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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 63 / 9 / 0 / 7 it is the complementary color CMYK 0 / 77 / 89 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 63 / 9 / 0 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 63 / 9 / 0 / 7: CMYK 60 / 7 / 0 / 9, CMYK 56 / 7 / 0 / 2, CMYK 50 / 1 / 0 / 0, CMYK 44 / 0 / 0 / 0 and CMYK 37 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 63 / 9 / 0 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 63 / 9 / 0 / 7: CMYK 63 / 9 / 0 / 7, CMYK 67 / 9 / 0 / 15, CMYK 73 / 10 / 0 / 22, CMYK 79 / 10 / 0 / 29 and CMYK 88 / 11 / 0 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 9 / 0 / 7

HEX #58D8ED

RGB 88 216 237

HSL 188.46, 0.81%, 0.64%

LAB 80.35, -28.9, -20.79

 

Complementary color

CMYK 0 / 77 / 89 / 35

HEX #A72712

RGB 167 39 18

HSL 8.46, 0.81%, 0.36%

LAB 37.32, 50.63, 43.32

 

CMYK 60 / 7 / 0 / 9

HEX #5DD8E8

RGB 93 216 232

HSL 186.91, 0.75%, 0.64%

LAB 80.33, -29.49, -18.14

 

CMYK 56 / 7 / 0 / 2

HEX #6EEAFB

RGB 110 234 251

HSL 187.23, 0.95%, 0.71%

LAB 86.57, -29.87, -18.73

 

CMYK 50 / 1 / 0 / 0

HEX #7FFCFF

RGB 127 252 255

HSL 181.41, 1%, 0.75%

LAB 92.29, -34.03, -12.18

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 37 / 0 / 0 / 0

HEX #A1FFFF

RGB 161 255 255

HSL 180, 1%, 0.82%

LAB 94.45, -27.77, -8.82

 

CMYK 63 / 9 / 0 / 7

HEX #58D8ED

RGB 88 216 237

HSL 188.46, 0.81%, 0.64%

LAB 80.35, -28.9, -20.79

 

CMYK 67 / 9 / 0 / 15

HEX #47C6DA

RGB 71 198 218

HSL 188.16, 0.67%, 0.57%

LAB 74.06, -28.27, -20.17

 

CMYK 73 / 10 / 0 / 22

HEX #36B4C7

RGB 54 180 199

HSL 187.86, 0.57%, 0.5%

LAB 67.69, -27.43, -19.49

 

CMYK 79 / 10 / 0 / 29

HEX #25A2B4

RGB 37 162 180

HSL 187.55, 0.66%, 0.43%

LAB 61.25, -26.33, -18.74

 

CMYK 88 / 11 / 0 / 37

HEX #1490A1

RGB 20 144 161

HSL 187.23, 0.78%, 0.35%

LAB 54.73, -24.85, -17.89

 

CMYK 63 / 9 / 0 / 7

HEX #58D8ED

RGB 88 216 237

HSL 188.46, 0.81%, 0.64%

LAB 80.35, -28.9, -20.79

 

CMYK 63 / 19 / 0 / 7

HEX #58C0ED

RGB 88 192 237

HSL 198.12, 0.81%, 0.64%

LAB 73.47, -16.8, -31.3

 

CMYK 63 / 29 / 0 / 7

HEX #58A8ED

RGB 88 168 237

HSL 207.79, 0.81%, 0.64%

LAB 66.67, -3.8, -41.88

 

CMYK 63 / 40 / 0 / 7

HEX #588FED

RGB 88 143 237

HSL 217.85, 0.81%, 0.64%

LAB 59.74, 10.66, -52.82

 

CMYK 63 / 50 / 0 / 7

HEX #5876ED

RGB 88 118 237

HSL 227.92, 0.81%, 0.64%

LAB 53.11, 25.81, -63.43

 

