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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31B2CB it is the complementary color #CE4D34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31B2CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31B2CB shade: #36B2C6, #47C4D9, #58D6EC, #69E8FF and #7AFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31B2CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31B2CB shade: #31B2CB, #20A0B8, #0F8EA5, #007C92 and #006A7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31B2CB shade: #31B0C9, #3187C9, #315EC9, #3135C9 and #5531C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31B2CB shade: #31B0C9, #3187C9, #315EC9, #3135C9 and #3131C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31B2CB shade matches the following richer shades: #31B0C9, #1DBEDD and #08CCF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31B2CB shade: #31B0C9, #45A3B5, #5995A1, #6D878D and #827A78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31B2CB shade: #31C98F, #31C9B7, #31B2C9, #318AC9 and #3161C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31B2CB shade: #217687, #2993A8, #31B0C9, #4FBFD4 and #70CBDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31B2CB shade: #31B2CB, #6631C9 and #C9A331

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31B2CB shade: #31B2CB, #C931B2 and #B2C931

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31B2CB shade: #31B2CB, #6631C9, #C94831 and #94C931

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31B2CB shade: #31B2CB, #9431C9, #C94831 and #66C931

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 12 / 0 / 20

HEX #31B2CB

RGB 49 178 203

HSL 189.74, 0.61%, 0.49%

LAB 67.13, -25.76, -22.56

 

Complementary color

CMYK 0 / 63 / 75 / 19

HEX #CE4D34

RGB 206 77 52

HSL 9.74, 0.61%, 0.51%

LAB 50.31, 49.74, 41.12

 

CMYK 73 / 10 / 0 / 22

HEX #36B2C6

RGB 54 178 198

HSL 188.33, 0.57%, 0.49%

LAB 67.05, -26.75, -19.91

 

CMYK 67 / 10 / 0 / 15

HEX #47C4D9

RGB 71 196 217

HSL 188.63, 0.66%, 0.56%

LAB 73.43, -27.58, -20.57

 

CMYK 63 / 9 / 0 / 7

HEX #58D6EC

RGB 88 214 236

HSL 188.92, 0.8%, 0.64%

LAB 79.74, -28.21, -21.18

 

CMYK 59 / 9 / 0 / 0

HEX #69E8FF

RGB 105 232 255

HSL 189.2, 1%, 0.71%

LAB 85.97, -28.7, -21.74

 

CMYK 52 / 2 / 0 / 0

HEX #7AFAFF

RGB 122 250 255

HSL 182.26, 1%, 0.74%

LAB 91.56, -34.09, -13.28

 

CMYK 76 / 12 / 0 / 20

HEX #31B2CB

RGB 49 178 203

HSL 189.74, 0.61%, 0.49%

LAB 67.13, -25.76, -22.56

 

CMYK 83 / 13 / 0 / 28

HEX #20A0B8

RGB 32 160 184

HSL 189.47, 0.7%, 0.42%

LAB 60.7, -24.46, -21.83

 

CMYK 91 / 14 / 0 / 35

HEX #0F8EA5

RGB 15 142 165

HSL 189.2, 0.83%, 0.35%

LAB 54.2, -22.76, -21

 

CMYK 100 / 15 / 0 / 43

HEX #007C92

RGB 0 124 146

HSL 189.04, 1%, 0.29%

LAB 47.61, -20.63, -20.07

 

CMYK 100 / 17 / 0 / 50

HEX #006A7F

RGB 0 106 127

HSL 189.92, 1%, 0.25%

LAB 40.96, -17.75, -18.96

 

CMYK 76 / 12 / 0 / 21

HEX #31B0C9

RGB 49 176 201

HSL 189.87, 0.61%, 0.49%

LAB 66.46, -25.39, -22.48

 

CMYK 76 / 33 / 0 / 21

HEX #3187C9

RGB 49 135 201

HSL 206.05, 0.61%, 0.49%

LAB 54.24, -3.02, -41.46

 

