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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08F27E it is the complementary color #F70D81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08F27E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08F27E shade: #0DF279, #1EFF8C, #2FFF9F, #40FFB2 and #51FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08F27E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08F27E shade: #08F27E, #00E06B, #00CE58, #00BC45 and #00AA32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08F27E shade: #07F27E, #07F23F, #10F207, #4FF207 and #8EF207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08F27E shade: #07F27E, #07F2BD, #07E8F2, #07A9F2 and #0769F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08F27E shade matches the following richer shades: #07F27E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08F27E shade: #07F27E, #1CDE7E, #30CA7E, #44B67D and #58A27D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08F27E shade: #0FF207, #07F23E, #07F27D, #07F2BC and #07EBF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08F27E shade: #05A254, #06CA69, #07F27E, #2BF892 and #53FAA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08F27E shade: #08F27E, #074EF2 and #F21F07

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08F27E shade: #08F27E, #7D07F2 and #F27D07

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08F27E shade: #08F27E, #074EF2, #F2077D and #F2AC07

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08F27E shade: #08F27E, #0707F2, #F2077D and #F2F207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 48 / 5

HEX #08F27E

RGB 8 242 126

HSL 150.26, 0.94%, 0.49%

LAB 84.52, -72.78, 42.56

 

Complementary color

CMYK 0 / 95 / 48 / 3

HEX #F70D81

RGB 247 13 129

HSL 330.26, 0.94%, 0.51%

LAB 53.65, 82.02, 1.48

 

CMYK 95 / 0 / 50 / 5

HEX #0DF279

RGB 13 242 121

HSL 148.3, 0.9%, 0.5%

LAB 84.47, -73.42, 44.89

 

CMYK 88 / 0 / 45 / 0

HEX #1EFF8C

RGB 30 255 140

HSL 149.33, 1%, 0.56%

LAB 88.78, -73.74, 41.24

 

CMYK 82 / 0 / 38 / 0

HEX #2FFF9F

RGB 47 255 159

HSL 152.31, 1%, 0.59%

LAB 89.22, -69.12, 32.51

 

CMYK 75 / 0 / 30 / 0

HEX #40FFB2

RGB 64 255 178

HSL 155.81, 1%, 0.63%

LAB 89.78, -63.63, 23.74

 

CMYK 68 / 0 / 23 / 0

HEX #51FFC5

RGB 81 255 197

HSL 160, 1%, 0.66%

LAB 90.46, -57.33, 15.02

 

CMYK 97 / 0 / 48 / 5

HEX #08F27E

RGB 8 242 126

HSL 150.26, 0.94%, 0.49%

LAB 84.52, -72.78, 42.56

 

CMYK 100 / 0 / 52 / 12

HEX #00E06B

RGB 0 224 107

HSL 148.66, 1%, 0.44%

LAB 78.68, -70.3, 44.37

 

CMYK 100 / 0 / 57 / 19

HEX #00CE58

RGB 0 206 88

HSL 145.63, 1%, 0.4%

LAB 72.79, -67.43, 46.17

 

CMYK 100 / 0 / 63 / 26

HEX #00BC45

RGB 0 188 69

HSL 142.02, 1%, 0.37%

LAB 66.82, -64.34, 47.85

 

CMYK 100 / 0 / 71 / 33

HEX #00AA32

RGB 0 170 50

HSL 137.65, 1%, 0.33%

LAB 60.76, -60.97, 49.21

 

CMYK 97 / 0 / 48 / 5

HEX #07F27E

RGB 7 242 126

HSL 150.38, 0.94%, 0.49%

LAB 84.51, -72.81, 42.55

 

CMYK 97 / 0 / 74 / 5

HEX #07F23F

RGB 7 242 63

HSL 134.3, 0.94%, 0.49%

LAB 83.92, -80.2, 68.27

 

CMYK 93 / 0 / 97 / 5

HEX #10F207

RGB 16 242 7

HSL 117.7, 0.94%, 0.49%

LAB 83.77, -82.2, 79.45

 

CMYK 67 / 0 / 97 / 5

HEX #4FF207

RGB 79 242 7

HSL 101.62, 0.94%, 0.49%

LAB 84.58, -75.09, 80.44

 

CMYK 41 / 0 / 97 / 5

HEX #8EF207

RGB 142 242 7

HSL 85.53, 0.94%, 0.49%

LAB 86.64, -58.73, 82.95

 

CMYK 97 / 0 / 48 / 5

HEX #07F27E

RGB 7 242 126

HSL 150.38, 0.94%, 0.49%

LAB 84.51, -72.81, 42.55

 

CMYK 97 / 0 / 22 / 5

HEX #07F2BD

RGB 7 242 189

HSL 166.47, 0.94%, 0.49%

LAB 85.62, -60.13, 12.19

 

CMYK 97 / 4 / 0 / 5

HEX #07E8F2

RGB 7 232 242

HSL 182.55, 0.94%, 0.49%

LAB 84.05, -41.65, -17.94

 

CMYK 97 / 30 / 0 / 5

HEX #07A9F2

RGB 7 169 242

HSL 198.64, 0.94%, 0.49%

LAB 65.62, -10.23, -46.37

 

CMYK 97 / 57 / 0 / 5

HEX #0769F2

RGB 7 105 242

HSL 214.98, 0.94%, 0.49%

LAB 47.7, 28.5, -75.11

 

CMYK 97 / 0 / 48 / 5

HEX #07F27E

RGB 7 242 126

HSL 150.38, 0.94%, 0.49%

LAB 84.51, -72.81, 42.55

 

CMYK 97 / 0 / 48 / 5

HEX #07F27E

RGB 7 242 126

HSL 150.38, 0.94%, 0.49%

LAB 84.51, -72.81, 42.55

 

