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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2F95F2 it is the complementary color #D06A0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2F95F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2F95F2 shade: #3495ED, #45A7FF, #56B9FF, #67CBFF and #78DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2F95F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2F95F2 shade: #2F95F2, #1E83DF, #0D71CC, #005FB9 and #004DA6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2F95F2 shade: #3196F2, #3162F2, #3431F2, #6831F2 and #9C31F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2F95F2 shade: #3196F2, #3162F2 and #3131F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2F95F2 shade matches the following richer shades: #3196F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2F95F2 shade: #3196F2, #4395E0, #5494CE, #6693BD and #7893AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2F95F2 shade: #31F2E5, #31CBF2, #3198F2, #3164F2 and #3131F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2F95F2 shade: #0C6CC4, #0F82EA, #3196F2, #58AAF4 and #7EBDF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2F95F2 shade: #2F95F2, #B231F2 and #E5F231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2F95F2 shade: #2F95F2, #F23198 and #98F231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2F95F2 shade: #2F95F2, #B231F2, #F28B31 and #71F231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2F95F2 shade: #2F95F2, #EB31F2, #F28B31 and #37F231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 38 / 0 / 5

HEX #2F95F2

RGB 47 149 242

HSL 208.62, 0.88%, 0.57%

LAB 60.35, 3.4, -54.69

 

Complementary color

CMYK 0 / 49 / 94 / 18

HEX #D06A0D

RGB 208 106 13

HSL 28.62, 0.88%, 0.43%

LAB 55.83, 35.43, 61.38

 

CMYK 78 / 37 / 0 / 7

HEX #3495ED

RGB 52 149 237

HSL 208.54, 0.84%, 0.57%

LAB 60.19, 2.08, -52.17

 

CMYK 73 / 35 / 0 / 0

HEX #45A7FF

RGB 69 167 255

HSL 208.39, 1%, 0.64%

LAB 66.61, -0.04, -51.82

 

CMYK 66 / 27 / 0 / 0

HEX #56B9FF

RGB 86 185 255

HSL 204.85, 1%, 0.67%

LAB 72.16, -7.7, -43.06

 

CMYK 60 / 20 / 0 / 0

HEX #67CBFF

RGB 103 203 255

HSL 200.53, 1%, 0.7%

LAB 77.77, -14.47, -34.3

 

CMYK 53 / 13 / 0 / 0

HEX #78DDFF

RGB 120 221 255

HSL 195.11, 1%, 0.74%

LAB 83.4, -20.44, -25.6

 

CMYK 81 / 38 / 0 / 5

HEX #2F95F2

RGB 47 149 242

HSL 208.62, 0.88%, 0.57%

LAB 60.35, 3.4, -54.69

 

CMYK 87 / 41 / 0 / 13

HEX #1E83DF

RGB 30 131 223

HSL 208.6, 0.76%, 0.5%

LAB 53.85, 5.77, -54.5

 

CMYK 94 / 45 / 0 / 20

HEX #0D71CC

RGB 13 113 204

HSL 208.59, 0.88%, 0.43%

LAB 47.31, 8.67, -54.24

 

CMYK 100 / 49 / 0 / 27

HEX #005FB9

RGB 0 95 185

HSL 209.19, 1%, 0.36%

LAB 40.71, 12.16, -53.88

 

CMYK 100 / 54 / 0 / 35

HEX #004DA6

RGB 0 77 166

HSL 212.17, 1%, 0.33%

LAB 34.11, 16.35, -53.33

 

CMYK 80 / 38 / 0 / 5

HEX #3196F2

RGB 49 150 242

HSL 208.6, 0.88%, 0.57%

LAB 60.67, 3, -54.17

 

CMYK 80 / 60 / 0 / 5

HEX #3162F2

RGB 49 98 242

HSL 224.77, 0.88%, 0.57%

LAB 46.71, 35.11, -76.69

 

CMYK 79 / 80 / 0 / 5

HEX #3431F2

RGB 52 49 242

HSL 240.93, 0.88%, 0.57%

LAB 36.63, 63.15, -93.3

 

CMYK 57 / 80 / 0 / 5

HEX #6831F2

RGB 104 49 242

HSL 257.1, 0.88%, 0.57%

LAB 40.49, 67.32, -86.78

 

CMYK 36 / 80 / 0 / 5

HEX #9C31F2

RGB 156 49 242

HSL 273.26, 0.88%, 0.57%

LAB 46.55, 73.97, -76.61

 

