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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31B590 it is the complementary color #CE4A6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31B590. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31B590 shade: #36B58B, #47C79E, #58D9B1, #69EBC4 and #7AFDD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31B590. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31B590 shade: #31B590, #20A37D, #0F916A, #007F57 and #006D44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31B590 shade: #31B48F, #31B46C, #31B449, #3DB431 and #60B431

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31B590 shade: #31B48F, #31B4B3, #3192B4, #316FB4 and #314CB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31B590 shade matches the following richer shades: #31B48F, #1FC798 and #0CD9A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31B590 shade: #31B48F, #44A287, #568F7F, #697C77 and #7C6A6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31B590 shade: #31B449, #31B46C, #31B48F, #31B4B2 and #3193B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31B590 shade: #20735C, #289476, #31B48F, #43CCA5 and #64D4B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31B590 shade: #31B590, #313CB4 and #B45B31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31B590 shade: #31B590, #8F31B4 and #B48F31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31B590 shade: #31B590, #313CB4, #B43156 and #B4A931

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31B590 shade: #31B590, #4E31B4, #B43156 and #98B431

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 20 / 29

HEX #31B590

RGB 49 181 144

HSL 163.18, 0.57%, 0.45%

LAB 66.3, -43.96, 8.82

 

Complementary color

CMYK 0 / 64 / 46 / 19

HEX #CE4A6F

RGB 206 74 111

HSL 343.18, 0.57%, 0.55%

LAB 50.88, 55.04, 7.37

 

CMYK 70 / 0 / 23 / 29

HEX #36B58B

RGB 54 181 139

HSL 160.16, 0.54%, 0.46%

LAB 66.29, -44.44, 11.56

 

CMYK 64 / 0 / 21 / 22

HEX #47C79E

RGB 71 199 158

HSL 160.78, 0.53%, 0.53%

LAB 72.66, -44.82, 10.32

 

CMYK 59 / 0 / 18 / 15

HEX #58D9B1

RGB 88 217 177

HSL 161.4, 0.63%, 0.6%

LAB 78.97, -45.01, 9.18

 

CMYK 55 / 0 / 17 / 8

HEX #69EBC4

RGB 105 235 196

HSL 162, 0.76%, 0.67%

LAB 85.2, -45.09, 8.15

 

CMYK 52 / 0 / 15 / 1

HEX #7AFDD7

RGB 122 253 215

HSL 162.6, 0.97%, 0.74%

LAB 91.37, -45.08, 7.18

 

CMYK 73 / 0 / 20 / 29

HEX #31B590

RGB 49 181 144

HSL 163.18, 0.57%, 0.45%

LAB 66.3, -43.96, 8.82

 

CMYK 80 / 0 / 23 / 36

HEX #20A37D

RGB 32 163 125

HSL 162.6, 0.67%, 0.38%

LAB 59.87, -43.16, 10.19

 

CMYK 90 / 0 / 27 / 43

HEX #0F916A

RGB 15 145 106

HSL 162, 0.81%, 0.31%

LAB 53.38, -41.93, 11.74

 

CMYK 100 / 0 / 31 / 50

HEX #007F57

RGB 0 127 87

HSL 161.1, 1%, 0.25%

LAB 46.8, -40.21, 13.49

 

CMYK 100 / 0 / 38 / 57

HEX #006D44

RGB 0 109 68

HSL 157.43, 1%, 0.21%

LAB 40.17, -37.52, 15.53

HEX #006D44

CMYK 73 / 0 / 21 / 29

HEX #31B48F

RGB 49 180 143

HSL 163.05, 0.57%, 0.45%

LAB 65.97, -43.78, 8.89

 

CMYK 73 / 0 / 40 / 29

HEX #31B46C

RGB 49 180 108

HSL 147.02, 0.57%, 0.45%

LAB 65.26, -51.42, 26.89

 

CMYK 73 / 0 / 59 / 29

HEX #31B449

RGB 49 180 73

HSL 130.99, 0.57%, 0.45%

LAB 64.78, -56.94, 43.84

 