CMYK 76 / 53 / 0 / 21

HEX #315EC9

RGB 49 94 201

HSL 222.24, 0.61%, 0.49%

LAB 42.57, 22.51, -60.11

 

CMYK 76 / 74 / 0 / 21

HEX #3135C9

RGB 49 53 201

HSL 238.42, 0.61%, 0.49%

LAB 32.74, 48.09, -76.21

 

CMYK 58 / 76 / 0 / 21

HEX #5531C9

RGB 85 49 201

HSL 254.21, 0.61%, 0.49%

LAB 34.69, 54.01, -72.9

 

CMYK 76 / 12 / 0 / 21

HEX #31B0C9

RGB 49 176 201

HSL 189.87, 0.61%, 0.49%

LAB 66.46, -25.39, -22.48

 

CMYK 76 / 33 / 0 / 21

HEX #3187C9

RGB 49 135 201

HSL 206.05, 0.61%, 0.49%

LAB 54.24, -3.02, -41.46

 

CMYK 76 / 53 / 0 / 21

HEX #315EC9

RGB 49 94 201

HSL 222.24, 0.61%, 0.49%

LAB 42.57, 22.51, -60.11

 

CMYK 76 / 74 / 0 / 21

HEX #3135C9

RGB 49 53 201

HSL 238.42, 0.61%, 0.49%

LAB 32.74, 48.09, -76.21

 

CMYK 76 / 76 / 0 / 21

HEX #3131C9

RGB 49 49 201

HSL 240, 0.61%, 0.49%

LAB 31.96, 50.29, -77.5

 

CMYK 76 / 12 / 0 / 21

HEX #31B0C9

RGB 49 176 201

HSL 189.87, 0.61%, 0.49%

LAB 66.46, -25.39, -22.48

 

CMYK 87 / 14 / 0 / 13

HEX #1DBEDD

RGB 29 190 221

HSL 189.69, 0.77%, 0.49%

LAB 71.08, -27.63, -26.4

 

CMYK 97 / 16 / 0 / 5

HEX #08CCF2

RGB 8 204 242

HSL 189.74, 0.94%, 0.49%

LAB 75.85, -28.48, -30.44

 

CMYK 76 / 12 / 0 / 21

HEX #31B0C9

RGB 49 176 201

HSL 189.87, 0.61%, 0.49%

LAB 66.46, -25.39, -22.48

 

CMYK 62 / 10 / 0 / 29

HEX #45A3B5

RGB 69 163 181

HSL 189.64, 0.45%, 0.49%

LAB 62.33, -22.1, -17.58

 

CMYK 45 / 7 / 0 / 37

HEX #5995A1

RGB 89 149 161

HSL 190, 0.29%, 0.49%

LAB 58.22, -16.2, -12.42

 

CMYK 23 / 4 / 0 / 45

HEX #6D878D

RGB 109 135 141

HSL 191.25, 0.13%, 0.49%

LAB 54.56, -7.83, -6.29

 

CMYK 0 / 6 / 8 / 49

HEX #827A78

RGB 130 122 120

HSL 12, 0.04%, 0.49%

LAB 51.86, 2.67, 2.18

 

CMYK 76 / 0 / 29 / 21

HEX #31C98F

RGB 49 201 143

HSL 157.11, 0.61%, 0.49%

LAB 72.5, -52.34, 18.07

 

CMYK 76 / 0 / 9 / 21

HEX #31C9B7

RGB 49 201 183

HSL 172.89, 0.61%, 0.49%

LAB 73.44, -42.48, -2.15

 

CMYK 76 / 11 / 0 / 21

HEX #31B2C9

RGB 49 178 201

HSL 189.08, 0.61%, 0.49%

LAB 67.06, -26.4, -21.56

 

CMYK 76 / 31 / 0 / 21

HEX #318AC9

RGB 49 138 201

HSL 204.87, 0.61%, 0.49%

LAB 55.12, -4.77, -40.07

 

