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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #313541CE it is the complementary color #CECABECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #313541CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #313541CE shade: #36353CCE, #47474FCE, #585962CE, #696B75CE and #7A7D88CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #313541CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #313541CE shade: #313541CE, #20232ECE, #0F111BCE, #000008CE and #000000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #313541CE shade: #303440, #313040, #353040, #393040 and #3D3040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #313541CE shade: #303440 and #303040

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #313541CE shade matches the following richer shades: #303440, #273049, #1E2B52, #15275B and #0C2264

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #313541CE shade: #303440, #393937, #423D2E, #4B4225 and #55461C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #313541CE shade: #303D40, #303840, #303440, #313040 and #353040

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #313541CE shade: #0D0E11, #1F2128, #303440, #424757 and #545B6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #313541CE shade: #313541, #3F3040 and #3A4030

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #313541CE shade: #313541, #403034 and #344030

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #313541CE shade: #313541, #3F3040, #403C30 and #314030

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #313541CE shade: #313541, #40303C, #403C30 and #304034

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 15 / 0 / 60

HEX #313541CE

RGBA 49 53 65 0.81

HSLA 225, 0.14%, 0.22%, 0.81

LABA 22.23, 1.45, -8.05, 0.81

 

Complementary color

CMYK 0 / 2 / 6 / 16

HEX #CECABECE

RGBA 206 202 190 0.81

HSLA 45, 0.14%, 0.78%, 0.81

LABA 81.34, -0.71, 6.47, 0.81

 

CMYK 8 / 9 / 0 / 62

HEX #36353CCE

RGBA 54 53 60 0.81

HSLA 248.57, 0.06%, 0.22%, 0.81

LABA 22.5, 2.11, -4.22, 0.81

 

CMYK 8 / 8 / 0 / 56

HEX #47474FCE

RGBA 71 71 79 0.81

HSLA 240, 0.05%, 0.29%, 0.81

LABA 30.43, 1.84, -4.77, 0.81

 

CMYK 8 / 7 / 0 / 50

HEX #585962CE

RGBA 88 89 98 0.81

HSLA 234, 0.05%, 0.36%, 0.81

LABA 38.02, 1.61, -5.31, 0.81

 

CMYK 8 / 7 / 0 / 44

HEX #696B75CE

RGBA 105 107 117 0.81

HSLA 230, 0.05%, 0.44%, 0.81

LABA 45.36, 1.4, -5.83, 0.81

 

CMYK 8 / 7 / 0 / 38

HEX #7A7D88CE

RGBA 122 125 136 0.81

HSLA 227.14, 0.06%, 0.51%, 0.81

LABA 52.49, 1.21, -6.35, 0.81

 

CMYK 20 / 15 / 0 / 60

HEX #313541CE

RGBA 49 53 65 0.81

HSLA 225, 0.14%, 0.22%, 0.81

LABA 22.23, 1.45, -8.05, 0.81

 

CMYK 25 / 19 / 0 / 66

HEX #20232ECE

RGBA 32 35 46 0.81

HSLA 227.14, 0.18%, 0.15%, 0.81

LABA 13.86, 1.77, -7.72, 0.81

 

CMYK 36 / 30 / 0 / 72

HEX #0F111BCE

RGBA 15 17 27 0.81

HSLA 230, 0.29%, 0.08%, 0.81

LABA 5.25, 1.74, -6.82, 0.81

 

CMYK 81 / 81 / 0 / 78

HEX #000008CE

RGBA 0 0 8 0.81

HSLA 240, 1%, 0.02%, 0.81

LABA 0.16, 1.11, -3.03, 0.81

 

CMYK 0 / 0 / 0 / 100

HEX #000000CE

RGBA 0 0 0 0.81

HSLA 0, 0%, 0%, 0.81

LABA 0, 0, 0, 0.81

 

CMYK 25 / 19 / 0 / 75

HEX #303440

RGB 48 52 64

HSL 225, 0.14%, 0.22%

LAB 21.78, 1.46, -8.07

 

