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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3152AC it is the complementary color #CEAD53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3152AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3152AC shade: #3652A7, #4764BA, #5876CD, #6988E0 and #7A9AF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3152AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3152AC shade: #3152AC, #204099, #0F2E86, #001C73 and #000A60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3152AC shade: #3051AB, #3030AB, #5230AB, #7330AB and #9430AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3152AC shade: #3051AB and #3030AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3152AC shade matches the following richer shades: #3051AB, #1F49BD and #0D41CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3152AC shade: #3051AB, #425999, #546288, #656A76 and #777264

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3152AC shade: #3095AB, #3074AB, #3053AB, #3032AB and #4F30AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3152AC shade: #1E336B, #27428B, #3051AB, #3C62C8 and #5D7CD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3152AC shade: #3152AC, #A130AB and #84AB30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3152AC shade: #3152AC, #AB3053 and #53AB30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3152AC shade: #3152AC, #A130AB, #AB8830 and #3AAB30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3152AC shade: #3152AC, #AB3090, #AB8830 and #30AB4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 52 / 0 / 33

HEX #3152AC

RGB 49 82 172

HSL 223.9, 0.56%, 0.43%

LAB 37.24, 19.47, -51.78

 

Complementary color

CMYK 0 / 16 / 60 / 19

HEX #CEAD53

RGB 206 173 83

HSL 43.9, 0.56%, 0.57%

LAB 71.98, 1.48, 49.81

 

CMYK 68 / 51 / 0 / 35

HEX #3652A7

RGB 54 82 167

HSL 225.13, 0.51%, 0.43%

LAB 37.13, 18.38, -48.97

 

CMYK 62 / 46 / 0 / 27

HEX #4764BA

RGB 71 100 186

HSL 224.87, 0.45%, 0.5%

LAB 44.23, 16.57, -48.7

 

CMYK 57 / 42 / 0 / 20

HEX #5876CD

RGB 88 118 205

HSL 224.62, 0.54%, 0.57%

LAB 51.2, 15.11, -48.45

 

CMYK 53 / 39 / 0 / 12

HEX #6988E0

RGB 105 136 224

HSL 224.37, 0.66%, 0.65%

LAB 58.03, 13.93, -48.25

 

CMYK 50 / 37 / 0 / 5

HEX #7A9AF3

RGB 122 154 243

HSL 224.13, 0.83%, 0.72%

LAB 64.74, 12.94, -48.09

 

CMYK 72 / 52 / 0 / 33

HEX #3152AC

RGB 49 82 172

HSL 223.9, 0.56%, 0.43%

LAB 37.24, 19.47, -51.78

 

CMYK 79 / 58 / 0 / 40

HEX #204099

RGB 32 64 153

HSL 224.13, 0.65%, 0.36%

LAB 30.09, 22.07, -51.98

 

CMYK 89 / 66 / 0 / 47

HEX #0F2E86

RGB 15 46 134

HSL 224.37, 0.8%, 0.29%

LAB 22.92, 25.37, -52

 

CMYK 100 / 76 / 0 / 55

HEX #001C73

RGB 0 28 115

HSL 225.39, 1%, 0.23%

LAB 15.84, 29.25, -51.59

 

CMYK 100 / 90 / 0 / 62

HEX #000A60

RGB 0 10 96

HSL 233.75, 1%, 0.19%

LAB 9.49, 33.03, -49.63

 

CMYK 72 / 53 / 0 / 33

HEX #3051AB

RGB 48 81 171

HSL 223.9, 0.56%, 0.43%

LAB 36.84, 19.61, -51.83

 

CMYK 72 / 72 / 0 / 33

HEX #3030AB

RGB 48 48 171

HSL 240, 0.56%, 0.43%

LAB 28.6, 40.84, -65.29

 

CMYK 52 / 72 / 0 / 33

HEX #5230AB

RGB 82 48 171

HSL 256.59, 0.56%, 0.43%

LAB 31.46, 45.48, -60.48

 

CMYK 33 / 72 / 0 / 33

HEX #7330AB

RGB 115 48 171

HSL 272.68, 0.56%, 0.43%

LAB 35.4, 51.5, -53.89

 

CMYK 13 / 72 / 0 / 33

HEX #9430AB

RGB 148 48 171

HSL 288.78, 0.56%, 0.43%

LAB 40.16, 58.35, -45.96

 

CMYK 72 / 53 / 0 / 33

HEX #3051AB

RGB 48 81 171

HSL 223.9, 0.56%, 0.43%

LAB 36.84, 19.61, -51.83

 

CMYK 72 / 72 / 0 / 33

HEX #3030AB

RGB 48 48 171

HSL 240, 0.56%, 0.43%

LAB 28.6, 40.84, -65.29

 

CMYK 72 / 53 / 0 / 33

HEX #3051AB

RGB 48 81 171

HSL 223.9, 0.56%, 0.43%

LAB 36.84, 19.61, -51.83

 

CMYK 84 / 61 / 0 / 26

HEX #1F49BD

RGB 31 73 189

HSL 224.05, 0.72%, 0.43%

LAB 35.46, 29.94, -64.74

 

CMYK 94 / 69 / 0 / 19

HEX #0D41CF

RGB 13 65 207

HSL 223.92, 0.88%, 0.43%

LAB 34.74, 40.98, -76.43

 

CMYK 72 / 53 / 0 / 33

HEX #3051AB

RGB 48 81 171

HSL 223.9, 0.56%, 0.43%

LAB 36.84, 19.61, -51.83

 