CMYK 76 / 52 / 0 / 21

HEX #3161C9

RGB 49 97 201

HSL 221.05, 0.61%, 0.49%

LAB 43.39, 20.57, -58.8

 

CMYK 76 / 13 / 0 / 47

HEX #217687

RGB 33 118 135

HSL 190, 0.61%, 0.33%

LAB 45.67, -18.69, -16.49

 

CMYK 76 / 13 / 0 / 34

HEX #2993A8

RGB 41 147 168

HSL 189.92, 0.61%, 0.41%

LAB 56.25, -22.11, -19.54

 

CMYK 76 / 12 / 0 / 21

HEX #31B0C9

RGB 49 176 201

HSL 189.87, 0.61%, 0.49%

LAB 66.46, -25.39, -22.48

 

CMYK 63 / 10 / 0 / 17

HEX #4FBFD4

RGB 79 191 212

HSL 189.47, 0.61%, 0.57%

LAB 72.01, -25.34, -19.99

 

CMYK 49 / 8 / 0 / 14

HEX #70CBDC

RGB 112 203 220

HSL 189.44, 0.61%, 0.65%

LAB 76.87, -22.67, -16.86

 

CMYK 76 / 12 / 0 / 20

HEX #31B2CB

RGB 49 178 203

HSL 189.74, 0.61%, 0.49%

LAB 67.13, -25.76, -22.56

 

CMYK 49 / 76 / 0 / 21

HEX #6631C9

RGB 102 49 201

HSL 260.92, 0.61%, 0.49%

LAB 36.44, 56.34, -69.96

 

CMYK 0 / 19 / 76 / 21

HEX #C9A331

RGB 201 163 49

HSL 45, 0.61%, 0.49%

LAB 68.63, 2.71, 60.73

 

CMYK 76 / 12 / 0 / 20

HEX #31B2CB

RGB 49 178 203

HSL 189.74, 0.61%, 0.49%

LAB 67.13, -25.76, -22.56

 

CMYK 0 / 76 / 11 / 21

HEX #C931B2

RGB 201 49 178

HSL 309.08, 0.61%, 0.49%

LAB 49.29, 70.8, -35.09

 

CMYK 11 / 0 / 76 / 21

HEX #B2C931

RGB 178 201 49

HSL 69.08, 0.61%, 0.49%

LAB 76.96, -26.6, 67.86

 

CMYK 76 / 12 / 0 / 20

HEX #31B2CB

RGB 49 178 203

HSL 189.74, 0.61%, 0.49%

LAB 67.13, -25.76, -22.56

 

CMYK 49 / 76 / 0 / 21

HEX #6631C9

RGB 102 49 201

HSL 260.92, 0.61%, 0.49%

LAB 36.44, 56.34, -69.96

 

CMYK 0 / 64 / 76 / 21

HEX #C94831

RGB 201 72 49

HSL 9.08, 0.61%, 0.49%

LAB 48.6, 50.05, 40.64

 

CMYK 26 / 0 / 76 / 21

HEX #94C931

RGB 148 201 49

HSL 80.92, 0.61%, 0.49%

LAB 75.01, -38.55, 65.33

 

CMYK 76 / 12 / 0 / 20

HEX #31B2CB

RGB 49 178 203

HSL 189.74, 0.61%, 0.49%

LAB 67.13, -25.76, -22.56

 

CMYK 26 / 76 / 0 / 21

HEX #9431C9

RGB 148 49 201

HSL 279.08, 0.61%, 0.49%

LAB 42.32, 64, -60.12

 

CMYK 0 / 64 / 76 / 21

HEX #C94831

RGB 201 72 49

HSL 9.08, 0.61%, 0.49%

LAB 48.6, 50.05, 40.64

 

CMYK 49 / 0 / 76 / 21

HEX #66C931

RGB 102 201 49

HSL 99.08, 0.61%, 0.49%

LAB 72.77, -54.28, 62.41

 

Description

Color code: HEX #31B2CB | qconv.com Color code: HEX #31B2CB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 178 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 178 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 12 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 12% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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