CMYK 87 / 0 / 43 / 13

HEX #1CDE7E

RGB 28 222 126

HSL 150.31, 0.78%, 0.49%

LAB 78.46, -65.34, 34.83

 

CMYK 76 / 0 / 38 / 21

HEX #30CA7E

RGB 48 202 126

HSL 150.39, 0.62%, 0.49%

LAB 72.48, -56.36, 27.01

 

CMYK 63 / 0 / 31 / 29

HEX #44B67D

RGB 68 182 125

HSL 150, 0.46%, 0.49%

LAB 66.65, -45.5, 19.73

 

CMYK 46 / 0 / 23 / 36

HEX #58A27D

RGB 88 162 125

HSL 150, 0.3%, 0.49%

LAB 61.13, -31.89, 12.19

 

CMYK 94 / 0 / 97 / 5

HEX #0FF207

RGB 15 242 7

HSL 117.96, 0.94%, 0.49%

LAB 83.77, -82.24, 79.45

 

CMYK 97 / 0 / 74 / 5

HEX #07F23E

RGB 7 242 62

HSL 134.04, 0.94%, 0.49%

LAB 83.91, -80.27, 68.59

 

CMYK 97 / 0 / 48 / 5

HEX #07F27D

RGB 7 242 125

HSL 150.13, 0.94%, 0.49%

LAB 84.5, -72.97, 43.02

 

CMYK 97 / 0 / 22 / 5

HEX #07F2BC

RGB 7 242 188

HSL 166.21, 0.94%, 0.49%

LAB 85.59, -60.37, 12.68

 

CMYK 97 / 3 / 0 / 5

HEX #07EBF2

RGB 7 235 242

HSL 181.79, 0.94%, 0.49%

LAB 84.93, -42.99, -16.62

 

CMYK 97 / 0 / 48 / 36

HEX #05A254

RGB 5 162 84

HSL 150.19, 0.94%, 0.33%

LAB 58.52, -53.54, 30.67

 

CMYK 97 / 0 / 48 / 21

HEX #06CA69

RGB 6 202 105

HSL 150.31, 0.94%, 0.41%

LAB 71.76, -63.36, 36.73

 

CMYK 97 / 0 / 48 / 5

HEX #07F27E

RGB 7 242 126

HSL 150.38, 0.94%, 0.49%

LAB 84.51, -72.81, 42.55

 

CMYK 83 / 0 / 41 / 3

HEX #2BF892

RGB 43 248 146

HSL 150.15, 0.94%, 0.57%

LAB 86.86, -69.45, 35.85

 

CMYK 67 / 0 / 33 / 2

HEX #53FAA7

RGB 83 250 167

HSL 150.18, 0.94%, 0.65%

LAB 88.45, -61.3, 27.56

 

CMYK 97 / 0 / 48 / 5

HEX #08F27E

RGB 8 242 126

HSL 150.26, 0.94%, 0.49%

LAB 84.52, -72.78, 42.56

 

CMYK 97 / 68 / 0 / 5

HEX #074EF2

RGB 7 78 242

HSL 221.87, 0.94%, 0.49%

LAB 41.06, 45.56, -85.99

 

CMYK 0 / 87 / 97 / 5

HEX #F21F07

RGB 242 31 7

HSL 6.13, 0.94%, 0.49%

LAB 51.69, 73.78, 63.26

 

CMYK 97 / 0 / 48 / 5

HEX #08F27E

RGB 8 242 126

HSL 150.26, 0.94%, 0.49%

LAB 84.52, -72.78, 42.56

 

CMYK 48 / 97 / 0 / 5

HEX #7D07F2

RGB 125 7 242

HSL 270.13, 0.94%, 0.49%

LAB 39.45, 79.46, -88.42

 

CMYK 0 / 48 / 97 / 5

HEX #F27D07

RGB 242 125 7

HSL 30.13, 0.94%, 0.49%

LAB 64.61, 39.3, 70.56

 

CMYK 97 / 0 / 48 / 5

HEX #08F27E

RGB 8 242 126

HSL 150.26, 0.94%, 0.49%

LAB 84.52, -72.78, 42.56

 

CMYK 97 / 68 / 0 / 5

HEX #074EF2

RGB 7 78 242

HSL 221.87, 0.94%, 0.49%

LAB 41.06, 45.56, -85.99

 

CMYK 0 / 97 / 48 / 5

HEX #F2077D

RGB 242 7 125

HSL 329.87, 0.94%, 0.49%

LAB 52.41, 81.06, 1.97

 

CMYK 0 / 29 / 97 / 5

HEX #F2AC07

RGB 242 172 7

HSL 42.13, 0.94%, 0.49%

LAB 75.08, 14.82, 77.55

 

CMYK 97 / 0 / 48 / 5

HEX #08F27E

RGB 8 242 126

HSL 150.26, 0.94%, 0.49%

LAB 84.52, -72.78, 42.56

 

CMYK 97 / 97 / 0 / 5

HEX #0707F2

RGB 7 7 242

HSL 240, 0.94%, 0.49%

LAB 30.9, 75.03, -102.88

 

CMYK 0 / 97 / 48 / 5

HEX #F2077D

RGB 242 7 125

HSL 329.87, 0.94%, 0.49%

LAB 52.41, 81.06, 1.97

 

CMYK 0 / 0 / 97 / 5

HEX #F2F207

RGB 242 242 7

HSL 60, 0.94%, 0.49%

LAB 92.75, -20.66, 90.3

 

Description

Color code: HEX #08F27E | qconv.com Color code: HEX #08F27E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 242 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 242 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 48 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 48% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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