CMYK 23 / 25 / 0 / 75

HEX #313040

RGB 49 48 64

HSL 243.75, 0.14%, 0.22%

LAB 20.58, 4.58, -9.88

 

CMYK 17 / 25 / 0 / 75

HEX #353040

RGB 53 48 64

HSL 258.75, 0.14%, 0.22%

LAB 20.98, 6.14, -9.23

 

CMYK 11 / 25 / 0 / 75

HEX #393040

RGB 57 48 64

HSL 273.75, 0.14%, 0.22%

LAB 21.41, 7.75, -8.55

 

CMYK 5 / 25 / 0 / 75

HEX #3D3040

RGB 61 48 64

HSL 288.75, 0.14%, 0.22%

LAB 21.86, 9.38, -7.82

 

CMYK 25 / 19 / 0 / 75

HEX #303440

RGB 48 52 64

HSL 225, 0.14%, 0.22%

LAB 21.78, 1.46, -8.07

 

CMYK 25 / 25 / 0 / 75

HEX #303040

RGB 48 48 64

HSL 240, 0.14%, 0.22%

LAB 20.49, 4.19, -10.03

 

CMYK 25 / 19 / 0 / 75

HEX #303440

RGB 48 52 64

HSL 225, 0.14%, 0.22%

LAB 21.78, 1.46, -8.07

 

CMYK 47 / 34 / 0 / 71

HEX #273049

RGB 39 48 73

HSL 224.12, 0.3%, 0.22%

LAB 20.15, 3.87, -16.73

 

CMYK 63 / 48 / 0 / 68

HEX #1E2B52

RGB 30 43 82

HSL 225, 0.46%, 0.22%

LAB 18.42, 8.27, -25.57

 

CMYK 77 / 57 / 0 / 64

HEX #15275B

RGB 21 39 91

HSL 224.57, 0.63%, 0.22%

LAB 17.3, 13.12, -33.42

 

CMYK 88 / 66 / 0 / 61

HEX #0C2264

RGB 12 34 100

HSL 225, 0.79%, 0.22%

LAB 16.22, 19.57, -41.16

 

CMYK 25 / 19 / 0 / 75

HEX #303440

RGB 48 52 64

HSL 225, 0.14%, 0.22%

LAB 21.78, 1.46, -8.07

 

CMYK 0 / 0 / 4 / 78

HEX #393937

RGB 57 57 55

HSL 60, 0.02%, 0.22%

LAB 23.91, -0.45, 1.24

 

CMYK 0 / 8 / 30 / 74

HEX #423D2E

RGB 66 61 46

HSL 45, 0.18%, 0.22%

LAB 25.84, -0.7, 10.05

 

CMYK 0 / 12 / 51 / 71

HEX #4B4225

RGB 75 66 37

HSL 45.79, 0.34%, 0.22%

LAB 28.18, -0.83, 19

 

CMYK 0 / 18 / 67 / 67

HEX #55461C

RGB 85 70 28

HSL 44.21, 0.5%, 0.22%

LAB 30.39, 0.74, 27.13

 

CMYK 25 / 5 / 0 / 75

HEX #303D40

RGB 48 61 64

HSL 191.25, 0.14%, 0.22%

LAB 24.75, -4.49, -3.61

 

CMYK 25 / 13 / 0 / 75

HEX #303840

RGB 48 56 64

HSL 210, 0.14%, 0.22%

LAB 23.09, -1.23, -6.09

 

CMYK 25 / 19 / 0 / 75

HEX #303440

RGB 48 52 64

HSL 225, 0.14%, 0.22%

LAB 21.78, 1.46, -8.07

 

CMYK 23 / 25 / 0 / 75

HEX #313040

RGB 49 48 64

HSL 243.75, 0.14%, 0.22%

LAB 20.58, 4.58, -9.88

 

