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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31CB7F it is the complementary color #CE3480. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31CB7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31CB7F shade: #36CB7A, #47DD8D, #58EFA0, #69FFB3 and #7AFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31CB7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31CB7F shade: #31CB7F, #20B96C, #0FA759, #009546 and #008333

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31CB7F shade: #31C97E, #31C955, #36C931, #5FC931 and #88C931

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31CB7F shade: #31C97E, #31C9A7, #31C2C9, #3199C9 and #3170C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31CB7F shade matches the following richer shades: #31C97E, #1DDD7E and #08F27E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31CB7F shade: #31C97E, #45B57E, #59A17D, #6D8D7D and #82787D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31CB7F shade: #36C931, #31C954, #31C97D, #31C9A6 and #31C4C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31CB7F shade: #218754, #29A869, #31C97E, #4FD492 and #70DCA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31CB7F shade: #31CB7F, #315EC9 and #C94031

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31CB7F shade: #31CB7F, #7D31C9 and #C97D31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31CB7F shade: #31CB7F, #315EC9, #C9317D and #C99B31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31CB7F shade: #31CB7F, #3131C9, #C9317D and #C9C931

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 37 / 20

HEX #31CB7F

RGB 49 203 127

HSL 150.39, 0.61%, 0.49%

LAB 72.82, -56.41, 26.95

 

Complementary color

CMYK 0 / 75 / 38 / 19

HEX #CE3480

RGB 206 52 128

HSL 330.39, 0.61%, 0.51%

LAB 48.43, 64.88, -6.48

 

CMYK 73 / 0 / 40 / 20

HEX #36CB7A

RGB 54 203 122

HSL 147.38, 0.59%, 0.5%

LAB 72.83, -56.68, 29.57

 

CMYK 68 / 0 / 36 / 13

HEX #47DD8D

RGB 71 221 141

HSL 148, 0.69%, 0.57%

LAB 79.03, -57.25, 28.08

 

CMYK 63 / 0 / 33 / 6

HEX #58EFA0

RGB 88 239 160

HSL 148.61, 0.83%, 0.64%

LAB 85.17, -57.57, 26.69

 

CMYK 59 / 0 / 30 / 0

HEX #69FFB3

RGB 105 255 179

HSL 149.6, 1%, 0.71%

LAB 90.68, -56.94, 24.61

 

CMYK 52 / 0 / 22 / 0

HEX #7AFFC6

RGB 122 255 198

HSL 154.29, 1%, 0.74%

LAB 91.57, -49.58, 16.22

 

CMYK 76 / 0 / 37 / 20

HEX #31CB7F

RGB 49 203 127

HSL 150.39, 0.61%, 0.49%

LAB 72.82, -56.41, 26.95

 

CMYK 83 / 0 / 42 / 27

HEX #20B96C

RGB 32 185 108

HSL 149.8, 0.71%, 0.43%

LAB 66.59, -55.39, 28.58

 

CMYK 91 / 0 / 47 / 35

HEX #0FA759

RGB 15 167 89

HSL 149.21, 0.84%, 0.36%

LAB 60.3, -53.86, 30.34

 

CMYK 100 / 0 / 53 / 42

HEX #009546

RGB 0 149 70

HSL 148.19, 1%, 0.29%

LAB 53.96, -51.75, 32.22

 

CMYK 100 / 0 / 61 / 49

HEX #008333

RGB 0 131 51

HSL 143.36, 1%, 0.26%

LAB 47.59, -48.63, 34.16

 

CMYK 76 / 0 / 37 / 21

HEX #31C97E

RGB 49 201 126

HSL 150.39, 0.61%, 0.49%

LAB 72.18, -55.86, 26.62

 

CMYK 76 / 0 / 58 / 21

HEX #31C955

RGB 49 201 85

HSL 134.21, 0.61%, 0.49%

LAB 71.61, -62.51, 46.27

 

