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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #319782 it is the complementary color #CE687D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #319782. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #319782 shade: #36977D, #47A990, #58BBA3, #69CDB6 and #7ADFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #319782. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #319782 shade: #319782, #20856F, #0F735C, #006149 and #004F36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #319782 shade: #319681, #319666, #31964B, #329631 and #4E9631

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #319782 shade: #319681, #319096, #317496, #315996 and #313E96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #319782 shade matches the following richer shades: #319681, #21A68B, #11B694 and #00C69E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #319782 shade: #319681, #418678, #51766E, #616665 and #71565B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #319782 shade: #31964A, #319665, #319680, #319196 and #317696

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #319782 shade: #1D584C, #277766, #319681, #3BB59C and #52C7AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #319782 shade: #319782, #313296 and #965831

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #319782 shade: #319782, #803196 and #968031

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #319782 shade: #319782, #313296, #963147 and #969431

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #319782 shade: #319782, #4D3196, #963147 and #799631

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 14 / 41

HEX #319782

RGB 49 151 130

HSL 167.65, 0.51%, 0.39%

LAB 56.48, -34.28, 2.56

 

Complementary color

CMYK 0 / 50 / 39 / 19

HEX #CE687D

RGB 206 104 125

HSL 347.65, 0.51%, 0.61%

LAB 56.59, 42.42, 7.2

 

CMYK 64 / 0 / 17 / 41

HEX #36977D

RGB 54 151 125

HSL 163.92, 0.47%, 0.4%

LAB 56.48, -34.7, 5.43

 

CMYK 58 / 0 / 15 / 34

HEX #47A990

RGB 71 169 144

HSL 164.69, 0.41%, 0.47%

LAB 63.12, -34.87, 4.33

 

CMYK 53 / 0 / 13 / 27

HEX #58BBA3

RGB 88 187 163

HSL 165.45, 0.42%, 0.54%

LAB 69.65, -34.91, 3.35

 

CMYK 49 / 0 / 11 / 20

HEX #69CDB6

RGB 105 205 182

HSL 166.2, 0.5%, 0.61%

LAB 76.1, -34.86, 2.44

 

CMYK 45 / 0 / 10 / 13

HEX #7ADFC9

RGB 122 223 201

HSL 166.93, 0.61%, 0.68%

LAB 82.45, -34.78, 1.61

 

CMYK 68 / 0 / 14 / 41

HEX #319782

RGB 49 151 130

HSL 167.65, 0.51%, 0.39%

LAB 56.48, -34.28, 2.56

 

CMYK 76 / 0 / 17 / 48

HEX #20856F

RGB 32 133 111

HSL 166.93, 0.61%, 0.32%

LAB 49.77, -33.71, 3.77

 

CMYK 87 / 0 / 20 / 55

HEX #0F735C

RGB 15 115 92

HSL 166.2, 0.77%, 0.25%

LAB 42.97, -32.7, 5.18

 

CMYK 100 / 0 / 25 / 62

HEX #006149

RGB 0 97 73

HSL 165.15, 1%, 0.19%

LAB 36.04, -31.19, 6.82

 

CMYK 100 / 0 / 32 / 69

HEX #004F36

RGB 0 79 54

HSL 161.01, 1%, 0.15%

LAB 29.05, -28.45, 8.85

 

CMYK 67 / 0 / 14 / 41

HEX #319681

RGB 49 150 129

HSL 167.52, 0.51%, 0.39%

LAB 56.14, -34.09, 2.63

 

CMYK 67 / 0 / 32 / 41

HEX #319666

RGB 49 150 102

HSL 151.49, 0.51%, 0.39%

LAB 55.51, -40.62, 17.04

 

CMYK 67 / 0 / 50 / 41

HEX #31964B

RGB 49 150 75

HSL 135.45, 0.51%, 0.39%

LAB 55.05, -45.72, 31.12

 

