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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32383B4C it is the complementary color #CDC7C44C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32383B4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #32383B4C: #3738364C, #484A494C, #595C5C4C, #6A6E6F4C and #7B80824C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32383B4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #32383B4C: #32383B4C, #2126284C, #1014154C, #0002024C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 2 / 0 / 23

HEX #32383B4C

RGBA 50 56 59 0.3

HSLA 200, 0.08%, 0.21%, 0.3

LABA 23.07, -1.78, -2.74, 0.3

 

Complementary color

CMYK 0 / 1 / 1 / 6

HEX #CDC7C44C

RGBA 205 199 196 0.3

HSLA 20, 0.08%, 0.79%, 0.3

LABA 80.63, 1.55, 2.23, 0.3

 

CMYK 1 / 0 / 1 / 23

HEX #3738364C

RGBA 55 56 54 0.3

HSLA 90, 0.02%, 0.22%, 0.3

LABA 23.36, -0.89, 1.09, 0.3

 

CMYK 1 / 0 / 0 / 21

HEX #484A494C

RGBA 72 74 73 0.3

HSLA 150, 0.01%, 0.29%, 0.3

LABA 31.25, -1.04, 0.31, 0.3

 

CMYK 1 / 0 / 0 / 19

HEX #595C5C4C

RGBA 89 92 92 0.3

HSLA 180, 0.02%, 0.35%, 0.3

LABA 38.81, -1.18, -0.42, 0.3

 

CMYK 1 / 0 / 0 / 17

HEX #6A6E6F4C

RGBA 106 110 111 0.3

HSLA 192, 0.02%, 0.43%, 0.3

LABA 46.13, -1.31, -1.09, 0.3

 

CMYK 2 / 0 / 0 / 15

HEX #7B80824C

RGBA 123 128 130 0.3

HSLA 197.14, 0.03%, 0.5%, 0.3

LABA 53.23, -1.44, -1.73, 0.3

 

CMYK 5 / 2 / 0 / 23

HEX #32383B4C

RGBA 50 56 59 0.3

HSLA 200, 0.08%, 0.21%, 0.3

LABA 23.07, -1.78, -2.74, 0.3

 

CMYK 5 / 1 / 0 / 25

HEX #2126284C

RGBA 33 38 40 0.3

HSLA 197.14, 0.1%, 0.14%, 0.3

LABA 14.75, -1.7, -2.09, 0.3

 

CMYK 7 / 1 / 0 / 28

HEX #1014154C

RGBA 16 20 21 0.3

HSLA 192, 0.14%, 0.07%, 0.3

LABA 6, -1.33, -1.18, 0.3

 

CMYK 30 / 0 / 0 / 30

HEX #0002024C

RGBA 0 2 2 0.3

HSLA 180, 1%, 0%, 0.3

LABA 0.43, -0.52, -0.18, 0.3

 

CMYK 5 / 2 / 0 / 23

HEX #32383B4C

RGBA 50 56 59 0.3

HSLA 200, 0.08%, 0.21%, 0.3

LABA 23.07, -1.78, -2.74, 0.3

 

CMYK 4 / 2 / 0 / 23

HEX #3135394C

RGBA 49 53 57 0.3

HSLA 210, 0.08%, 0.21%, 0.3

LABA 21.92, -0.71, -3.1, 0.3

 

CMYK 4 / 3 / 0 / 23

HEX #3134394C

RGBA 49 52 57 0.3

HSLA 217.5, 0.08%, 0.21%, 0.3

LABA 21.6, -0.04, -3.59, 0.3

 

CMYK 4 / 4 / 0 / 23

HEX #3132394C

RGBA 49 50 57 0.3

HSLA 232.5, 0.08%, 0.21%, 0.3

LABA 20.94, 1.31, -4.57, 0.3

 

CMYK 4 / 4 / 0 / 23

HEX #3131394C

RGBA 49 49 57 0.3

HSLA 240, 0.08%, 0.21%, 0.3

LABA 20.62, 1.99, -5.05, 0.3

 

CMYK 5 / 2 / 0 / 23

HEX #32383B4C

RGBA 50 56 59 0.3

HSLA 200, 0.08%, 0.21%, 0.3

LABA 23.07, -1.78, -2.74, 0.3

 