CMYK 73 / 0 / 76 / 21

HEX #36C931

RGB 54 201 49

HSL 118.03, 0.61%, 0.49%

LAB 71.4, -65.34, 60.61

 

CMYK 53 / 0 / 76 / 21

HEX #5FC931

RGB 95 201 49

HSL 101.84, 0.61%, 0.49%

LAB 72.51, -56.28, 62.07

 

CMYK 32 / 0 / 76 / 21

HEX #88C931

RGB 136 201 49

HSL 85.66, 0.61%, 0.49%

LAB 74.34, -43.02, 64.46

 

CMYK 76 / 0 / 37 / 21

HEX #31C97E

RGB 49 201 126

HSL 150.39, 0.61%, 0.49%

LAB 72.18, -55.86, 26.62

 

CMYK 76 / 0 / 17 / 21

HEX #31C9A7

RGB 49 201 167

HSL 166.58, 0.61%, 0.49%

LAB 73.03, -46.66, 5.92

 

CMYK 76 / 3 / 0 / 21

HEX #31C2C9

RGB 49 194 201

HSL 182.76, 0.61%, 0.49%

LAB 71.86, -34.17, -14.29

 

CMYK 76 / 24 / 0 / 21

HEX #3199C9

RGB 49 153 201

HSL 198.95, 0.61%, 0.49%

LAB 59.57, -13.27, -33.1

 

CMYK 76 / 44 / 0 / 21

HEX #3170C9

RGB 49 112 201

HSL 215.13, 0.61%, 0.49%

LAB 47.57, 11, -52.06

 

CMYK 76 / 0 / 37 / 21

HEX #31C97E

RGB 49 201 126

HSL 150.39, 0.61%, 0.49%

LAB 72.18, -55.86, 26.62

 

CMYK 87 / 0 / 43 / 13

HEX #1DDD7E

RGB 29 221 126

HSL 150.31, 0.77%, 0.49%

LAB 78.16, -64.93, 34.45

 

CMYK 97 / 0 / 48 / 5

HEX #08F27E

RGB 8 242 126

HSL 150.26, 0.94%, 0.49%

LAB 84.52, -72.78, 42.56

 

CMYK 76 / 0 / 37 / 21

HEX #31C97E

RGB 49 201 126

HSL 150.39, 0.61%, 0.49%

LAB 72.18, -55.86, 26.62

 

CMYK 62 / 0 / 30 / 29

HEX #45B57E

RGB 69 181 126

HSL 150.54, 0.45%, 0.49%

LAB 66.38, -44.68, 18.83

 

CMYK 45 / 0 / 22 / 37

HEX #59A17D

RGB 89 161 125

HSL 150, 0.29%, 0.49%

LAB 60.86, -31.14, 11.82

 

CMYK 23 / 0 / 11 / 45

HEX #6D8D7D

RGB 109 141 125

HSL 150, 0.13%, 0.49%

LAB 55.87, -14.71, 4.86

 

CMYK 0 / 8 / 4 / 49

HEX #82787D

RGB 130 120 125

HSL 330, 0.04%, 0.49%

LAB 51.45, 4.79, -1.35

 

CMYK 73 / 0 / 76 / 21

HEX #36C931

RGB 54 201 49

HSL 118.03, 0.61%, 0.49%

LAB 71.4, -65.34, 60.61

 

CMYK 76 / 0 / 58 / 21

HEX #31C954

RGB 49 201 84

HSL 133.82, 0.61%, 0.49%

LAB 71.6, -62.64, 46.72

 

CMYK 76 / 0 / 38 / 21

HEX #31C97D

RGB 49 201 125

HSL 150, 0.61%, 0.49%

LAB 72.17, -56.06, 27.12

 

CMYK 76 / 0 / 17 / 21

HEX #31C9A6

RGB 49 201 166

HSL 166.18, 0.61%, 0.49%

LAB 73.01, -46.92, 6.43

 

