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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #303DF5 it is the complementary color #CFC20A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #303DF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #303DF5 shade: #353DF0, #464FFF, #5761FF, #6873FF and #7985FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #303DF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #303DF5 shade: #303DF5, #1F2BE2, #0E19CF, #0007BC and #0000A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #303DF5 shade: #2E3BF5, #562EF5, #8C2EF5, #C22EF5 and #F52EF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #303DF5 shade: #2E3BF5 and #2E2EF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #303DF5 shade matches the following richer shades: #2E3BF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #303DF5 shade: #2E3BF5, #3F4AE3, #515AD2, #6369C0 and #7578AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #303DF5 shade: #2EA5F5, #2E70F5, #2E3BF5, #552EF5 and #8B2EF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #303DF5 shade: #0916C7, #0B1AEE, #2E3BF5, #5560F7 and #7C85F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #303DF5 shade: #303DF5, #F52EDB and #8BF52E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #303DF5 shade: #303DF5, #F52E3B and #3BF52E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #303DF5 shade: #303DF5, #F52EDB, #F5E82E and #2EF548

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #303DF5 shade: #303DF5, #F52E9F, #F5E82E and #2EF584

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 75 / 0 / 4

HEX #303DF5

RGB 48 61 245

HSL 236.04, 0.91%, 0.57%

LAB 38.83, 57.91, -91.35

 

Complementary color

CMYK 0 / 6 / 95 / 19

HEX #CFC20A

RGB 207 194 10

HSL 56.04, 0.91%, 0.43%

LAB 77.2, -11.81, 77.2

 

CMYK 78 / 75 / 0 / 6

HEX #353DF0

RGB 53 61 240

HSL 237.43, 0.86%, 0.57%

LAB 38.53, 56.63, -89.02

 

CMYK 73 / 69 / 0 / 0

HEX #464FFF

RGB 70 79 255

HSL 237.08, 1%, 0.64%

LAB 44.4, 52.92, -87.71

 

CMYK 66 / 62 / 0 / 0

HEX #5761FF

RGB 87 97 255

HSL 236.43, 1%, 0.67%

LAB 49.25, 44.4, -79.72

 

CMYK 59 / 55 / 0 / 0

HEX #6873FF

RGB 104 115 255

HSL 235.63, 1%, 0.7%

LAB 54.47, 36.24, -71.17

 

CMYK 53 / 48 / 0 / 0

HEX #7985FF

RGB 121 133 255

HSL 234.63, 1%, 0.74%

LAB 59.94, 28.72, -62.31

 

CMYK 80 / 75 / 0 / 4

HEX #303DF5

RGB 48 61 245

HSL 236.04, 0.91%, 0.57%

LAB 38.83, 57.91, -91.35

 

CMYK 86 / 81 / 0 / 11

HEX #1F2BE2

RGB 31 43 226

HSL 236.31, 0.77%, 0.5%

LAB 32.94, 60.19, -90.35

 

CMYK 93 / 88 / 0 / 19

HEX #0E19CF

RGB 14 25 207

HSL 236.58, 0.87%, 0.43%

LAB 27.56, 61.63, -88.35

 

CMYK 100 / 96 / 0 / 26

HEX #0007BC

RGB 0 7 188

HSL 237.77, 1%, 0.37%

LAB 22.94, 61.34, -84.89

 

CMYK 100 / 100 / 0 / 34

HEX #0000A9

RGB 0 0 169

HSL 240, 1%, 0.33%

LAB 19.49, 58.19, -79.26

 

CMYK 81 / 76 / 0 / 4

HEX #2E3BF5

RGB 46 59 245

HSL 236.08, 0.91%, 0.57%

LAB 38.38, 58.85, -92.09

 

CMYK 65 / 81 / 0 / 4

HEX #562EF5

RGB 86 46 245

HSL 252.06, 0.91%, 0.57%

LAB 38.77, 67.61, -91.37

 

CMYK 43 / 81 / 0 / 4

HEX #8C2EF5

RGB 140 46 245

HSL 268.34, 0.91%, 0.57%

LAB 44.41, 73.4, -81.88

 

CMYK 21 / 81 / 0 / 4

HEX #C22EF5

RGB 194 46 245

HSL 284.62, 0.91%, 0.57%

LAB 51.86, 81.3, -69.42

 

CMYK 0 / 81 / 1 / 4

HEX #F52EF3

RGB 245 46 243

HSL 300.6, 0.91%, 0.57%

LAB 59.74, 89.71, -55.2

 

CMYK 81 / 76 / 0 / 4

HEX #2E3BF5

RGB 46 59 245

HSL 236.08, 0.91%, 0.57%

LAB 38.38, 58.85, -92.09

 

CMYK 81 / 81 / 0 / 4

HEX #2E2EF5

RGB 46 46 245

HSL 240, 0.91%, 0.57%

LAB 36.23, 65.09, -95.66

 

CMYK 81 / 76 / 0 / 4

HEX #2E3BF5

RGB 46 59 245

HSL 236.08, 0.91%, 0.57%

LAB 38.38, 58.85, -92.09

 

CMYK 81 / 76 / 0 / 4

HEX #2E3BF5

RGB 46 59 245

HSL 236.08, 0.91%, 0.57%

LAB 38.38, 58.85, -92.09

 

CMYK 72 / 67 / 0 / 11

HEX #3F4AE3

RGB 63 74 227

HSL 235.98, 0.75%, 0.57%

LAB 40.41, 45.9, -78.52

 

