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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 66 / 0 / 73 / 29 it is the complementary color CMYK 6 / 64 / 0 / 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 66 / 0 / 73 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 66 / 0 / 73 / 29: CMYK 63 / 0 / 76 / 29, CMYK 58 / 0 / 68 / 22, CMYK 53 / 0 / 62 / 15, CMYK 50 / 0 / 57 / 8 and CMYK 47 / 0 / 53 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 66 / 0 / 73 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 66 / 0 / 73 / 29: CMYK 66 / 0 / 73 / 29, CMYK 72 / 0 / 82 / 36, CMYK 81 / 0 / 92 / 43, CMYK 91 / 0 / 100 / 50 and CMYK 100 / 0 / 100 / 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 73 / 29

HEX #3EB531

RGB 62 181 49

HSL 114.09, 0.57%, 0.45%

LAB 65.19, -57.29, 54.45

 

Complementary color

CMYK 6 / 64 / 0 / 19

HEX #C14ACE

RGB 193 74 206

HSL 294.09, 0.57%, 0.55%

LAB 52.61, 64.62, -46.14

 

CMYK 63 / 0 / 76 / 29

HEX #43B52C

RGB 67 181 44

HSL 109.93, 0.61%, 0.44%

LAB 65.3, -56.57, 56.36

 

CMYK 58 / 0 / 68 / 22

HEX #54C73F

RGB 84 199 63

HSL 110.74, 0.55%, 0.51%

LAB 71.62, -57.4, 55.97

 

CMYK 53 / 0 / 62 / 15

HEX #65D952

RGB 101 217 82

HSL 111.56, 0.64%, 0.59%

LAB 77.88, -57.88, 55.14

 

CMYK 50 / 0 / 57 / 8

HEX #76EB65

RGB 118 235 101

HSL 112.39, 0.77%, 0.66%

LAB 84.07, -58.14, 54.09

 

CMYK 47 / 0 / 53 / 1

HEX #87FD78

RGB 135 253 120

HSL 113.23, 0.97%, 0.73%

LAB 90.21, -58.23, 52.94

 

CMYK 66 / 0 / 73 / 29

HEX #3EB531

RGB 62 181 49

HSL 114.09, 0.57%, 0.45%

LAB 65.19, -57.29, 54.45

 

CMYK 72 / 0 / 82 / 36

HEX #2DA31E

RGB 45 163 30

HSL 113.23, 0.69%, 0.38%

LAB 58.83, -55.92, 54.42

 

CMYK 81 / 0 / 92 / 43

HEX #1C910B

RGB 28 145 11

HSL 112.39, 0.86%, 0.31%

LAB 52.42, -53.76, 53.1

 

CMYK 91 / 0 / 100 / 50

HEX #0B7F00

RGB 11 127 0

HSL 114.8, 1%, 0.25%

LAB 45.97, -50.53, 49.73

 

CMYK 100 / 0 / 100 / 57

HEX #006D00

RGB 0 109 0

HSL 120, 1%, 0.21%

LAB 39.47, -46.09, 44.48

 

CMYK 66 / 0 / 73 / 29

HEX #3EB531

RGB 62 181 49

HSL 114.09, 0.57%, 0.45%

LAB 65.19, -57.29, 54.45

 

CMYK 73 / 0 / 68 / 29

HEX #31B43A

RGB 49 180 58

HSL 124.12, 0.57%, 0.45%

LAB 64.64, -58.62, 50.27

 

CMYK 73 / 0 / 56 / 29

HEX #31B44F

RGB 49 180 79

HSL 133.74, 0.57%, 0.45%

LAB 64.85, -56.15, 41.09

 

CMYK 73 / 0 / 44 / 29

HEX #31B465

RGB 49 180 101

HSL 143.82, 0.57%, 0.45%

LAB 65.15, -52.7, 30.41

 

CMYK 73 / 0 / 32 / 29

HEX #31B47B

RGB 49 180 123

HSL 153.89, 0.57%, 0.45%

LAB 65.53, -48.39, 19.22

 