CMYK 67 / 0 / 67 / 41

HEX #329631

RGB 50 150 49

HSL 119.41, 0.51%, 0.39%

LAB 54.78, -48.94, 43.4

 

CMYK 48 / 0 / 67 / 41

HEX #4E9631

RGB 78 150 49

HSL 102.77, 0.51%, 0.39%

LAB 55.74, -41.43, 44.72

 

CMYK 67 / 0 / 14 / 41

HEX #319681

RGB 49 150 129

HSL 167.52, 0.51%, 0.39%

LAB 56.14, -34.09, 2.63

 

CMYK 67 / 4 / 0 / 41

HEX #319096

RGB 49 144 150

HSL 183.56, 0.51%, 0.39%

LAB 54.87, -25.17, -11.3

 

CMYK 67 / 23 / 0 / 41

HEX #317496

RGB 49 116 150

HSL 200.2, 0.51%, 0.39%

LAB 46.1, -9.96, -24.68

 

CMYK 67 / 41 / 0 / 41

HEX #315996

RGB 49 89 150

HSL 216.24, 0.51%, 0.39%

LAB 37.84, 6.64, -37.66

 

CMYK 67 / 59 / 0 / 41

HEX #313E96

RGB 49 62 150

HSL 232.28, 0.51%, 0.39%

LAB 30.16, 24.59, -50.01

 

CMYK 67 / 0 / 14 / 41

HEX #319681

RGB 49 150 129

HSL 167.52, 0.51%, 0.39%

LAB 56.14, -34.09, 2.63

 

CMYK 80 / 0 / 16 / 35

HEX #21A68B

RGB 33 166 139

HSL 167.82, 0.67%, 0.39%

LAB 61.19, -40.73, 4.23

 

CMYK 91 / 0 / 19 / 29

HEX #11B694

RGB 17 182 148

HSL 167.64, 0.83%, 0.39%

LAB 66.3, -46.34, 6.56

 

CMYK 100 / 0 / 20 / 22

HEX #00C69E

RGB 0 198 158

HSL 167.88, 1%, 0.39%

LAB 71.46, -50.88, 8.47

 

CMYK 67 / 0 / 14 / 41

HEX #319681

RGB 49 150 129

HSL 167.52, 0.51%, 0.39%

LAB 56.14, -34.09, 2.63

 

CMYK 51 / 0 / 10 / 47

HEX #418678

RGB 65 134 120

HSL 167.83, 0.35%, 0.39%

LAB 51.3, -25.44, 0.86

 

CMYK 31 / 0 / 7 / 54

HEX #51766E

RGB 81 118 110

HSL 167.03, 0.19%, 0.39%

LAB 46.75, -14.96, 0.21

 

CMYK 5 / 0 / 1 / 60

HEX #616665

RGB 97 102 101

HSL 168, 0.03%, 0.39%

LAB 42.74, -2.14, -0.11

 

CMYK 0 / 24 / 19 / 56

HEX #71565B

RGB 113 86 91

HSL 348.89, 0.14%, 0.39%

LAB 39.45, 12.01, 1.41

 

CMYK 67 / 0 / 51 / 41

HEX #31964A

RGB 49 150 74

HSL 134.85, 0.51%, 0.39%

LAB 55.03, -45.88, 31.62

 

CMYK 67 / 0 / 33 / 41

HEX #319665

RGB 49 150 101

HSL 150.89, 0.51%, 0.39%

LAB 55.49, -40.84, 17.57

 

CMYK 67 / 0 / 15 / 41

HEX #319680

RGB 49 150 128

HSL 166.93, 0.51%, 0.39%

LAB 56.11, -34.35, 3.16

 

CMYK 67 / 3 / 0 / 41

HEX #319196

RGB 49 145 150

HSL 182.97, 0.51%, 0.39%

LAB 55.18, -25.67, -10.83

 

