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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3195EA it is the complementary color #CE6A15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3195EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3195EA: #3695E5, #47A7F8, #58B9FF, #69CBFF and #7ADDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3195EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3195EA: #3195EA, #2083D7, #0F71C4, #005FB1 and #004D9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 36 / 0 / 8

HEX #3195EA

RGB 49 149 234

HSL 207.57, 0.81%, 0.55%

LAB 59.97, 0.69, -50.87

 

Complementary color

CMYK 0 / 49 / 90 / 19

HEX #CE6A15

RGB 206 106 21

HSL 27.57, 0.81%, 0.45%

LAB 55.57, 34.74, 59.07

 

CMYK 76 / 35 / 0 / 10

HEX #3695E5

RGB 54 149 229

HSL 207.43, 0.77%, 0.55%

LAB 59.83, -0.58, -48.31

 

CMYK 71 / 33 / 0 / 3

HEX #47A7F8

RGB 71 167 248

HSL 207.46, 0.93%, 0.63%

LAB 66.33, -2.18, -48.45

 

CMYK 65 / 27 / 0 / 0

HEX #58B9FF

RGB 88 185 255

HSL 205.15, 1%, 0.67%

LAB 72.22, -7.39, -42.96

 

CMYK 59 / 20 / 0 / 0

HEX #69CBFF

RGB 105 203 255

HSL 200.8, 1%, 0.71%

LAB 77.84, -14.1, -34.19

 

CMYK 52 / 13 / 0 / 0

HEX #7ADDFF

RGB 122 221 255

HSL 195.34, 1%, 0.74%

LAB 83.48, -20.03, -25.48

 

CMYK 79 / 36 / 0 / 8

HEX #3195EA

RGB 49 149 234

HSL 207.57, 0.81%, 0.55%

LAB 59.97, 0.69, -50.87

 

CMYK 85 / 39 / 0 / 16

HEX #2083D7

RGB 32 131 215

HSL 207.54, 0.74%, 0.48%

LAB 53.43, 2.88, -50.67

 

CMYK 92 / 42 / 0 / 23

HEX #0F71C4

RGB 15 113 196

HSL 207.51, 0.86%, 0.41%

LAB 46.84, 5.6, -50.4

 

CMYK 100 / 46 / 0 / 31

HEX #005FB1

RGB 0 95 177

HSL 207.8, 1%, 0.35%

LAB 40.18, 8.88, -50.05

 

CMYK 100 / 51 / 0 / 38

HEX #004D9E

RGB 0 77 158

HSL 210.76, 1%, 0.31%

LAB 33.51, 13, -49.49

 

CMYK 79 / 36 / 0 / 8

HEX #3195EA

RGB 49 149 234

HSL 207.57, 0.81%, 0.55%

LAB 59.97, 0.69, -50.87

 

CMYK 80 / 49 / 0 / 9

HEX #2F76E9

RGB 47 118 233

HSL 217.1, 0.81%, 0.55%

LAB 51.2, 18.99, -64.35

 

CMYK 80 / 63 / 0 / 9

HEX #2F57E9

RGB 47 87 233

HSL 227.1, 0.81%, 0.55%

LAB 43.22, 38.58, -77.34

 

CMYK 80 / 76 / 0 / 9

HEX #2F38E9

RGB 47 56 233

HSL 237.1, 0.81%, 0.55%

LAB 36.59, 56.67, -88.27

 

CMYK 71 / 80 / 0 / 9

HEX #442FE9

RGB 68 47 233

HSL 246.77, 0.81%, 0.55%

LAB 36.26, 62.44, -88.77

 

CMYK 79 / 36 / 0 / 8

HEX #3195EA

RGB 49 149 234

HSL 207.57, 0.81%, 0.55%

LAB 59.97, 0.69, -50.87

 

CMYK 80 / 37 / 0 / 88

HEX #06131E

RGB 6 19 30

HSL 207.5, 0.67%, 0.07%

LAB 5.4, -1.08, -8.99

 

CMYK 79 / 36 / 0 / 68

HEX #113451

RGB 17 52 81

HSL 207.19, 0.65%, 0.19%

LAB 20.71, -1.2, -21.31

 

CMYK 79 / 36 / 0 / 48

HEX #1C5484

RGB 28 84 132

HSL 207.69, 0.65%, 0.31%

LAB 34.51, -0.28, -32.05

 

CMYK 79 / 36 / 0 / 28

HEX #2675B7

RGB 38 117 183

HSL 207.31, 0.66%, 0.43%

LAB 47.69, -0.15, -41.51

 

CMYK 79 / 36 / 0 / 8

HEX #3195EA

RGB 49 149 234

HSL 207.57, 0.81%, 0.55%

LAB 59.97, 0.69, -50.87

 

CMYK 28 / 80 / 0 / 9

HEX #A82FE9

RGB 168 47 233

HSL 279.03, 0.81%, 0.55%

LAB 47.29, 74.58, -70.25

 

CMYK 4 / 0 / 80 / 9

HEX #DFE92F

RGB 223 233 47

HSL 63.23, 0.81%, 0.55%

LAB 89, -23.48, 80.48

 

CMYK 79 / 36 / 0 / 8

HEX #3195EA

RGB 49 149 234

HSL 207.57, 0.81%, 0.55%

LAB 59.97, 0.69, -50.87

 

CMYK 0 / 80 / 36 / 9

HEX #E92F95

RGB 233 47 149

HSL 327.1, 0.81%, 0.55%

LAB 53.52, 75.18, -10.97

 

CMYK 36 / 0 / 80 / 9

HEX #95E92F

RGB 149 233 47

HSL 87.1, 0.81%, 0.55%

LAB 84.42, -51.86, 74.67

 

CMYK 79 / 36 / 0 / 8

HEX #3195EA

RGB 49 149 234

HSL 207.57, 0.81%, 0.55%

LAB 59.97, 0.69, -50.87

 

CMYK 28 / 80 / 0 / 9

HEX #A82FE9

RGB 168 47 233

HSL 279.03, 0.81%, 0.55%

LAB 47.29, 74.58, -70.25

 

CMYK 0 / 44 / 80 / 9

HEX #E9822F

RGB 233 130 47

HSL 26.77, 0.81%, 0.55%

LAB 64.56, 33.9, 59.02

 

CMYK 52 / 0 / 80 / 9

HEX #70E92F

RGB 112 233 47

HSL 99.03, 0.81%, 0.55%

LAB 82.88, -63.31, 72.68

 

CMYK 79 / 36 / 0 / 8

HEX #3195EA

RGB 49 149 234

HSL 207.57, 0.81%, 0.55%

LAB 59.97, 0.69, -50.87

 

CMYK 4 / 80 / 0 / 9

HEX #DF2FE9

RGB 223 47 233

HSL 296.77, 0.81%, 0.55%

LAB 55.69, 84, -56.28

 

CMYK 0 / 44 / 80 / 9

HEX #E9822F

RGB 233 130 47

HSL 26.77, 0.81%, 0.55%

LAB 64.56, 33.9, 59.02

 

CMYK 76 / 0 / 80 / 9

HEX #38E92F

RGB 56 233 47

HSL 117.1, 0.81%, 0.55%

LAB 81.47, -74.91, 70.87

 

Description

Color code: HEX #3195EA | qconv.com Color code: HEX #3195EA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 149 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 149 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 36 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 36% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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