CMYK 66 / 0 / 73 / 29

HEX #3EB531

RGB 62 181 49

HSL 114.09, 0.57%, 0.45%

LAB 65.19, -57.29, 54.45

 

CMYK 66 / 0 / 73 / 9

HEX #4FE83F

RGB 79 232 63

HSL 114.32, 0.79%, 0.58%

LAB 81.69, -69.75, 66.32

 

CMYK 64 / 0 / 71 / 89

HEX #0A1C08

RGB 10 28 8

HSL 114, 0.56%, 0.07%

LAB 8.24, -11.59, 8.84

 

CMYK 66 / 0 / 73 / 69

HEX #1B4F15

RGB 27 79 21

HSL 113.79, 0.58%, 0.2%

LAB 29.11, -29.94, 28.12

 

CMYK 65 / 0 / 73 / 49

HEX #2D8223

RGB 45 130 35

HSL 113.68, 0.58%, 0.32%

LAB 47.81, -44.08, 41.86

 

CMYK 66 / 0 / 73 / 29

HEX #3EB531

RGB 62 181 49

HSL 114.09, 0.57%, 0.45%

LAB 65.19, -57.29, 54.45

 

CMYK 73 / 7 / 0 / 29

HEX #31A7B4

RGB 49 167 180

HSL 185.95, 0.57%, 0.45%

LAB 63, -27.48, -16.06

 

CMYK 0 / 73 / 37 / 29

HEX #B43172

RGB 180 49 114

HSL 330.23, 0.57%, 0.45%

LAB 42.94, 57.35, -6.59

 

CMYK 66 / 0 / 73 / 29

HEX #3EB531

RGB 62 181 49

HSL 114.09, 0.57%, 0.45%

LAB 65.19, -57.29, 54.45

 

CMYK 73 / 66 / 0 / 29

HEX #313EB4

RGB 49 62 180

HSL 234.05, 0.57%, 0.45%

LAB 32.69, 35.47, -63.94

 

CMYK 0 / 73 / 66 / 29

HEX #B4313E

RGB 180 49 62

HSL 354.05, 0.57%, 0.45%

LAB 41.61, 52.95, 23.96

 

CMYK 66 / 0 / 73 / 29

HEX #3EB531

RGB 62 181 49

HSL 114.09, 0.57%, 0.45%

LAB 65.19, -57.29, 54.45

 

CMYK 73 / 7 / 0 / 29

HEX #31A7B4

RGB 49 167 180

HSL 185.95, 0.57%, 0.45%

LAB 63, -27.48, -16.06

 

CMYK 7 / 73 / 0 / 29

HEX #A731B4

RGB 167 49 180

HSL 294.05, 0.57%, 0.45%

LAB 43.81, 63.72, -45.29

 

CMYK 0 / 66 / 73 / 29

HEX #B43E31

RGB 180 62 49

HSL 5.95, 0.57%, 0.45%

LAB 43.32, 47.08, 33.77

 

CMYK 66 / 0 / 73 / 29

HEX #3EB531

RGB 62 181 49

HSL 114.09, 0.57%, 0.45%

LAB 65.19, -57.29, 54.45

 

CMYK 73 / 29 / 0 / 29

HEX #317FB4

RGB 49 127 180

HSL 204.27, 0.57%, 0.45%

LAB 50.84, -5.85, -34.81

 

CMYK 7 / 73 / 0 / 29

HEX #A731B4

RGB 167 49 180

HSL 294.05, 0.57%, 0.45%

LAB 43.81, 63.72, -45.29

 

CMYK 0 / 44 / 73 / 29

HEX #B46531

RGB 180 101 49

HSL 23.82, 0.57%, 0.45%

LAB 50.96, 27.55, 42.18

 

Description

Color code: CMYK 66 / 0 / 73 / 29 | qconv.com Color code: CMYK 66 / 0 / 73 / 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 181 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 181 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 73 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 73% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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