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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 23 / 25 / 0 / 75 it is the complementary color CMYK 0 / 0 / 8 / 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 23 / 25 / 0 / 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 23 / 25 / 0 / 75: CMYK 8 / 19 / 0 / 77, CMYK 9 / 15 / 0 / 69, CMYK 9 / 13 / 0 / 62, CMYK 9 / 12 / 0 / 55 and CMYK 10 / 11 / 0 / 47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 23 / 25 / 0 / 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 23 / 25 / 0 / 75: CMYK 23 / 25 / 0 / 75, CMYK 29 / 33 / 0 / 82, CMYK 42 / 54 / 0 / 90, CMYK 100 / 100 / 0 / 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 25 / 0 / 75

HEX #313040

RGB 49 48 64

HSL 243.75, 0.14%, 0.22%

LAB 20.58, 4.58, -9.88

 

Complementary color

CMYK 0 / 0 / 8 / 19

HEX #CECFBF

RGB 206 207 191

HSL 63.75, 0.14%, 0.78%

LAB 82.65, -3.16, 7.82

 

CMYK 8 / 19 / 0 / 77

HEX #36303B

RGB 54 48 59

HSL 272.73, 0.1%, 0.21%

LAB 20.88, 5.25, -5.97

 

CMYK 9 / 15 / 0 / 69

HEX #47424E

RGB 71 66 78

HSL 265, 0.08%, 0.28%

LAB 28.87, 4.83, -6.45

 

CMYK 9 / 13 / 0 / 62

HEX #585461

RGB 88 84 97

HSL 258.46, 0.07%, 0.35%

LAB 36.51, 4.48, -6.94

 

CMYK 9 / 12 / 0 / 55

HEX #696674

RGB 105 102 116

HSL 252.86, 0.06%, 0.43%

LAB 43.9, 4.17, -7.42

 

CMYK 10 / 11 / 0 / 47

HEX #7A7887

RGB 122 120 135

HSL 248, 0.06%, 0.5%

LAB 51.06, 3.9, -7.89

 

CMYK 23 / 25 / 0 / 75

HEX #313040

RGB 49 48 64

HSL 243.75, 0.14%, 0.22%

LAB 20.58, 4.58, -9.88

 

CMYK 29 / 33 / 0 / 82

HEX #201E2D

RGB 32 30 45

HSL 248, 0.2%, 0.15%

LAB 12.12, 5.12, -9.67

 

CMYK 42 / 54 / 0 / 90

HEX #0F0C1A

RGB 15 12 26

HSL 252.86, 0.37%, 0.07%

LAB 3.97, 4, -7.94

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 23 / 25 / 0 / 75

HEX #313040

RGB 49 48 64

HSL 243.75, 0.14%, 0.22%

LAB 20.58, 4.58, -9.88

 

CMYK 19 / 24 / 0 / 75

HEX #33303F

RGB 51 48 63

HSL 252, 0.14%, 0.22%

LAB 20.74, 5.08, -8.95

 

CMYK 14 / 24 / 0 / 75

HEX #36303F

RGB 54 48 63

HSL 264, 0.14%, 0.22%

LAB 21.05, 6.28, -8.45

 

CMYK 11 / 24 / 0 / 75

HEX #38303F

RGB 56 48 63

HSL 272, 0.14%, 0.22%

LAB 21.26, 7.09, -8.11

 

CMYK 6 / 24 / 0 / 75

HEX #3B303F

RGB 59 48 63

HSL 284, 0.14%, 0.22%

LAB 21.59, 8.31, -7.57

 

CMYK 23 / 25 / 0 / 75

HEX #313040

RGB 49 48 64

HSL 243.75, 0.14%, 0.22%

LAB 20.58, 4.58, -9.88

 

CMYK 23 / 25 / 0 / 55

HEX #585673

RGB 88 86 115

HSL 244.14, 0.14%, 0.39%

LAB 37.79, 7.67, -16.2

 

CMYK 23 / 25 / 0 / 35

HEX #7F7DA6

RGB 127 125 166

HSL 242.93, 0.19%, 0.57%

LAB 53.96, 9.91, -21.54

 

CMYK 24 / 25 / 0 / 15

HEX #A6A3D9

RGB 166 163 217

HSL 243.33, 0.42%, 0.75%

LAB 68.98, 12.58, -26.97

 

CMYK 23 / 23 / 0 / 95

HEX #0A0A0D

RGB 10 10 13

HSL 240, 0.13%, 0.05%

LAB 2.81, 0.45, -1.23

 

CMYK 23 / 25 / 0 / 75

HEX #313040

RGB 49 48 64

HSL 243.75, 0.14%, 0.22%

LAB 20.58, 4.58, -9.88

 

CMYK 0 / 24 / 5 / 75

HEX #3F303C

RGB 63 48 60

HSL 312, 0.14%, 0.22%

LAB 21.93, 9.28, -4.97

 

CMYK 16 / 0 / 24 / 75

HEX #353F30

RGB 53 63 48

HSL 100, 0.14%, 0.22%

LAB 25.34, -7.52, 7.86

 

CMYK 23 / 25 / 0 / 75

HEX #313040

RGB 49 48 64

HSL 243.75, 0.14%, 0.22%

LAB 20.58, 4.58, -9.88

 

CMYK 0 / 22 / 24 / 75

HEX #3F3130

RGB 63 49 48

HSL 4, 0.14%, 0.22%

LAB 21.82, 6.14, 3.04

 

CMYK 24 / 0 / 22 / 75

HEX #303F31

RGB 48 63 49

HSL 124, 0.14%, 0.22%

LAB 24.97, -9.44, 6.63

 

CMYK 23 / 25 / 0 / 75

HEX #313040

RGB 49 48 64

HSL 243.75, 0.14%, 0.22%

LAB 20.58, 4.58, -9.88

 

CMYK 0 / 24 / 5 / 75

HEX #3F303C

RGB 63 48 60

HSL 312, 0.14%, 0.22%

LAB 21.93, 9.28, -4.97

 

CMYK 0 / 0 / 24 / 75

HEX #3F3F30

RGB 63 63 48

HSL 60, 0.14%, 0.22%

LAB 26.23, -3.03, 9.23

 

CMYK 24 / 0 / 17 / 75

HEX #303F34

RGB 48 63 52

HSL 136, 0.14%, 0.22%

LAB 25.05, -8.77, 4.77

 

CMYK 23 / 25 / 0 / 75

HEX #313040

RGB 49 48 64

HSL 243.75, 0.14%, 0.22%

LAB 20.58, 4.58, -9.88

 

CMYK 0 / 24 / 13 / 75

HEX #3F3037

RGB 63 48 55

HSL 332, 0.14%, 0.22%

LAB 21.75, 8.2, -1.84

 

CMYK 0 / 0 / 24 / 75

HEX #3F3F30

RGB 63 63 48

HSL 60, 0.14%, 0.22%

LAB 26.23, -3.03, 9.23

 

CMYK 24 / 0 / 11 / 75

HEX #303F38

RGB 48 63 56

HSL 152, 0.14%, 0.22%

LAB 25.16, -7.82, 2.3

 

Description

Color code: CMYK 23 / 25 / 0 / 75 | qconv.com Color code: CMYK 23 / 25 / 0 / 75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 48 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 48 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 25 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 25% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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