CMYK 57 / 42 / 0 / 40

HEX #425999

RGB 66 89 153

HSL 224.14, 0.4%, 0.43%

LAB 38.9, 11.14, -37.72

 

CMYK 38 / 28 / 0 / 47

HEX #546288

RGB 84 98 136

HSL 223.85, 0.24%, 0.43%

LAB 41.84, 4.73, -22.79

 

CMYK 14 / 10 / 0 / 54

HEX #656A76

RGB 101 106 118

HSL 222.35, 0.08%, 0.43%

LAB 44.78, 0.77, -7.34

 

CMYK 0 / 4 / 16 / 53

HEX #777264

RGB 119 114 100

HSL 44.21, 0.09%, 0.43%

LAB 48.1, -0.66, 8.45

 

CMYK 72 / 13 / 0 / 33

HEX #3095AB

RGB 48 149 171

HSL 190.73, 0.56%, 0.43%

LAB 57.14, -21.28, -19.89

 

CMYK 72 / 32 / 0 / 33

HEX #3074AB

RGB 48 116 171

HSL 206.83, 0.56%, 0.43%

LAB 47.05, -2.69, -35.53

 

CMYK 72 / 51 / 0 / 33

HEX #3053AB

RGB 48 83 171

HSL 222.93, 0.56%, 0.43%

LAB 37.4, 18.29, -50.93

 

CMYK 72 / 71 / 0 / 33

HEX #3032AB

RGB 48 50 171

HSL 239.02, 0.56%, 0.43%

LAB 29.03, 39.64, -64.57

 

CMYK 54 / 72 / 0 / 33

HEX #4F30AB

RGB 79 48 171

HSL 255.12, 0.56%, 0.43%

LAB 31.15, 45, -60.99

 

CMYK 72 / 52 / 0 / 58

HEX #1E336B

RGB 30 51 107

HSL 223.64, 0.56%, 0.27%

LAB 22.67, 12.48, -35.21

 

CMYK 72 / 53 / 0 / 45

HEX #27428B

RGB 39 66 139

HSL 223.8, 0.56%, 0.35%

LAB 29.89, 16.13, -43.72

 

CMYK 72 / 53 / 0 / 33

HEX #3051AB

RGB 48 81 171

HSL 223.9, 0.56%, 0.43%

LAB 36.84, 19.61, -51.83

 

CMYK 70 / 51 / 0 / 22

HEX #3C62C8

RGB 60 98 200

HSL 223.71, 0.56%, 0.51%

LAB 44.04, 21.01, -57.14

 

CMYK 56 / 41 / 0 / 18

HEX #5D7CD1

RGB 93 124 209

HSL 223.97, 0.56%, 0.59%

LAB 53.33, 13.8, -47.32

 

CMYK 72 / 52 / 0 / 33

HEX #3152AC

RGB 49 82 172

HSL 223.9, 0.56%, 0.43%

LAB 37.24, 19.47, -51.78

 

CMYK 6 / 72 / 0 / 33

HEX #A130AB

RGB 161 48 171

HSL 295.12, 0.56%, 0.43%

LAB 42.2, 61.18, -42.59

 

CMYK 23 / 0 / 72 / 33

HEX #84AB30

RGB 132 171 48

HSL 79.02, 0.56%, 0.43%

LAB 65.16, -31.12, 55.78

 

CMYK 72 / 52 / 0 / 33

HEX #3152AC

RGB 49 82 172

HSL 223.9, 0.56%, 0.43%

LAB 37.24, 19.47, -51.78

 

CMYK 0 / 72 / 51 / 33

HEX #AB3053

RGB 171 48 83

HSL 342.93, 0.56%, 0.43%

LAB 40.24, 52.04, 8.7

 

CMYK 51 / 0 / 72 / 33

HEX #53AB30

RGB 83 171 48

HSL 102.93, 0.56%, 0.43%

LAB 62.66, -48.42, 52.45

 

CMYK 72 / 52 / 0 / 33

HEX #3152AC

RGB 49 82 172

HSL 223.9, 0.56%, 0.43%

LAB 37.24, 19.47, -51.78

 

CMYK 6 / 72 / 0 / 33

HEX #A130AB

RGB 161 48 171

HSL 295.12, 0.56%, 0.43%

LAB 42.2, 61.18, -42.59

 

CMYK 0 / 20 / 72 / 33

HEX #AB8830

RGB 171 136 48

HSL 42.93, 0.56%, 0.43%

LAB 58.49, 4.05, 50.14

 

CMYK 66 / 0 / 72 / 33

HEX #3AAB30

RGB 58 171 48

HSL 115.12, 0.56%, 0.43%

LAB 61.86, -54.77, 51.37

 

CMYK 72 / 52 / 0 / 33

HEX #3152AC

RGB 49 82 172

HSL 223.9, 0.56%, 0.43%

LAB 37.24, 19.47, -51.78

 

CMYK 0 / 72 / 16 / 33

HEX #AB3090

RGB 171 48 144

HSL 313.17, 0.56%, 0.43%

LAB 42.44, 59.17, -25.89

 

CMYK 0 / 20 / 72 / 33

HEX #AB8830

RGB 171 136 48

HSL 42.93, 0.56%, 0.43%

LAB 58.49, 4.05, 50.14

 

CMYK 72 / 0 / 56 / 33

HEX #30AB4B

RGB 48 171 75

HSL 133.17, 0.56%, 0.43%

LAB 61.88, -53.69, 39.47

 

Description

Color code: HEX #3152AC | qconv.com Color code: HEX #3152AC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 82 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 82 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 52 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 52% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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