB 41.79, 13.12, -31.86

 

CMYK 38 / 34 / 0 / 33

HEX #6A70AA

RGB 106 112 170

HSL 234.38, 0.27%, 0.54%

LAB 48.95, 12.36, -31.75

 

CMYK 35 / 31 / 0 / 26

HEX #7B82BD

RGB 123 130 189

HSL 233.64, 0.33%, 0.61%

LAB 55.94, 11.71, -31.71

 

CMYK 58 / 51 / 0 / 54

HEX #323A76

RGB 50 58 118

HSL 232.94, 0.4%, 0.33%

LAB 26.77, 15.82, -35.59

 

CMYK 67 / 60 / 0 / 61

HEX #212863

RGB 33 40 99

HSL 233.64, 0.5%, 0.26%

LAB 18.98, 17.74, -35.96

 

CMYK 80 / 73 / 0 / 69

HEX #101650

RGB 16 22 80

HSL 234.38, 0.67%, 0.19%

LAB 11.02, 20.4, -36.24

 

CMYK 100 / 93 / 0 / 76

HEX #00043D

RGB 0 4 61

HSL 236.07, 1%, 0.12%

LAB 3.83, 19.75, -34.71

 

CMYK 100 / 100 / 0 / 84

HEX #00002A

RGB 0 0 42

HSL 240, 1%, 0.08%

LAB 1.51, 10.61, -24.29

 

CMYK 58 / 51 / 0 / 54

HEX #323A76

RGB 50 58 118

HSL 232.94, 0.4%, 0.33%

LAB 26.77, 15.82, -35.59

 

CMYK 56 / 57 / 0 / 54

HEX #343275

RGB 52 50 117

HSL 241.79, 0.4%, 0.33%

LAB 24.63, 21.37, -38.39

 

CMYK 46 / 57 / 0 / 54

HEX #3F3275

RGB 63 50 117

HSL 251.64, 0.4%, 0.33%

LAB 25.63, 23.99, -36.72

 

CMYK 36 / 57 / 0 / 54

HEX #4B3275

RGB 75 50 117

HSL 262.39, 0.4%, 0.33%

LAB 26.91, 27.13, -34.6

 

CMYK 26 / 57 / 0 / 54

HEX #563275

RGB 86 50 117

HSL 272.24, 0.4%, 0.33%

LAB 28.23, 30.18, -32.41

 

CMYK 58 / 51 / 0 / 54

HEX #323A76

RGB 50 58 118

HSL 232.94, 0.4%, 0.33%

LAB 26.77, 15.82, -35.59

 

CMYK 57 / 51 / 0 / 34

HEX #4853A9

RGB 72 83 169

HSL 233.2, 0.4%, 0.47%

LAB 38.6, 21.78, -47.74

 

CMYK 58 / 51 / 0 / 14

HEX #5D6CDC

RGB 93 108 220

HSL 232.91, 0.64%, 0.61%

LAB 49.76, 27.2, -59.25

 

CMYK 56 / 50 / 0 / 94

HEX #070810

RGB 7 8 16

HSL 233.33, 0.39%, 0.05%

LAB 2.31, 1, -3.53

 

CMYK 58 / 51 / 0 / 74

HEX #1C2143

RGB 28 33 67

HSL 232.31, 0.41%, 0.19%

LAB 14.06, 9.3, -22.28

 

CMYK 58 / 51 / 0 / 54

HEX #323A76

RGB 50 58 118

HSL 232.94, 0.4%, 0.33%

LAB 26.77, 15.82, -35.59

 

CMYK 0 / 57 / 3 / 54

HEX #753271

RGB 117 50 113

HSL 303.58, 0.4%, 0.33%

LAB 32.38, 38.45, -23.04

 

CMYK 26 / 0 / 57 / 54

HEX #567532

RGB 86 117 50

HSL 87.76, 0.4%, 0.33%

LAB 45.54, -23.27, 32.93

 

CMYK 58 / 51 / 0 / 54

HEX #323A76

RGB 50 58 118

HSL 232.94, 0.4%, 0.33%

LAB 26.77, 15.82, -35.59

 

CMYK 0 / 57 / 50 / 54

HEX #75323B

RGB 117 50 59

HSL 351.94, 0.4%, 0.33%

LAB 30.35, 30.34, 8.87

 

CMYK 50 / 0 / 57 / 54

HEX #3B7532

RGB 59 117 50

HSL 111.94, 0.4%, 0.33%

LAB 44.06, -33.21, 30.83

 

CMYK 58 / 51 / 0 / 54

HEX #323A76

RGB 50 58 118

HSL 232.94, 0.4%, 0.33%

LAB 26.77, 15.82, -35.59

 

CMYK 0 / 57 / 3 / 54

HEX #753271

RGB 117 50 113

HSL 303.58, 0.4%, 0.33%

LAB 32.38, 38.45, -23.04

 

CMYK 0 / 8 / 57 / 54

HEX #756C32

RGB 117 108 50

HSL 51.94, 0.4%, 0.33%

LAB 45.27, -4.69, 33.25

 

CMYK 57 / 0 / 54 / 54

HEX #327536

RGB 50 117 54

HSL 123.58, 0.4%, 0.33%

LAB 43.75, -35.34, 28.25

 

CMYK 58 / 51 / 0 / 54

HEX #323A76

RGB 50 58 118

HSL 232.94, 0.4%, 0.33%

LAB 26.77, 15.82, -35.59

 

CMYK 0 / 57 / 21 / 54

HEX #75325D

RGB 117 50 93

HSL 321.49, 0.4%, 0.33%

LAB 31.47, 34.93, -11.66

 

CMYK 0 / 8 / 57 / 54

HEX #756C32

RGB 117 108 50

HSL 51.94, 0.4%, 0.33%

LAB 45.27, -4.69, 33.25

 

CMYK 57 / 0 / 36 / 54

HEX #32754B

RGB 50 117 75

HSL 142.39, 0.4%, 0.33%

LAB 44.1, -31.61, 16.92

 

Description

Color code: HEX #323A76 | qconv.com Color code: HEX #323A76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 58 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 58 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 51 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 51% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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