CMYK 5 / 2 / 0 / 17

HEX #5D686E4C

RGBA 93 104 110 0.3

HSLA 201.18, 0.08%, 0.4%, 0.3

LABA 43.29, -2.8, -4.79, 0.3

 

CMYK 5 / 1 / 0 / 11

HEX #8899A14C

RGBA 136 153 161 0.3

HSLA 199.2, 0.12%, 0.58%, 0.3

LABA 62.16, -4.29, -6.24, 0.3

 

CMYK 5 / 2 / 0 / 5

HEX #B4C9D44C

RGBA 180 201 212 0.3

HSLA 200.63, 0.27%, 0.77%, 0.3

LABA 79.74, -4.82, -7.88, 0.3

 

CMYK 4 / 0 / 0 / 29

HEX #0708084C

RGBA 7 8 8 0.3

HSLA 180, 0.07%, 0.03%, 0.3

LABA 2.14, -0.26, -0.09, 0.3

 

CMYK 5 / 2 / 0 / 23

HEX #32383B4C

RGBA 50 56 59 0.3

HSLA 200, 0.08%, 0.21%, 0.3

LABA 23.07, -1.78, -2.74, 0.3

 

CMYK 2 / 4 / 0 / 23

HEX #3531394C

RGBA 53 49 57 0.3

HSLA 270, 0.08%, 0.21%, 0.3

LABA 21.01, 3.65, -4.42, 0.3

 

CMYK 0 / 0 / 4 / 23

HEX #3939314C

RGBA 57 57 49 0.3

HSLA 60, 0.08%, 0.21%, 0.3

LABA 23.73, -1.72, 4.99, 0.3

 

CMYK 5 / 2 / 0 / 23

HEX #32383B4C

RGBA 50 56 59 0.3

HSLA 200, 0.08%, 0.21%, 0.3

LABA 23.07, -1.78, -2.74, 0.3

 

CMYK 0 / 4 / 2 / 23

HEX #3931364C

RGBA 57 49 54 0.3

HSLA 322.5, 0.08%, 0.21%, 0.3

LABA 21.33, 4.67, -1.85, 0.3

 

CMYK 2 / 0 / 4 / 23

HEX #3639314C

RGBA 54 57 49 0.3

HSLA 82.5, 0.08%, 0.21%, 0.3

LABA 23.45, -3.07, 4.55, 0.3

 

CMYK 5 / 2 / 0 / 23

HEX #32383B4C

RGBA 50 56 59 0.3

HSLA 200, 0.08%, 0.21%, 0.3

LABA 23.07, -1.78, -2.74, 0.3

 

CMYK 2 / 4 / 0 / 23

HEX #3531394C

RGBA 53 49 57 0.3

HSLA 270, 0.08%, 0.21%, 0.3

LABA 21.01, 3.65, -4.42, 0.3

 

CMYK 0 / 3 / 4 / 23

HEX #3934314C

RGBA 57 52 49 0.3

HSLA 22.5, 0.08%, 0.21%, 0.3

LABA 22.12, 1.57, 2.69, 0.3

 

CMYK 2 / 0 / 4 / 23

HEX #3539314C

RGBA 53 57 49 0.3

HSLA 90, 0.08%, 0.21%, 0.3

LABA 23.35, -3.51, 4.41, 0.3

 

CMYK 5 / 2 / 0 / 23

HEX #32383B4C

RGBA 50 56 59 0.3

HSLA 200, 0.08%, 0.21%, 0.3

LABA 23.07, -1.78, -2.74, 0.3

 

CMYK 1 / 4 / 0 / 23

HEX #3831394C

RGBA 56 49 57 0.3

HSLA 292.5, 0.08%, 0.21%, 0.3

LABA 21.33, 4.93, -3.91, 0.3

 

CMYK 0 / 3 / 4 / 23

HEX #3934314C

RGBA 57 52 49 0.3

HSLA 22.5, 0.08%, 0.21%, 0.3

LABA 22.12, 1.57, 2.69, 0.3

 

CMYK 4 / 0 / 4 / 23

HEX #3239314C

RGBA 50 57 49 0.3

HSLA 112.5, 0.08%, 0.21%, 0.3

LABA 23.09, -4.83, 3.99, 0.3

 

Description

Color code: HEX #32383B4C | qconv.com Color code: HEX #32383B4C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 56 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 56 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 2 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 2% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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