CMYK 66 / 0 / 73 / 29

HEX #3DB431

RGB 61 180 49

HSL 114.5, 0.57%, 0.45%

LAB 64.85, -57.16, 54.09

 

CMYK 47 / 0 / 73 / 29

HEX #60B431

RGB 96 180 49

HSL 98.47, 0.57%, 0.45%

LAB 66.02, -47.95, 55.65

 

CMYK 73 / 0 / 21 / 29

HEX #31B48F

RGB 49 180 143

HSL 163.05, 0.57%, 0.45%

LAB 65.97, -43.78, 8.89

 

CMYK 73 / 0 / 1 / 29

HEX #31B4B3

RGB 49 180 179

HSL 179.54, 0.57%, 0.45%

LAB 66.94, -34.07, -9.58

 

CMYK 73 / 19 / 0 / 29

HEX #3192B4

RGB 49 146 180

HSL 195.57, 0.57%, 0.45%

LAB 56.59, -16.57, -25.85

 

CMYK 73 / 38 / 0 / 29

HEX #316FB4

RGB 49 111 180

HSL 211.6, 0.57%, 0.45%

LAB 46.07, 3.81, -42.34

 

CMYK 73 / 58 / 0 / 29

HEX #314CB4

RGB 49 76 180

HSL 227.63, 0.57%, 0.45%

LAB 36.21, 26.42, -58.19

 

CMYK 73 / 0 / 21 / 29

HEX #31B48F

RGB 49 180 143

HSL 163.05, 0.57%, 0.45%

LAB 65.97, -43.78, 8.89

 

CMYK 84 / 0 / 24 / 22

HEX #1FC798

RGB 31 199 152

HSL 163.21, 0.73%, 0.45%

LAB 71.83, -51.29, 12.27

 

CMYK 94 / 0 / 26 / 15

HEX #0CD9A0

RGB 12 217 160

HSL 163.32, 0.9%, 0.45%

LAB 77.43, -57.38, 15.85

 

CMYK 73 / 0 / 21 / 29

HEX #31B48F

RGB 49 180 143

HSL 163.05, 0.57%, 0.45%

LAB 65.97, -43.78, 8.89

 

CMYK 58 / 0 / 17 / 36

HEX #44A287

RGB 68 162 135

HSL 162.77, 0.41%, 0.45%

LAB 60.62, -34.48, 5.77

 

CMYK 40 / 0 / 11 / 44

HEX #568F7F

RGB 86 143 127

HSL 163.16, 0.25%, 0.45%

LAB 55.23, -22.64, 2.63

 

CMYK 15 / 0 / 4 / 51

HEX #697C77

RGB 105 124 119

HSL 164.21, 0.08%, 0.45%

LAB 50.39, -8.03, 0.39

 

CMYK 0 / 15 / 10 / 51

HEX #7C6A6F

RGB 124 106 111

HSL 343.33, 0.08%, 0.45%

LAB 46.63, 8.02, -0.16

 

CMYK 73 / 0 / 59 / 29

HEX #31B449

RGB 49 180 73

HSL 130.99, 0.57%, 0.45%

LAB 64.78, -56.94, 43.84

 

CMYK 73 / 0 / 40 / 29

HEX #31B46C

RGB 49 180 108

HSL 147.02, 0.57%, 0.45%

LAB 65.26, -51.42, 26.89

 

CMYK 73 / 0 / 21 / 29

HEX #31B48F

RGB 49 180 143

HSL 163.05, 0.57%, 0.45%

LAB 65.97, -43.78, 8.89

 

CMYK 73 / 0 / 1 / 29

HEX #31B4B2

RGB 49 180 178

HSL 179.08, 0.57%, 0.45%

LAB 66.91, -34.36, -9.08

 

CMYK 73 / 18 / 0 / 29

HEX #3193B4

RGB 49 147 180

HSL 195.11, 0.57%, 0.45%

LAB 56.9, -17.11, -25.38

 

