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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31964B it is the complementary color #CE69B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31964B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31964B shade: #369646, #47A859, #58BA6C, #69CC7F and #7ADE92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31964B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31964B shade: #31964B, #208438, #0F7225, #006012 and #004E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31964B shade: #31964B, #329631, #4D9631, #699631 and #849631

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31964B shade: #31964B, #319666, #319682, #318F96 and #317496

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31964B shade matches the following richer shades: #31964B, #21A643, #11B63B and #00C633

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31964B shade: #31964B, #418653, #51765A, #616662 and #71566A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31964B shade: #4D9631, #329631, #31964A, #319665 and #319680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31964B shade: #1D582C, #27773B, #31964B, #3BB55A and #52C770

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31964B shade: #31964B, #316996 and #963140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31964B shade: #31964B, #4A3196 and #964A31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31964B shade: #31964B, #316996, #96317D and #965E31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31964B shade: #31964B, #314A96, #96317D and #967D31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 50 / 41

HEX #31964B

RGB 49 150 75

HSL 135.45, 0.51%, 0.39%

LAB 55.05, -45.72, 31.12

 

Complementary color

CMYK 0 / 49 / 13 / 19

HEX #CE69B4

RGB 206 105 180

HSL 315.45, 0.51%, 0.61%

LAB 58.53, 49.49, -21.85

 

CMYK 64 / 0 / 53 / 41

HEX #369646

RGB 54 150 70

HSL 130, 0.47%, 0.4%

LAB 55.11, -45.43, 33.82

 

CMYK 58 / 0 / 47 / 34

HEX #47A859

RGB 71 168 89

HSL 131.13, 0.41%, 0.47%

LAB 61.71, -45.7, 32.36

 

CMYK 53 / 0 / 42 / 27

HEX #58BA6C

RGB 88 186 108

HSL 132.24, 0.42%, 0.54%

LAB 68.22, -45.73, 30.97

 

CMYK 49 / 0 / 38 / 20

HEX #69CC7F

RGB 105 204 127

HSL 133.33, 0.49%, 0.61%

LAB 74.65, -45.63, 29.65

 

CMYK 45 / 0 / 34 / 13

HEX #7ADE92

RGB 122 222 146

HSL 134.4, 0.6%, 0.67%

LAB 80.99, -45.46, 28.41

 

CMYK 67 / 0 / 50 / 41

HEX #31964B

RGB 49 150 75

HSL 135.45, 0.51%, 0.39%

LAB 55.05, -45.72, 31.12

 

CMYK 76 / 0 / 58 / 48

HEX #208438

RGB 32 132 56

HSL 134.4, 0.61%, 0.32%

LAB 48.38, -44.96, 32.69

 

CMYK 87 / 0 / 68 / 55

HEX #0F7225

RGB 15 114 37

HSL 133.33, 0.77%, 0.25%

LAB 41.64, -43.48, 34.18

 

CMYK 100 / 0 / 81 / 62

HEX #006012

RGB 0 96 18

HSL 131.25, 1%, 0.19%

LAB 34.82, -41.01, 35.13

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 67 / 0 / 50 / 41

HEX #31964B

RGB 49 150 75

HSL 135.45, 0.51%, 0.39%

LAB 55.05, -45.72, 31.12

 

CMYK 67 / 0 / 67 / 41

HEX #329631

RGB 50 150 49

HSL 119.41, 0.51%, 0.39%

LAB 54.78, -48.94, 43.4

 

CMYK 49 / 0 / 67 / 41

HEX #4D9631

RGB 77 150 49

HSL 103.37, 0.51%, 0.39%

LAB 55.7, -41.74, 44.67

 

CMYK 30 / 0 / 67 / 41

HEX #699631

RGB 105 150 49

HSL 86.73, 0.51%, 0.39%

LAB 57.11, -31.85, 46.6

 

CMYK 12 / 0 / 67 / 41

HEX #849631

RGB 132 150 49

HSL 70.69, 0.51%, 0.39%

LAB 58.92, -20.77, 49.05

 

CMYK 67 / 0 / 50 / 41

HEX #31964B

RGB 49 150 75

HSL 135.45, 0.51%, 0.39%

LAB 55.05, -45.72, 31.12

 

CMYK 67 / 0 / 32 / 41

HEX #319666

RGB 49 150 102

HSL 151.49, 0.51%, 0.39%

LAB 55.51, -40.62, 17.04

 

CMYK 67 / 0 / 13 / 41

HEX #319682

RGB 49 150 130

HSL 168.12, 0.51%, 0.39%

LAB 56.17, -33.82, 2.1

 

CMYK 67 / 5 / 0 / 41

HEX #318F96

RGB 49 143 150

HSL 184.16, 0.51%, 0.39%

LAB 54.55, -24.66, -11.77

 

CMYK 67 / 23 / 0 / 41

HEX #317496

RGB 49 116 150

HSL 200.2, 0.51%, 0.39%

LAB 46.1, -9.96, -24.68

 

CMYK 67 / 0 / 50 / 41

HEX #31964B

RGB 49 150 75

HSL 135.45, 0.51%, 0.39%

LAB 55.05, -45.72, 31.12

 

CMYK 80 / 0 / 60 / 35

HEX #21A643

RGB 33 166 67

HSL 135.34, 0.67%, 0.39%

LAB 59.89, -55.26, 40.88

 

CMYK 91 / 0 / 68 / 29

HEX #11B63B

RGB 17 182 59

HSL 135.27, 0.83%, 0.39%

LAB 64.88, -62.81, 49.98

 

CMYK 100 / 0 / 74 / 22

HEX #00C633

RGB 0 198 51

HSL 135.45, 1%, 0.39%

LAB 69.91, -69.05, 58.26

 

