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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 114 100 it is the complementary color RGB 136 141 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 114 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 119 114 100: RGB 124 114 95, RGB 141 132 114, RGB 158 150 133, RGB 175 168 152 and RGB 192 186 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 114 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 119 114 100: RGB 119 114 100, RGB 102 96 81, RGB 85 78 62, RGB 68 60 43 and RGB 51 42 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 16 / 53

HEX #777264

RGB 119 114 100

HSL 44.21, 0.09%, 0.43%

LAB 48.1, -0.66, 8.45

 

Complementary color

CMYK 12 / 9 / 0 / 39

HEX #888D9B

RGB 136 141 155

HSL 224.21, 0.09%, 0.57%

LAB 58.65, 1.11, -8.04

 

CMYK 0 / 8 / 23 / 51

HEX #7C725F

RGB 124 114 95

HSL 39.31, 0.13%, 0.43%

LAB 48.44, 0.56, 11.95

 

CMYK 0 / 6 / 19 / 45

HEX #8D8472

RGB 141 132 114

HSL 40, 0.11%, 0.5%

LAB 55.46, 0.23, 10.94

 

CMYK 0 / 5 / 16 / 38

HEX #9E9685

RGB 158 150 133

HSL 40.8, 0.11%, 0.57%

LAB 62.32, -0.04, 10.02

 

CMYK 0 / 4 / 13 / 31

HEX #AFA898

RGB 175 168 152

HSL 41.74, 0.13%, 0.64%

LAB 69.03, -0.28, 9.16

 

CMYK 0 / 3 / 11 / 25

HEX #C0BAAB

RGB 192 186 171

HSL 42.86, 0.14%, 0.71%

LAB 75.62, -0.5, 8.35

 

CMYK 0 / 4 / 16 / 53

HEX #777264

RGB 119 114 100

HSL 44.21, 0.09%, 0.43%

LAB 48.1, -0.66, 8.45

 

CMYK 0 / 6 / 21 / 60

HEX #666051

RGB 102 96 81

HSL 42.86, 0.11%, 0.36%

LAB 40.87, -0.39, 9.44

 

CMYK 0 / 8 / 27 / 67

HEX #554E3E

RGB 85 78 62

HSL 41.74, 0.16%, 0.29%

LAB 33.41, -0.05, 10.54

 

CMYK 0 / 12 / 37 / 73

HEX #443C2B

RGB 68 60 43

HSL 40.8, 0.23%, 0.22%

LAB 25.67, 0.41, 11.8

 

CMYK 0 / 18 / 53 / 80

HEX #332A18

RGB 51 42 24

HSL 40, 0.36%, 0.15%

LAB 17.58, 1.09, 13.29

 

CMYK 0 / 4 / 16 / 53

HEX #777264

RGB 119 114 100

HSL 44.21, 0.09%, 0.43%

LAB 48.1, -0.66, 8.45

 

CMYK 0 / 2 / 17 / 53

HEX #777563

RGB 119 117 99

HSL 54, 0.09%, 0.43%

LAB 48.94, -2.57, 10.22

 

CMYK 1 / 0 / 17 / 53

HEX #767763

RGB 118 119 99

HSL 63, 0.09%, 0.43%

LAB 49.43, -4.12, 10.89

 

CMYK 4 / 0 / 17 / 53

HEX #727763

RGB 114 119 99

HSL 75, 0.09%, 0.43%

LAB 49.1, -5.73, 10.38

 

CMYK 7 / 0 / 17 / 53

HEX #6F7763

RGB 111 119 99

HSL 84, 0.09%, 0.43%

LAB 48.85, -6.92, 10

 

CMYK 0 / 4 / 16 / 53

HEX #777264

RGB 119 114 100

HSL 44.21, 0.09%, 0.43%

LAB 48.1, -0.66, 8.45

 

CMYK 0 / 4 / 16 / 33

HEX #AAA38F

RGB 170 163 143

HSL 44.44, 0.14%, 0.61%

LAB 67.07, -0.93, 11.3

 

CMYK 0 / 4 / 16 / 13

HEX #DDD4BA

RGB 221 212 186

HSL 44.57, 0.34%, 0.8%

LAB 85, -1.18, 13.98

 

CMYK 0 / 6 / 18 / 93

HEX #11100E

RGB 17 16 14

HSL 40, 0.1%, 0.06%

LAB 4.71, 0, 1.11

 

CMYK 0 / 4 / 16 / 73

HEX #444139

RGB 68 65 57

HSL 43.64, 0.09%, 0.25%

LAB 27.59, -0.37, 5.34

 

CMYK 0 / 4 / 16 / 53

HEX #777264

RGB 119 114 100

HSL 44.21, 0.09%, 0.43%

LAB 48.1, -0.66, 8.45

 

CMYK 15 / 0 / 17 / 53

HEX #657763

RGB 101 119 99

HSL 114, 0.09%, 0.43%

LAB 48.08, -10.82, 8.81

 

CMYK 11 / 17 / 0 / 53

HEX #6A6377

RGB 106 99 119

HSL 261, 0.09%, 0.43%

LAB 43.24, 7.03, -10.21

 

CMYK 0 / 4 / 16 / 53

HEX #777264

RGB 119 114 100

HSL 44.21, 0.09%, 0.43%

LAB 48.1, -0.66, 8.45

 

CMYK 17 / 0 / 4 / 53

HEX #637772

RGB 99 119 114

HSL 165, 0.09%, 0.43%

LAB 48.34, -8.44, 0.29

 

CMYK 4 / 17 / 0 / 53

HEX #726377

RGB 114 99 119

HSL 285, 0.09%, 0.43%

LAB 43.99, 9.99, -9

 

CMYK 0 / 4 / 16 / 53

HEX #777264

RGB 119 114 100

HSL 44.21, 0.09%, 0.43%

LAB 48.1, -0.66, 8.45

 

CMYK 15 / 0 / 17 / 53

HEX #657763

RGB 101 119 99

HSL 114, 0.09%, 0.43%

LAB 48.08, -10.82, 8.81

 

CMYK 17 / 12 / 0 / 53

HEX #636977

RGB 99 105 119

HSL 222, 0.09%, 0.43%

LAB 44.36, 0.88, -8.59

 

CMYK 1 / 17 / 0 / 53

HEX #766377

RGB 118 99 119

HSL 297, 0.09%, 0.43%

LAB 44.39, 11.49, -8.37

 

CMYK 0 / 4 / 16 / 53

HEX #777264

RGB 119 114 100

HSL 44.21, 0.09%, 0.43%

LAB 48.1, -0.66, 8.45

 

CMYK 17 / 0 / 13 / 53

HEX #637768

RGB 99 119 104

HSL 135, 0.09%, 0.43%

LAB 48.07, -10.58, 5.81

 

CMYK 17 / 12 / 0 / 53

HEX #636977

RGB 99 105 119

HSL 222, 0.09%, 0.43%

LAB 44.36, 0.88, -8.59

 

CMYK 0 / 17 / 4 / 53

HEX #776372

RGB 119 99 114

HSL 315, 0.09%, 0.43%

LAB 44.32, 10.84, -5.43

 

Description

Color code: RGB 119 114 100 | qconv.com Color code: RGB 119 114 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 114 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 114 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 16 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 16% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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