CMYK 72 / 0 / 20 / 55

HEX #20735C

RGB 32 115 92

HSL 163.37, 0.56%, 0.29%

LAB 43.27, -30.51, 5.66

 

CMYK 73 / 0 / 20 / 42

HEX #289476

RGB 40 148 118

HSL 163.33, 0.57%, 0.37%

LAB 55.01, -37.47, 7.26

 

CMYK 73 / 0 / 21 / 29

HEX #31B48F

RGB 49 180 143

HSL 163.05, 0.57%, 0.45%

LAB 65.97, -43.78, 8.89

 

CMYK 67 / 0 / 19 / 20

HEX #43CCA5

RGB 67 204 165

HSL 162.92, 0.57%, 0.53%

LAB 74.25, -45.96, 8.79

 

CMYK 53 / 0 / 15 / 17

HEX #64D4B5

RGB 100 212 181

HSL 163.39, 0.57%, 0.61%

LAB 77.95, -39.43, 5.64

 

CMYK 73 / 0 / 20 / 29

HEX #31B590

RGB 49 181 144

HSL 163.18, 0.57%, 0.45%

LAB 66.3, -43.96, 8.82

 

CMYK 73 / 67 / 0 / 29

HEX #313CB4

RGB 49 60 180

HSL 234.96, 0.57%, 0.45%

LAB 32.21, 36.73, -64.71

 

CMYK 0 / 49 / 73 / 29

HEX #B45B31

RGB 180 91 49

HSL 19.24, 0.57%, 0.45%

LAB 48.77, 32.93, 39.83

 

CMYK 73 / 0 / 20 / 29

HEX #31B590

RGB 49 181 144

HSL 163.18, 0.57%, 0.45%

LAB 66.3, -43.96, 8.82

 

CMYK 21 / 73 / 0 / 29

HEX #8F31B4

RGB 143 49 180

HSL 283.05, 0.57%, 0.45%

LAB 40.13, 58.7, -51.39

 

CMYK 0 / 21 / 73 / 29

HEX #B48F31

RGB 180 143 49

HSL 43.05, 0.57%, 0.45%

LAB 61.28, 4.27, 52.84

 

CMYK 73 / 0 / 20 / 29

HEX #31B590

RGB 49 181 144

HSL 163.18, 0.57%, 0.45%

LAB 66.3, -43.96, 8.82

 

CMYK 73 / 67 / 0 / 29

HEX #313CB4

RGB 49 60 180

HSL 234.96, 0.57%, 0.45%

LAB 32.21, 36.73, -64.71

 

CMYK 0 / 73 / 52 / 29

HEX #B43156

RGB 180 49 86

HSL 343.05, 0.57%, 0.45%

LAB 42.11, 54.65, 9.68

 

CMYK 0 / 6 / 73 / 29

HEX #B4A931

RGB 180 169 49

HSL 54.96, 0.57%, 0.45%

LAB 68.24, -9.7, 59.67

 

CMYK 73 / 0 / 20 / 29

HEX #31B590

RGB 49 181 144

HSL 163.18, 0.57%, 0.45%

LAB 66.3, -43.96, 8.82

 

CMYK 57 / 73 / 0 / 29

HEX #4E31B4

RGB 78 49 180

HSL 253.28, 0.57%, 0.45%

LAB 32.06, 46.97, -64.88

 

CMYK 0 / 73 / 52 / 29

HEX #B43156

RGB 180 49 86

HSL 343.05, 0.57%, 0.45%

LAB 42.11, 54.65, 9.68

 

CMYK 16 / 0 / 73 / 29

HEX #98B431

RGB 152 180 49

HSL 72.82, 0.57%, 0.45%

LAB 69.14, -27.22, 59.78

 

Description

Color code: HEX #31B590 | qconv.com Color code: HEX #31B590 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 181 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 181 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 20 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 20% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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