CMYK 67 / 0 / 50 / 41

HEX #31964B

RGB 49 150 75

HSL 135.45, 0.51%, 0.39%

LAB 55.05, -45.72, 31.12

 

CMYK 51 / 0 / 38 / 47

HEX #418653

RGB 65 134 83

HSL 135.65, 0.35%, 0.39%

LAB 50.45, -33.75, 20.96

 

CMYK 31 / 0 / 24 / 54

HEX #51765A

RGB 81 118 90

HSL 134.59, 0.19%, 0.39%

LAB 46.24, -19.42, 11.32

 

CMYK 5 / 0 / 4 / 60

HEX #616662

RGB 97 102 98

HSL 132, 0.03%, 0.39%

LAB 42.65, -2.77, 1.58

 

CMYK 0 / 24 / 6 / 56

HEX #71566A

RGB 113 86 106

HSL 315.56, 0.14%, 0.39%

LAB 39.93, 14.82, -7.16

 

CMYK 49 / 0 / 67 / 41

HEX #4D9631

RGB 77 150 49

HSL 103.37, 0.51%, 0.39%

LAB 55.7, -41.74, 44.67

 

CMYK 67 / 0 / 67 / 41

HEX #329631

RGB 50 150 49

HSL 119.41, 0.51%, 0.39%

LAB 54.78, -48.94, 43.4

 

CMYK 67 / 0 / 51 / 41

HEX #31964A

RGB 49 150 74

HSL 134.85, 0.51%, 0.39%

LAB 55.03, -45.88, 31.62

 

CMYK 67 / 0 / 33 / 41

HEX #319665

RGB 49 150 101

HSL 150.89, 0.51%, 0.39%

LAB 55.49, -40.84, 17.57

 

CMYK 67 / 0 / 15 / 41

HEX #319680

RGB 49 150 128

HSL 166.93, 0.51%, 0.39%

LAB 56.11, -34.35, 3.16

 

CMYK 67 / 0 / 50 / 65

HEX #1D582C

RGB 29 88 44

HSL 135.25, 0.5%, 0.23%

LAB 32.75, -29.91, 19.97

 

CMYK 67 / 0 / 50 / 53

HEX #27773B

RGB 39 119 59

HSL 135, 0.51%, 0.31%

LAB 44.15, -38.12, 25.96

 

CMYK 67 / 0 / 50 / 41

HEX #31964B

RGB 49 150 75

HSL 135.45, 0.51%, 0.39%

LAB 55.05, -45.72, 31.12

 

CMYK 67 / 0 / 50 / 29

HEX #3BB55A

RGB 59 181 90

HSL 135.25, 0.51%, 0.47%

LAB 65.53, -53.16, 36.56

 

CMYK 59 / 0 / 44 / 22

HEX #52C770

RGB 82 199 112

HSL 135.38, 0.51%, 0.55%

LAB 72.1, -51.77, 33.88

 

CMYK 67 / 0 / 50 / 41

HEX #31964B

RGB 49 150 75

HSL 135.45, 0.51%, 0.39%

LAB 55.05, -45.72, 31.12

 

CMYK 67 / 30 / 0 / 41

HEX #316996

RGB 49 105 150

HSL 206.73, 0.51%, 0.39%

LAB 42.7, -3.42, -29.99

 

CMYK 0 / 67 / 57 / 41

HEX #963140

RGB 150 49 64

HSL 351.09, 0.51%, 0.39%

LAB 36.08, 43.3, 14.42

 

CMYK 67 / 0 / 50 / 41

HEX #31964B

RGB 49 150 75

HSL 135.45, 0.51%, 0.39%

LAB 55.05, -45.72, 31.12

 

CMYK 51 / 67 / 0 / 41

HEX #4A3196

RGB 74 49 150

HSL 254.85, 0.51%, 0.39%

LAB 29.04, 37.3, -51.74

 

CMYK 0 / 51 / 67 / 41

HEX #964A31

RGB 150 74 49

HSL 14.85, 0.51%, 0.39%

LAB 40.58, 29.77, 29.31

 

CMYK 67 / 0 / 50 / 41

HEX #31964B

RGB 49 150 75

HSL 135.45, 0.51%, 0.39%

LAB 55.05, -45.72, 31.12

 

CMYK 67 / 30 / 0 / 41

HEX #316996

RGB 49 105 150

HSL 206.73, 0.51%, 0.39%

LAB 42.7, -3.42, -29.99

 

CMYK 0 / 67 / 17 / 41

HEX #96317D

RGB 150 49 125

HSL 314.85, 0.51%, 0.39%

LAB 38.13, 50.46, -21.2

 

CMYK 0 / 37 / 67 / 41

HEX #965E31

RGB 150 94 49

HSL 26.73, 0.51%, 0.39%

LAB 45.24, 18.51, 34.72

 

CMYK 67 / 0 / 50 / 41

HEX #31964B

RGB 49 150 75

HSL 135.45, 0.51%, 0.39%

LAB 55.05, -45.72, 31.12

 

CMYK 67 / 51 / 0 / 41

HEX #314A96

RGB 49 74 150

HSL 225.15, 0.51%, 0.39%

LAB 33.46, 16.54, -44.67

 

CMYK 0 / 67 / 17 / 41

HEX #96317D

RGB 150 49 125

HSL 314.85, 0.51%, 0.39%

LAB 38.13, 50.46, -21.2

 

CMYK 0 / 17 / 67 / 41

HEX #967D31

RGB 150 125 49

HSL 45.15, 0.51%, 0.39%

LAB 53.36, 0.74, 43.67

 

Description

Color code: HEX #31964B | qconv.com Color code: HEX #31964B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 150 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 150 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 50 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 50% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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