CMYK 17 / 25 / 0 / 75

HEX #353040

RGB 53 48 64

HSL 258.75, 0.14%, 0.22%

LAB 20.98, 6.14, -9.23

 

CMYK 24 / 18 / 0 / 93

HEX #0D0E11

RGB 13 14 17

HSL 225, 0.13%, 0.06%

LAB 3.98, 0.24, -1.63

 

CMYK 23 / 18 / 0 / 84

HEX #1F2128

RGB 31 33 40

HSL 226.67, 0.13%, 0.14%

LAB 12.81, 1, -5

 

CMYK 25 / 19 / 0 / 75

HEX #303440

RGB 48 52 64

HSL 225, 0.14%, 0.22%

LAB 21.78, 1.46, -8.07

 

CMYK 24 / 18 / 0 / 66

HEX #424757

RGB 66 71 87

HSL 225.71, 0.14%, 0.3%

LAB 30.29, 1.99, -10.18

 

CMYK 24 / 18 / 0 / 56

HEX #545B6F

RGB 84 91 111

HSL 224.44, 0.14%, 0.38%

LAB 38.75, 2.13, -12.29

 

CMYK 25 / 18 / 0 / 75

HEX #313541

RGB 49 53 65

HSL 225, 0.14%, 0.22%

LAB 22.23, 1.45, -8.05

 

CMYK 2 / 25 / 0 / 75

HEX #3F3040

RGB 63 48 64

HSL 296.25, 0.14%, 0.22%

LAB 22.09, 10.2, -7.45

 

CMYK 9 / 0 / 25 / 75

HEX #3A4030

RGB 58 64 48

HSL 82.5, 0.14%, 0.22%

LAB 26.1, -5.93, 8.98

 

CMYK 25 / 18 / 0 / 75

HEX #313541

RGB 49 53 65

HSL 225, 0.14%, 0.22%

LAB 22.23, 1.45, -8.05

 

CMYK 0 / 25 / 19 / 75

HEX #403034

RGB 64 48 52

HSL 345, 0.14%, 0.22%

LAB 21.77, 8.04, 0.25

 

CMYK 19 / 0 / 25 / 75

HEX #344030

RGB 52 64 48

HSL 105, 0.14%, 0.22%

LAB 25.59, -8.57, 8.2

 

CMYK 25 / 18 / 0 / 75

HEX #313541

RGB 49 53 65

HSL 225, 0.14%, 0.22%

LAB 22.23, 1.45, -8.05

 

CMYK 2 / 25 / 0 / 75

HEX #3F3040

RGB 63 48 64

HSL 296.25, 0.14%, 0.22%

LAB 22.09, 10.2, -7.45

 

CMYK 0 / 6 / 25 / 75

HEX #403C30

RGB 64 60 48

HSL 45, 0.14%, 0.22%

LAB 25.37, -0.65, 8.05

 

CMYK 23 / 0 / 25 / 75

HEX #314030

RGB 49 64 48

HSL 116.25, 0.14%, 0.22%

LAB 25.36, -9.85, 7.84

 

CMYK 25 / 18 / 0 / 75

HEX #313541

RGB 49 53 65

HSL 225, 0.14%, 0.22%

LAB 22.23, 1.45, -8.05

 

CMYK 0 / 25 / 6 / 75

HEX #40303C

RGB 64 48 60

HSL 315, 0.14%, 0.22%

LAB 22.05, 9.71, -4.78

 

CMYK 0 / 6 / 25 / 75

HEX #403C30

RGB 64 60 48

HSL 45, 0.14%, 0.22%

LAB 25.37, -0.65, 8.05

 

CMYK 25 / 0 / 19 / 75

HEX #304034

RGB 48 64 52

HSL 135, 0.14%, 0.22%

LAB 25.39, -9.38, 5.26

 

Description

Color code: HEX #313541CE | qconv.com Color code: HEX #313541CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 53 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 53 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 15 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 15% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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