CMYK 63 / 9 / 0 / 7

HEX #58D8ED

RGB 88 216 237

HSL 188.46, 0.81%, 0.64%

LAB 80.35, -28.9, -20.79

 

CMYK 64 / 9 / 0 / 87

HEX #0C1E21

RGB 12 30 33

HSL 188.57, 0.47%, 0.09%

LAB 9.93, -6.35, -4.36

 

CMYK 63 / 8 / 0 / 67

HEX #1F4D54

RGB 31 77 84

HSL 187.92, 0.46%, 0.23%

LAB 30.01, -13.25, -8.87

 

CMYK 63 / 9 / 0 / 47

HEX #327B87

RGB 50 123 135

HSL 188.47, 0.46%, 0.36%

LAB 47.74, -18.66, -13.3

 

CMYK 63 / 9 / 0 / 27

HEX #45AABA

RGB 69 170 186

HSL 188.21, 0.46%, 0.5%

LAB 64.61, -24.18, -16.92

 

CMYK 63 / 9 / 0 / 7

HEX #58D8ED

RGB 88 216 237

HSL 188.46, 0.81%, 0.64%

LAB 80.35, -28.9, -20.79

 

CMYK 42 / 63 / 0 / 7

HEX #8A58ED

RGB 138 88 237

HSL 260.13, 0.81%, 0.64%

LAB 50.09, 52.71, -68.12

 

CMYK 0 / 17 / 63 / 7

HEX #EDC558

RGB 237 197 88

HSL 43.89, 0.81%, 0.64%

LAB 81.09, 2.28, 58.53

 

CMYK 63 / 9 / 0 / 7

HEX #58D8ED

RGB 88 216 237

HSL 188.46, 0.81%, 0.64%

LAB 80.35, -28.9, -20.79

 

CMYK 0 / 63 / 8 / 7

HEX #ED58D9

RGB 237 88 217

HSL 308.05, 0.81%, 0.64%

LAB 61.65, 71.45, -37.7

 

CMYK 8 / 0 / 63 / 7

HEX #D9ED58

RGB 217 237 88

HSL 68.05, 0.81%, 0.64%

LAB 89.87, -25.85, 67.52

 

CMYK 63 / 9 / 0 / 7

HEX #58D8ED

RGB 88 216 237

HSL 188.46, 0.81%, 0.64%

LAB 80.35, -28.9, -20.79

 

CMYK 42 / 63 / 0 / 7

HEX #8A58ED

RGB 138 88 237

HSL 260.13, 0.81%, 0.64%

LAB 50.09, 52.71, -68.12

 

CMYK 0 / 54 / 63 / 7

HEX #ED6C58

RGB 237 108 88

HSL 8.05, 0.81%, 0.64%

LAB 61.16, 48.39, 35.33

 

CMYK 21 / 0 / 63 / 7

HEX #BBED58

RGB 187 237 88

HSL 80.13, 0.81%, 0.64%

LAB 87.89, -37.46, 64.81

 

CMYK 63 / 9 / 0 / 7

HEX #58D8ED

RGB 88 216 237

HSL 188.46, 0.81%, 0.64%

LAB 80.35, -28.9, -20.79

 

CMYK 23 / 63 / 0 / 7

HEX #B758ED

RGB 183 88 237

HSL 278.26, 0.81%, 0.64%

LAB 55.24, 62.26, -59.56

 

CMYK 0 / 54 / 63 / 7

HEX #ED6C58

RGB 237 108 88

HSL 8.05, 0.81%, 0.64%

LAB 61.16, 48.39, 35.33

 

CMYK 40 / 0 / 63 / 7

HEX #8FED58

RGB 143 237 88

HSL 97.85, 0.81%, 0.64%

LAB 85.56, -52.82, 61.6

 

Description

Color code: CMYK 63 / 9 / 0 / 7 | qconv.com Color code: CMYK 63 / 9 / 0 / 7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 216 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 216 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 9 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 9% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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