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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31DC9B it is the complementary color #CE2364. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31DC9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #31DC9B: #36DC96, #47EEA9, #58FFBC, #69FFCF and #7AFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31DC9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #31DC9B: #31DC9B, #20CA88, #0FB875, #00A662 and #00944F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 30 / 14

HEX #31DC9B

RGB 49 220 155

HSL 157.19, 0.71%, 0.53%

LAB 78.58, -57.05, 20.14

 

Complementary color

CMYK 0 / 83 / 51 / 19

HEX #CE2364

RGB 206 35 100

HSL 337.19, 0.71%, 0.47%

LAB 45.97, 67, 7.1

 

CMYK 75 / 0 / 32 / 14

HEX #36DC96

RGB 54 220 150

HSL 154.7, 0.7%, 0.54%

LAB 78.56, -57.53, 22.73

 

CMYK 70 / 0 / 29 / 7

HEX #47EEA9

RGB 71 238 169

HSL 155.21, 0.83%, 0.61%

LAB 84.67, -58.17, 21.32

 

CMYK 65 / 0 / 26 / 0

HEX #58FFBC

RGB 88 255 188

HSL 155.93, 1%, 0.67%

LAB 90.43, -58.19, 19.61

 

CMYK 59 / 0 / 19 / 0

HEX #69FFCF

RGB 105 255 207

HSL 160.8, 1%, 0.71%

LAB 91.25, -51.12, 11.07

 

CMYK 52 / 0 / 11 / 0

HEX #7AFFE2

RGB 122 255 226

HSL 166.92, 1%, 0.74%

LAB 92.2, -43.46, 2.69

 

CMYK 78 / 0 / 30 / 14

HEX #31DC9B

RGB 49 220 155

HSL 157.19, 0.71%, 0.53%

LAB 78.58, -57.05, 20.14

 

CMYK 84 / 0 / 33 / 21

HEX #20CA88

RGB 32 202 136

HSL 156.71, 0.73%, 0.46%

LAB 72.45, -55.99, 21.68

 

CMYK 92 / 0 / 36 / 28

HEX #0FB875

RGB 15 184 117

HSL 156.21, 0.85%, 0.39%

LAB 66.26, -54.5, 23.36

 

CMYK 100 / 0 / 41 / 35

HEX #00A662

RGB 0 166 98

HSL 155.42, 1%, 0.33%

LAB 60.03, -52.55, 25.2

 

CMYK 100 / 0 / 47 / 42

HEX #00944F

RGB 0 148 79

HSL 152.03, 1%, 0.29%

LAB 53.75, -49.83, 27.23

 

CMYK 78 / 0 / 30 / 14

HEX #31DC9B

RGB 49 220 155

HSL 157.19, 0.71%, 0.53%

LAB 78.58, -57.05, 20.14

 

CMYK 77 / 0 / 17 / 14

HEX #32DCB7

RGB 50 220 183

HSL 166.94, 0.71%, 0.53%

LAB 79.2, -50.43, 6.23

 

CMYK 77 / 0 / 4 / 14

HEX #32DCD3

RGB 50 220 211

HSL 176.82, 0.71%, 0.53%

LAB 79.94, -43.03, -7.62

 

CMYK 77 / 9 / 0 / 14

HEX #32C8DC

RGB 50 200 220

HSL 187.06, 0.71%, 0.53%

LAB 74.29, -31.17, -20.94

 

CMYK 77 / 22 / 0 / 14

HEX #32ACDC

RGB 50 172 220

HSL 196.94, 0.71%, 0.53%

LAB 66.02, -16.98, -33.64

 

CMYK 78 / 0 / 30 / 14

HEX #31DC9B

RGB 49 220 155

HSL 157.19, 0.71%, 0.53%

LAB 78.58, -57.05, 20.14

 

CMYK 75 / 0 / 31 / 94

HEX #04100B

RGB 4 16 11

HSL 155, 0.6%, 0.04%

LAB 3.8, -4.26, 1.08

 

CMYK 78 / 0 / 30 / 74

HEX #0F432F

RGB 15 67 47

HSL 156.92, 0.63%, 0.16%

LAB 24.71, -22.57, 7.33

 

CMYK 78 / 0 / 30 / 54

HEX #1A7653

RGB 26 118 83

HSL 157.17, 0.64%, 0.28%

LAB 43.95, -35.09, 11.93

 

CMYK 78 / 0 / 30 / 34

HEX #26A977

RGB 38 169 119

HSL 157.1, 0.63%, 0.41%

LAB 61.76, -46.35, 16.17

 

CMYK 78 / 0 / 30 / 14

HEX #31DC9B

RGB 49 220 155

HSL 157.19, 0.71%, 0.53%

LAB 78.58, -57.05, 20.14

 

CMYK 77 / 63 / 0 / 14

HEX #3251DC

RGB 50 81 220

HSL 229.06, 0.71%, 0.53%

LAB 40.78, 37.92, -73.94

 

CMYK 0 / 61 / 77 / 14

HEX #DC5632

RGB 220 86 50

HSL 12.71, 0.71%, 0.53%

LAB 54.13, 50.6, 46.89

 

CMYK 78 / 0 / 30 / 14

HEX #31DC9B

RGB 49 220 155

HSL 157.19, 0.71%, 0.53%

LAB 78.58, -57.05, 20.14

 

CMYK 30 / 77 / 0 / 14

HEX #9B32DC

RGB 155 50 220

HSL 277.06, 0.71%, 0.53%

LAB 44.83, 68.83, -66.95

 

CMYK 0 / 30 / 77 / 14

HEX #DC9B32

RGB 220 155 50

HSL 37.06, 0.71%, 0.53%

LAB 68.67, 15.31, 61.11

 

CMYK 78 / 0 / 30 / 14

HEX #31DC9B

RGB 49 220 155

HSL 157.19, 0.71%, 0.53%

LAB 78.58, -57.05, 20.14

 

CMYK 77 / 63 / 0 / 14

HEX #3251DC

RGB 50 81 220

HSL 229.06, 0.71%, 0.53%

LAB 40.78, 37.92, -73.94

 

CMYK 0 / 77 / 48 / 14

HEX #DC3273

RGB 220 50 115

HSL 337.06, 0.71%, 0.53%

LAB 50.38, 67.96, 4.56

 

CMYK 0 / 14 / 77 / 14

HEX #DCBD32

RGB 220 189 50

HSL 49.06, 0.71%, 0.53%

LAB 77.19, -2.69, 69.01

 

CMYK 78 / 0 / 30 / 14

HEX #31DC9B

RGB 49 220 155

HSL 157.19, 0.71%, 0.53%

LAB 78.58, -57.05, 20.14

 

CMYK 69 / 77 / 0 / 14

HEX #4532DC

RGB 69 50 220

HSL 246.71, 0.71%, 0.53%

LAB 35.43, 57.33, -82.72

 

CMYK 0 / 77 / 48 / 14

HEX #DC3273

RGB 220 50 115

HSL 337.06, 0.71%, 0.53%

LAB 50.38, 67.96, 4.56

 

CMYK 9 / 0 / 77 / 14

HEX #C8DC32

RGB 200 220 50

HSL 67.06, 0.71%, 0.53%

LAB 83.81, -26.61, 74.42

 

Description

Color code: HEX #31DC9B | qconv.com Color code: HEX #31DC9B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 220 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 220 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 30 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 30% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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