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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31CD17 it is the complementary color #CE32E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31CD17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #31CD17: #36CD12, #47DF25, #58F138, #69FF4B and #7AFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31CD17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #31CD17: #31CD17, #20BB04, #0FA900, #009700 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 89 / 20

HEX #31CD17

RGB 49 205 23

HSL 111.43, 0.8%, 0.45%

LAB 72.48, -68.67, 68.26

 

Complementary color

CMYK 11 / 78 / 0 / 9

HEX #CE32E8

RGB 206 50 232

HSL 291.43, 0.8%, 0.55%

LAB 53.2, 80.01, -59.85

 

CMYK 74 / 0 / 91 / 20

HEX #36CD12

RGB 54 205 18

HSL 108.45, 0.84%, 0.44%

LAB 72.56, -68.05, 69.18

 

CMYK 68 / 0 / 83 / 13

HEX #47DF25

RGB 71 223 37

HSL 109.03, 0.74%, 0.51%

LAB 78.61, -69.95, 70.89

 

CMYK 63 / 0 / 77 / 5

HEX #58F138

RGB 88 241 56

HSL 109.62, 0.87%, 0.58%

LAB 84.62, -71.31, 71.51

 

CMYK 59 / 0 / 71 / 0

HEX #69FF4B

RGB 105 255 75

HSL 110, 1%, 0.65%

LAB 89.41, -70.94, 70.21

 

CMYK 52 / 0 / 63 / 0

HEX #7AFF5E

RGB 122 255 94

HSL 109.57, 1%, 0.68%

LAB 90.08, -65.21, 63.89

 

CMYK 76 / 0 / 89 / 20

HEX #31CD17

RGB 49 205 23

HSL 111.43, 0.8%, 0.45%

LAB 72.48, -68.67, 68.26

 

CMYK 83 / 0 / 98 / 27

HEX #20BB04

RGB 32 187 4

HSL 110.82, 0.96%, 0.37%

LAB 66.41, -66.04, 65.7

 

CMYK 91 / 0 / 100 / 34

HEX #0FA900

RGB 15 169 0

HSL 114.67, 1%, 0.33%

LAB 60.32, -62.5, 61.23

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 76 / 0 / 89 / 20

HEX #31CD17

RGB 49 205 23

HSL 111.43, 0.8%, 0.45%

LAB 72.48, -68.67, 68.26

 

CMYK 89 / 0 / 87 / 19

HEX #16CE1A

RGB 22 206 26

HSL 121.3, 0.81%, 0.45%

LAB 72.49, -71.7, 67.58

 

CMYK 89 / 0 / 73 / 19

HEX #16CE38

RGB 22 206 56

HSL 131.09, 0.81%, 0.45%

LAB 72.63, -69.91, 59.29

 

CMYK 89 / 0 / 58 / 19

HEX #16CE57

RGB 22 206 87

HSL 141.2, 0.81%, 0.45%

LAB 72.89, -66.59, 46.78

 

CMYK 89 / 0 / 43 / 19

HEX #16CE75

RGB 22 206 117

HSL 150.98, 0.81%, 0.45%

LAB 73.28, -61.89, 32.65

 

CMYK 76 / 0 / 89 / 20

HEX #31CD17

RGB 49 205 23

HSL 111.43, 0.8%, 0.45%

LAB 72.48, -68.67, 68.26

 

CMYK 100 / 0 / 100 / 100

HEX #000100

RGB 0 1 0

HSL 120, 1%, 0%

LAB 0.2, -0.4, 0.29

 

CMYK 77 / 0 / 88 / 80

HEX #0C3406

RGB 12 52 6

HSL 112.17, 0.79%, 0.11%

LAB 18.13, -24.19, 22.83

 

CMYK 76 / 0 / 88 / 60

HEX #19670C

RGB 25 103 12

HSL 111.43, 0.79%, 0.23%

LAB 37.72, -40.33, 39.99

 

CMYK 76 / 0 / 89 / 40

HEX #259A11

RGB 37 154 17

HSL 111.24, 0.8%, 0.34%

LAB 55.63, -55.02, 54.76

 

CMYK 76 / 0 / 89 / 20

HEX #31CD17

RGB 49 205 23

HSL 111.43, 0.8%, 0.45%

LAB 72.48, -68.67, 68.26

 

CMYK 89 / 4 / 0 / 19

HEX #16C5CE

RGB 22 197 206

HSL 182.93, 0.81%, 0.45%

LAB 72.6, -36.11, -15.93

 

CMYK 0 / 89 / 40 / 19

HEX #CE167B

RGB 206 22 123

HSL 327.07, 0.81%, 0.45%

LAB 45.81, 71.42, -7.34

 

CMYK 76 / 0 / 89 / 20

HEX #31CD17

RGB 49 205 23

HSL 111.43, 0.8%, 0.45%

LAB 72.48, -68.67, 68.26

 

CMYK 89 / 76 / 0 / 19

HEX #1632CE

RGB 22 50 206

HSL 230.87, 0.81%, 0.45%

LAB 31.6, 49.87, -81.05

 

CMYK 0 / 89 / 76 / 19

HEX #CE1632

RGB 206 22 50

HSL 350.87, 0.81%, 0.45%

LAB 44.13, 66.72, 35.46

 

CMYK 76 / 0 / 89 / 20

HEX #31CD17

RGB 49 205 23

HSL 111.43, 0.8%, 0.45%

LAB 72.48, -68.67, 68.26

 

CMYK 89 / 4 / 0 / 19

HEX #16C5CE

RGB 22 197 206

HSL 182.93, 0.81%, 0.45%

LAB 72.6, -36.11, -15.93

 

CMYK 13 / 89 / 0 / 19

HEX #B316CE

RGB 179 22 206

HSL 291.2, 0.81%, 0.45%

LAB 45.1, 77.14, -58.29

 

CMYK 0 / 84 / 89 / 19

HEX #CE2016

RGB 206 32 22

HSL 3.26, 0.81%, 0.45%

LAB 44.54, 64.12, 50.52

 

CMYK 76 / 0 / 89 / 20

HEX #31CD17

RGB 49 205 23

HSL 111.43, 0.8%, 0.45%

LAB 72.48, -68.67, 68.26

 

CMYK 89 / 31 / 0 / 19

HEX #168ECE

RGB 22 142 206

HSL 200.87, 0.81%, 0.45%

LAB 56.06, -7.64, -41.44

 

CMYK 13 / 89 / 0 / 19

HEX #B316CE

RGB 179 22 206

HSL 291.2, 0.81%, 0.45%

LAB 45.1, 77.14, -58.29

 

CMYK 0 / 58 / 89 / 19

HEX #CE5716

RGB 206 87 22

HSL 21.2, 0.81%, 0.45%

LAB 51.83, 44.25, 55.95

 

Description

Color code: HEX #31CD17 | qconv.com Color code: HEX #31CD17 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 205 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 205 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 89 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 89% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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