CMYK 61 / 57 / 0 / 18

HEX #515AD2

RGB 81 90 210

HSL 235.81, 0.59%, 0.57%

LAB 43.82, 32.87, -63.19

 

CMYK 48 / 45 / 0 / 25

HEX #6369C0

RGB 99 105 192

HSL 236.13, 0.42%, 0.57%

LAB 47.7, 21.38, -46.53

 

CMYK 33 / 31 / 0 / 32

HEX #7578AE

RGB 117 120 174

HSL 236.84, 0.26%, 0.57%

LAB 52.14, 11.84, -29.04

 

CMYK 81 / 33 / 0 / 4

HEX #2EA5F5

RGB 46 165 245

HSL 204.12, 0.91%, 0.57%

LAB 65.03, -4.85, -48.91

 

CMYK 81 / 54 / 0 / 4

HEX #2E70F5

RGB 46 112 245

HSL 220.1, 0.91%, 0.57%

LAB 50.41, 27.15, -72.35

 

CMYK 81 / 76 / 0 / 4

HEX #2E3BF5

RGB 46 59 245

HSL 236.08, 0.91%, 0.57%

LAB 38.38, 58.85, -92.09

 

CMYK 65 / 81 / 0 / 4

HEX #552EF5

RGB 85 46 245

HSL 251.76, 0.91%, 0.57%

LAB 38.69, 67.53, -91.51

 

CMYK 43 / 81 / 0 / 4

HEX #8B2EF5

RGB 139 46 245

HSL 268.04, 0.91%, 0.57%

LAB 44.28, 73.27, -82.09

 

CMYK 95 / 89 / 0 / 22

HEX #0916C7

RGB 9 22 199

HSL 235.89, 0.91%, 0.41%

LAB 26.03, 60.34, -86.23

 

CMYK 95 / 89 / 0 / 7

HEX #0B1AEE

RGB 11 26 238

HSL 236.04, 0.91%, 0.49%

LAB 31.77, 69.83, -99.16

 

CMYK 81 / 76 / 0 / 4

HEX #2E3BF5

RGB 46 59 245

HSL 236.08, 0.91%, 0.57%

LAB 38.38, 58.85, -92.09

 

CMYK 66 / 61 / 0 / 3

HEX #5560F7

RGB 85 96 247

HSL 235.93, 0.91%, 0.65%

LAB 48.28, 42.1, -76.86

 

CMYK 50 / 47 / 0 / 2

HEX #7C85F9

RGB 124 133 249

HSL 235.68, 0.91%, 0.73%

LAB 59.8, 27.52, -59.23

 

CMYK 80 / 75 / 0 / 4

HEX #303DF5

RGB 48 61 245

HSL 236.04, 0.91%, 0.57%

LAB 38.83, 57.91, -91.35

 

CMYK 0 / 81 / 11 / 4

HEX #F52EDB

RGB 245 46 219

HSL 307.84, 0.91%, 0.57%

LAB 58.49, 86.33, -43.7

 

CMYK 43 / 0 / 81 / 4

HEX #8BF52E

RGB 139 245 46

HSL 91.96, 0.91%, 0.57%

LAB 87.48, -59.86, 77.52

 

CMYK 80 / 75 / 0 / 4

HEX #303DF5

RGB 48 61 245

HSL 236.04, 0.91%, 0.57%

LAB 38.83, 57.91, -91.35

 

CMYK 0 / 81 / 76 / 4

HEX #F52E3B

RGB 245 46 59

HSL 356.08, 0.91%, 0.57%

LAB 53.69, 72.5, 43.02

 

CMYK 76 / 0 / 81 / 4

HEX #3BF52E

RGB 59 245 46

HSL 116.08, 0.91%, 0.57%

LAB 85.22, -78.07, 74.62

 

CMYK 80 / 75 / 0 / 4

HEX #303DF5

RGB 48 61 245

HSL 236.04, 0.91%, 0.57%

LAB 38.83, 57.91, -91.35

 

CMYK 0 / 81 / 11 / 4

HEX #F52EDB

RGB 245 46 219

HSL 307.84, 0.91%, 0.57%

LAB 58.49, 86.33, -43.7

 

CMYK 0 / 5 / 81 / 4

HEX #F5E82E

RGB 245 232 46

HSL 56.08, 0.91%, 0.57%

LAB 90.47, -13.92, 82.68

 

CMYK 81 / 0 / 71 / 4

HEX #2EF548

RGB 46 245 72

HSL 127.84, 0.91%, 0.57%

LAB 85.18, -77.9, 66.54

 

CMYK 80 / 75 / 0 / 4

HEX #303DF5

RGB 48 61 245

HSL 236.04, 0.91%, 0.57%

LAB 38.83, 57.91, -91.35

 

CMYK 0 / 81 / 35 / 4

HEX #F52E9F

RGB 245 46 159

HSL 325.93, 0.91%, 0.57%

LAB 55.96, 79.22, -12.99

 

CMYK 0 / 5 / 81 / 4

HEX #F5E82E

RGB 245 232 46

HSL 56.08, 0.91%, 0.57%

LAB 90.47, -13.92, 82.68

 

CMYK 81 / 0 / 46 / 4

HEX #2EF584

RGB 46 245 132

HSL 145.93, 0.91%, 0.57%

LAB 85.78, -70.55, 41.32

 

Description

Color code: HEX #303DF5 | qconv.com Color code: HEX #303DF5 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 61 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 61 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 75 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 75% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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