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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3092B9 it is the complementary color #CF6D46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3092B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3092B9: #3592B4, #46A4C7, #57B6DA, #68C8ED and #79DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3092B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3092B9: #3092B9, #1F80A6, #0E6E93, #005C80 and #004A6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 21 / 0 / 27

HEX #3092B9

RGB 48 146 185

HSL 197.08, 0.59%, 0.46%

LAB 56.77, -15.02, -28.42

 

Complementary color

CMYK 0 / 47 / 66 / 19

HEX #CF6D46

RGB 207 109 70

HSL 17.08, 0.59%, 0.54%

LAB 56.73, 35.46, 38.76

 

CMYK 71 / 19 / 0 / 29

HEX #3592B4

RGB 53 146 180

HSL 196.06, 0.55%, 0.46%

LAB 56.69, -16.01, -25.68

 

CMYK 65 / 18 / 0 / 22

HEX #46A4C7

RGB 70 164 199

HSL 196.28, 0.54%, 0.53%

LAB 63.32, -16.88, -26.13

 

CMYK 60 / 17 / 0 / 15

HEX #57B6DA

RGB 87 182 218

HSL 196.49, 0.64%, 0.6%

LAB 69.86, -17.54, -26.54

 

CMYK 56 / 16 / 0 / 7

HEX #68C8ED

RGB 104 200 237

HSL 196.69, 0.79%, 0.67%

LAB 76.29, -18.04, -26.92

 

CMYK 53 / 15 / 0 / 0

HEX #79DAFF

RGB 121 218 255

HSL 196.57, 1%, 0.74%

LAB 82.61, -18.72, -26.81

 

CMYK 74 / 21 / 0 / 27

HEX #3092B9

RGB 48 146 185

HSL 197.08, 0.59%, 0.46%

LAB 56.77, -15.02, -28.42

 

CMYK 81 / 23 / 0 / 35

HEX #1F80A6

RGB 31 128 166

HSL 196.89, 0.69%, 0.39%

LAB 50.08, -13.61, -27.92

 

CMYK 90 / 25 / 0 / 42

HEX #0E6E93

RGB 14 110 147

HSL 196.69, 0.83%, 0.32%

LAB 43.29, -11.72, -27.34

 

CMYK 100 / 28 / 0 / 50

HEX #005C80

RGB 0 92 128

HSL 196.88, 1%, 0.25%

LAB 36.39, -9.25, -26.66

 

CMYK 100 / 32 / 0 / 57

HEX #004A6D

RGB 0 74 109

HSL 199.27, 1%, 0.21%

LAB 29.42, -5.84, -25.79

 

CMYK 74 / 21 / 0 / 27

HEX #3092B9

RGB 48 146 185

HSL 197.08, 0.59%, 0.46%

LAB 56.77, -15.02, -28.42

 

CMYK 74 / 33 / 0 / 27

HEX #307CBA

RGB 48 124 186

HSL 206.96, 0.59%, 0.46%

LAB 50.2, -2.05, -39.26

 

CMYK 74 / 46 / 0 / 27

HEX #3065BA

RGB 48 101 186

HSL 216.96, 0.59%, 0.46%

LAB 43.48, 12.23, -49.96

 

CMYK 74 / 58 / 0 / 27

HEX #304EBA

RGB 48 78 186

HSL 226.96, 0.59%, 0.46%

LAB 37.16, 27.21, -60.18

 

CMYK 74 / 70 / 0 / 27

HEX #3037BA

RGB 48 55 186

HSL 236.96, 0.59%, 0.46%

LAB 31.59, 41.79, -69.29

 

CMYK 74 / 21 / 0 / 27

HEX #3092B9

RGB 48 146 185

HSL 197.08, 0.59%, 0.46%

LAB 56.77, -15.02, -28.42

 

CMYK 74 / 21 / 0 / 7

HEX #3DBAEC

RGB 61 186 236

HSL 197.14, 0.82%, 0.58%

LAB 70.99, -17.84, -34.66

 

CMYK 75 / 22 / 0 / 87

HEX #081920

RGB 8 25 32

HSL 197.5, 0.6%, 0.08%

LAB 7.69, -4.12, -7.03

 

CMYK 73 / 20 / 0 / 67

HEX #164253

RGB 22 66 83

HSL 196.72, 0.58%, 0.21%

LAB 25.84, -8.76, -14.62

 

CMYK 74 / 21 / 0 / 47

HEX #236A86

RGB 35 106 134

HSL 196.97, 0.59%, 0.33%

LAB 41.82, -12.02, -21.8

 

CMYK 74 / 21 / 0 / 27

HEX #3092B9

RGB 48 146 185

HSL 197.08, 0.59%, 0.46%

LAB 56.77, -15.02, -28.42

 

CMYK 39 / 74 / 0 / 27

HEX #7230BA

RGB 114 48 186

HSL 268.7, 0.59%, 0.46%

LAB 36.44, 54.92, -61.12

 

CMYK 0 / 9 / 74 / 27

HEX #BAAA30

RGB 186 170 48

HSL 53.04, 0.59%, 0.46%

LAB 69.04, -7.64, 60.98

 

CMYK 74 / 21 / 0 / 27

HEX #3092B9

RGB 48 146 185

HSL 197.08, 0.59%, 0.46%

LAB 56.77, -15.02, -28.42

 

CMYK 0 / 74 / 21 / 27

HEX #BA3093

RGB 186 48 147

HSL 316.96, 0.59%, 0.46%

LAB 45.16, 63.3, -23.27

 

CMYK 21 / 0 / 74 / 27

HEX #93BA30

RGB 147 186 48

HSL 76.96, 0.59%, 0.46%

LAB 70.55, -32.15, 61.38

 

CMYK 74 / 21 / 0 / 27

HEX #3092B9

RGB 48 146 185

HSL 197.08, 0.59%, 0.46%

LAB 56.77, -15.02, -28.42

 

CMYK 39 / 74 / 0 / 27

HEX #7230BA

RGB 114 48 186

HSL 268.7, 0.59%, 0.46%

LAB 36.44, 54.92, -61.12

 

CMYK 0 / 53 / 74 / 27

HEX #BA5730

RGB 186 87 48

HSL 16.96, 0.59%, 0.46%

LAB 48.85, 37.36, 40.7

 

CMYK 36 / 0 / 74 / 27

HEX #77BA30

RGB 119 186 48

HSL 89.13, 0.59%, 0.46%

LAB 68.93, -42.77, 59.26

 

CMYK 74 / 21 / 0 / 27

HEX #3092B9

RGB 48 146 185

HSL 197.08, 0.59%, 0.46%

LAB 56.77, -15.02, -28.42

 

CMYK 16 / 74 / 0 / 27

HEX #9C30BA

RGB 156 48 186

HSL 286.96, 0.59%, 0.46%

LAB 42.35, 62.89, -51.26

 

CMYK 0 / 53 / 74 / 27

HEX #BA5730

RGB 186 87 48

HSL 16.96, 0.59%, 0.46%

LAB 48.85, 37.36, 40.7

 

CMYK 58 / 0 / 74 / 27

HEX #4EBA30

RGB 78 186 48

HSL 106.96, 0.59%, 0.46%

LAB 67.24, -55.4, 57.02

 

Description

Color code: HEX #3092B9 | qconv.com Color code: HEX #3092B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 146 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 146 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 21 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 21% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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