CMYK 76 / 2 / 0 / 21

HEX #31C4C9

RGB 49 196 201

HSL 181.97, 0.61%, 0.49%

LAB 72.46, -35.11, -13.39

 

CMYK 76 / 0 / 38 / 47

HEX #218754

RGB 33 135 84

HSL 150, 0.61%, 0.33%

LAB 49.85, -40.97, 19.42

 

CMYK 76 / 0 / 38 / 34

HEX #29A869

RGB 41 168 105

HSL 150.24, 0.61%, 0.41%

LAB 61.22, -48.57, 23.09

 

CMYK 76 / 0 / 37 / 21

HEX #31C97E

RGB 49 201 126

HSL 150.39, 0.61%, 0.49%

LAB 72.18, -55.86, 26.62

 

CMYK 63 / 0 / 31 / 17

HEX #4FD492

RGB 79 212 146

HSL 150.23, 0.61%, 0.57%

LAB 76.57, -51.34, 22.19

 

CMYK 49 / 0 / 24 / 14

HEX #70DCA7

RGB 112 220 167

HSL 150.56, 0.61%, 0.65%

LAB 80.42, -43.25, 16.63

 

CMYK 76 / 0 / 37 / 20

HEX #31CB7F

RGB 49 203 127

HSL 150.39, 0.61%, 0.49%

LAB 72.82, -56.41, 26.95

 

CMYK 76 / 53 / 0 / 21

HEX #315EC9

RGB 49 94 201

HSL 222.24, 0.61%, 0.49%

LAB 42.57, 22.51, -60.11

 

CMYK 0 / 68 / 76 / 21

HEX #C94031

RGB 201 64 49

HSL 5.92, 0.61%, 0.49%

LAB 47.37, 53.38, 39.32

 

CMYK 76 / 0 / 37 / 20

HEX #31CB7F

RGB 49 203 127

HSL 150.39, 0.61%, 0.49%

LAB 72.82, -56.41, 26.95

 

CMYK 38 / 76 / 0 / 21

HEX #7D31C9

RGB 125 49 201

HSL 270, 0.61%, 0.49%

LAB 39.2, 59.97, -65.34

 

CMYK 0 / 38 / 76 / 21

HEX #C97D31

RGB 201 125 49

HSL 30, 0.61%, 0.49%

LAB 59.26, 23.36, 51.62

 

CMYK 76 / 0 / 37 / 20

HEX #31CB7F

RGB 49 203 127

HSL 150.39, 0.61%, 0.49%

LAB 72.82, -56.41, 26.95

 

CMYK 76 / 53 / 0 / 21

HEX #315EC9

RGB 49 94 201

HSL 222.24, 0.61%, 0.49%

LAB 42.57, 22.51, -60.11

 

CMYK 0 / 76 / 38 / 21

HEX #C9317D

RGB 201 49 125

HSL 330, 0.61%, 0.49%

LAB 47.1, 64.19, -6.74

 

CMYK 0 / 23 / 76 / 21

HEX #C99B31

RGB 201 155 49

HSL 41.84, 0.61%, 0.49%

LAB 66.58, 7.02, 58.78

 

CMYK 76 / 0 / 37 / 20

HEX #31CB7F

RGB 49 203 127

HSL 150.39, 0.61%, 0.49%

LAB 72.82, -56.41, 26.95

 

CMYK 76 / 76 / 0 / 21

HEX #3131C9

RGB 49 49 201

HSL 240, 0.61%, 0.49%

LAB 31.96, 50.29, -77.5

 

CMYK 0 / 76 / 38 / 21

HEX #C9317D

RGB 201 49 125

HSL 330, 0.61%, 0.49%

LAB 47.1, 64.19, -6.74

 

CMYK 0 / 0 / 76 / 21

HEX #C9C931

RGB 201 201 49

HSL 60, 0.61%, 0.49%

LAB 78.7, -16.98, 70.11

 

Description

Color code: HEX #31CB7F | qconv.com Color code: HEX #31CB7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 203 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 203 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 37 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 37% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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