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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3068E9 it is the complementary color #CF9716. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3068E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3068E9: #3568E4, #467AF7, #578CFF, #689EFF and #79B0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3068E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3068E9: #3068E9, #1F56D6, #0E44C3, #0032B0 and #00209D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 55 / 0 / 9

HEX #3068E9

RGB 48 104 233

HSL 221.84, 0.81%, 0.55%

LAB 47.51, 27.93, -70.33

 

Complementary color

CMYK 0 / 27 / 89 / 19

HEX #CF9716

RGB 207 151 22

HSL 41.84, 0.81%, 0.45%

LAB 66.1, 11.01, 66.93

 

CMYK 77 / 54 / 0 / 11

HEX #3568E4

RGB 53 104 228

HSL 222.51, 0.76%, 0.55%

LAB 47.31, 26.57, -67.83

 

CMYK 72 / 51 / 0 / 3

HEX #467AF7

RGB 70 122 247

HSL 222.37, 0.92%, 0.62%

LAB 53.96, 24.16, -67.66

 

CMYK 66 / 45 / 0 / 0

HEX #578CFF

RGB 87 140 255

HSL 221.07, 1%, 0.67%

LAB 59.89, 18.38, -62.49

 

CMYK 59 / 38 / 0 / 0

HEX #689EFF

RGB 104 158 255

HSL 218.54, 1%, 0.7%

LAB 65.45, 10.64, -53.58

 

CMYK 53 / 31 / 0 / 0

HEX #79B0FF

RGB 121 176 255

HSL 215.37, 1%, 0.74%

LAB 71.1, 3.76, -44.62

 

CMYK 79 / 55 / 0 / 9

HEX #3068E9

RGB 48 104 233

HSL 221.84, 0.81%, 0.55%

LAB 47.51, 27.93, -70.33

 

CMYK 86 / 60 / 0 / 16

HEX #1F56D6

RGB 31 86 214

HSL 221.97, 0.75%, 0.48%

LAB 40.9, 31, -70.34

 

CMYK 93 / 65 / 0 / 24

HEX #0E44C3

RGB 14 68 195

HSL 222.1, 0.87%, 0.41%

LAB 34.33, 34.58, -70.12

 

CMYK 100 / 72 / 0 / 31

HEX #0032B0

RGB 0 50 176

HSL 222.95, 1%, 0.35%

LAB 27.89, 38.53, -69.51

 

CMYK 100 / 80 / 0 / 38

HEX #00209D

RGB 0 32 157

HSL 227.77, 1%, 0.31%

LAB 21.83, 42.49, -68.06

 

CMYK 79 / 55 / 0 / 9

HEX #3068E9

RGB 48 104 233

HSL 221.84, 0.81%, 0.55%

LAB 47.51, 27.93, -70.33

 

CMYK 80 / 68 / 0 / 9

HEX #2F4BE9

RGB 47 75 233

HSL 230.97, 0.81%, 0.55%

LAB 40.44, 45.94, -81.9

 

CMYK 79 / 80 / 0 / 9

HEX #322FE9

RGB 50 47 233

HSL 240.97, 0.81%, 0.55%

LAB 35.19, 61.28, -90.58

 

CMYK 65 / 80 / 0 / 9

HEX #512FE9

RGB 81 47 233

HSL 250.97, 0.81%, 0.55%

LAB 37.24, 63.49, -87.13

 

CMYK 52 / 80 / 0 / 9

HEX #702FE9

RGB 112 47 233

HSL 260.97, 0.81%, 0.55%

LAB 40.18, 66.71, -82.17

 

CMYK 79 / 55 / 0 / 9

HEX #3068E9

RGB 48 104 233

HSL 221.84, 0.81%, 0.55%

LAB 47.51, 27.93, -70.33

 

CMYK 79 / 55 / 0 / 89

HEX #060D1D

RGB 6 13 29

HSL 221.74, 0.66%, 0.07%

LAB 3.75, 1.89, -10.69

 

CMYK 80 / 55 / 0 / 69

HEX #102450

RGB 16 36 80

HSL 221.25, 0.67%, 0.19%

LAB 15.23, 9.86, -29.38

 

CMYK 79 / 56 / 0 / 49

HEX #1B3A83

RGB 27 58 131

HSL 222.12, 0.66%, 0.31%

LAB 26.44, 16.83, -44.36

 

CMYK 80 / 55 / 0 / 29

HEX #2551B6

RGB 37 81 182

HSL 221.79, 0.66%, 0.43%

LAB 37.22, 22.48, -57.75

 

CMYK 79 / 55 / 0 / 9

HEX #3068E9

RGB 48 104 233

HSL 221.84, 0.81%, 0.55%

LAB 47.51, 27.93, -70.33

 

CMYK 9 / 80 / 0 / 9

HEX #D32FE9

RGB 211 47 233

HSL 292.9, 0.81%, 0.55%

LAB 53.78, 81.85, -59.45

 

CMYK 23 / 0 / 80 / 9

HEX #B4E92F

RGB 180 233 47

HSL 77.1, 0.81%, 0.55%

LAB 86.1, -40.6, 76.81

 

CMYK 79 / 55 / 0 / 9

HEX #3068E9

RGB 48 104 233

HSL 221.84, 0.81%, 0.55%

LAB 47.51, 27.93, -70.33

 

CMYK 0 / 80 / 55 / 9

HEX #E92F6A

RGB 233 47 106

HSL 340.97, 0.81%, 0.55%

LAB 52.28, 71.49, 13.05

 

CMYK 55 / 0 / 80 / 9

HEX #6AE92F

RGB 106 233 47

HSL 100.97, 0.81%, 0.55%

LAB 82.67, -64.91, 72.42

 

CMYK 79 / 55 / 0 / 9

HEX #3068E9

RGB 48 104 233

HSL 221.84, 0.81%, 0.55%

LAB 47.51, 27.93, -70.33

 

CMYK 9 / 80 / 0 / 9

HEX #D32FE9

RGB 211 47 233

HSL 292.9, 0.81%, 0.55%

LAB 53.78, 81.85, -59.45

 

CMYK 0 / 25 / 80 / 9

HEX #E9AE2F

RGB 233 174 47

HSL 40.97, 0.81%, 0.55%

LAB 74.7, 10.66, 68.24

 

CMYK 71 / 0 / 80 / 9

HEX #44E92F

RGB 68 233 47

HSL 113.23, 0.81%, 0.55%

LAB 81.68, -73.08, 71.14

 

CMYK 79 / 55 / 0 / 9

HEX #3068E9

RGB 48 104 233

HSL 221.84, 0.81%, 0.55%

LAB 47.51, 27.93, -70.33

 

CMYK 0 / 80 / 15 / 9

HEX #E92FC7

RGB 233 47 199

HSL 310.97, 0.81%, 0.55%

LAB 55.56, 81.03, -37.04

 

CMYK 0 / 25 / 80 / 9

HEX #E9AE2F

RGB 233 174 47

HSL 40.97, 0.81%, 0.55%

LAB 74.7, 10.66, 68.24

 

CMYK 80 / 0 / 65 / 9

HEX #2FE951

RGB 47 233 81

HSL 130.97, 0.81%, 0.55%

LAB 81.55, -73.39, 59.27

 

Description

Color code: HEX #3068E9 | qconv.com Color code: HEX #3068E9 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 104 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 104 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 55 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 55% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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