CMYK 67 / 21 / 0 / 41

HEX #317696

RGB 49 118 150

HSL 199.01, 0.51%, 0.39%

LAB 46.73, -11.12, -23.72

 

CMYK 67 / 0 / 14 / 65

HEX #1D584C

RGB 29 88 76

HSL 167.8, 0.5%, 0.23%

LAB 33.48, -22.26, 1.35

 

CMYK 67 / 0 / 14 / 53

HEX #277766

RGB 39 119 102

HSL 167.25, 0.51%, 0.31%

LAB 45.06, -28.48, 2.29

 

CMYK 67 / 0 / 14 / 41

HEX #319681

RGB 49 150 129

HSL 167.52, 0.51%, 0.39%

LAB 56.14, -34.09, 2.63

 

CMYK 67 / 0 / 14 / 29

HEX #3BB59C

RGB 59 181 156

HSL 167.7, 0.51%, 0.47%

LAB 66.81, -39.47, 2.97

 

CMYK 59 / 0 / 12 / 22

HEX #52C7AF

RGB 82 199 175

HSL 167.69, 0.51%, 0.55%

LAB 73.37, -38.7, 2.18

 

CMYK 68 / 0 / 14 / 41

HEX #319782

RGB 49 151 130

HSL 167.65, 0.51%, 0.39%

LAB 56.48, -34.28, 2.56

 

CMYK 67 / 67 / 0 / 41

HEX #313296

RGB 49 50 150

HSL 239.41, 0.51%, 0.39%

LAB 27.12, 32.46, -54.97

 

CMYK 0 / 41 / 67 / 41

HEX #965831

RGB 150 88 49

HSL 23.17, 0.51%, 0.39%

LAB 43.78, 21.94, 33.05

 

CMYK 68 / 0 / 14 / 41

HEX #319782

RGB 49 151 130

HSL 167.65, 0.51%, 0.39%

LAB 56.48, -34.28, 2.56

 

CMYK 15 / 67 / 0 / 41

HEX #803196

RGB 128 49 150

HSL 286.93, 0.51%, 0.39%

LAB 35.96, 49.23, -40.22

 

CMYK 0 / 15 / 67 / 41

HEX #968031

RGB 150 128 49

HSL 46.93, 0.51%, 0.39%

LAB 54.18, -0.94, 44.55

 

CMYK 68 / 0 / 14 / 41

HEX #319782

RGB 49 151 130

HSL 167.65, 0.51%, 0.39%

LAB 56.48, -34.28, 2.56

 

CMYK 67 / 67 / 0 / 41

HEX #313296

RGB 49 50 150

HSL 239.41, 0.51%, 0.39%

LAB 27.12, 32.46, -54.97

 

CMYK 0 / 67 / 53 / 41

HEX #963147

RGB 150 49 71

HSL 346.93, 0.51%, 0.39%

LAB 36.24, 43.89, 10.17

 

CMYK 0 / 1 / 67 / 41

HEX #969431

RGB 150 148 49

HSL 58.81, 0.51%, 0.39%

LAB 59.79, -11.86, 50.4

 

CMYK 68 / 0 / 14 / 41

HEX #319782

RGB 49 151 130

HSL 167.65, 0.51%, 0.39%

LAB 56.48, -34.28, 2.56

 

CMYK 49 / 67 / 0 / 41

HEX #4D3196

RGB 77 49 150

HSL 256.63, 0.51%, 0.39%

LAB 29.35, 37.88, -51.22

 

CMYK 0 / 67 / 53 / 41

HEX #963147

RGB 150 49 71

HSL 346.93, 0.51%, 0.39%

LAB 36.24, 43.89, 10.17

 

CMYK 19 / 0 / 67 / 41

HEX #799631

RGB 121 150 49

HSL 77.23, 0.51%, 0.39%

LAB 58.13, -25.41, 47.98

 

Description

Color code: HEX #319782 | qconv.com Color code: HEX #319782 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 151 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 151 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 14 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 14% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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