CMYK 80 / 38 / 0 / 5

HEX #3196F2

RGB 49 150 242

HSL 208.6, 0.88%, 0.57%

LAB 60.67, 3, -54.17

 

CMYK 80 / 60 / 0 / 5

HEX #3162F2

RGB 49 98 242

HSL 224.77, 0.88%, 0.57%

LAB 46.71, 35.11, -76.69

 

CMYK 80 / 80 / 0 / 5

HEX #3131F2

RGB 49 49 242

HSL 240, 0.88%, 0.57%

LAB 36.48, 62.99, -93.54

 

CMYK 80 / 38 / 0 / 5

HEX #3196F2

RGB 49 150 242

HSL 208.6, 0.88%, 0.57%

LAB 60.67, 3, -54.17

 

CMYK 80 / 38 / 0 / 5

HEX #3196F2

RGB 49 150 242

HSL 208.6, 0.88%, 0.57%

LAB 60.67, 3, -54.17

 

CMYK 70 / 33 / 0 / 12

HEX #4395E0

RGB 67 149 224

HSL 208.66, 0.72%, 0.57%

LAB 59.95, -0.67, -45.32

 

CMYK 59 / 28 / 0 / 19

HEX #5494CE

RGB 84 148 206

HSL 208.52, 0.55%, 0.57%

LAB 59.45, -3.23, -36

 

CMYK 46 / 22 / 0 / 26

HEX #6693BD

RGB 102 147 189

HSL 208.97, 0.4%, 0.57%

LAB 59.31, -3.84, -26.59

 

CMYK 30 / 14 / 0 / 33

HEX #7893AB

RGB 120 147 171

HSL 208.24, 0.23%, 0.57%

LAB 59.71, -3.72, -15.69

 

CMYK 80 / 0 / 5 / 5

HEX #31F2E5

RGB 49 242 229

HSL 175.96, 0.88%, 0.57%

LAB 86.91, -47.72, -6.82

 

CMYK 80 / 16 / 0 / 5

HEX #31CBF2

RGB 49 203 242

HSL 192.12, 0.88%, 0.57%

LAB 75.93, -25.83, -30.28

 

CMYK 80 / 37 / 0 / 5

HEX #3198F2

RGB 49 152 242

HSL 207.98, 0.88%, 0.57%

LAB 61.24, 1.82, -53.27

 

CMYK 80 / 59 / 0 / 5

HEX #3164F2

RGB 49 100 242

HSL 224.15, 0.88%, 0.57%

LAB 47.21, 33.85, -75.88

 

CMYK 80 / 80 / 0 / 5

HEX #3131F2

RGB 49 49 242

HSL 240, 0.88%, 0.57%

LAB 36.48, 62.99, -93.54

 

CMYK 94 / 45 / 0 / 23

HEX #0C6CC4

RGB 12 108 196

HSL 208.7, 0.88%, 0.41%

LAB 45.34, 8.63, -52.8

 

CMYK 94 / 44 / 0 / 8

HEX #0F82EA

RGB 15 130 234

HSL 208.49, 0.88%, 0.49%

LAB 54.03, 9.84, -60.38

 

CMYK 80 / 38 / 0 / 5

HEX #3196F2

RGB 49 150 242

HSL 208.6, 0.88%, 0.57%

LAB 60.67, 3, -54.17

 

CMYK 64 / 30 / 0 / 4

HEX #58AAF4

RGB 88 170 244

HSL 208.46, 0.88%, 0.65%

LAB 67.54, -2.65, -44.33

 

CMYK 49 / 23 / 0 / 3

HEX #7EBDF7

RGB 126 189 247

HSL 208.76, 0.88%, 0.73%

LAB 74.54, -4.66, -34.93

 

CMYK 81 / 38 / 0 / 5

HEX #2F95F2

RGB 47 149 242

HSL 208.62, 0.88%, 0.57%

LAB 60.35, 3.4, -54.69

 

CMYK 26 / 80 / 0 / 5

HEX #B231F2

RGB 178 49 242

HSL 280.1, 0.88%, 0.57%

LAB 49.58, 77.34, -71.53

 

CMYK 5 / 0 / 80 / 5

HEX #E5F231

RGB 229 242 49

HSL 64.04, 0.88%, 0.57%

LAB 91.86, -25.25, 82.63

 

CMYK 81 / 38 / 0 / 5

HEX #2F95F2

RGB 47 149 242

HSL 208.62, 0.88%, 0.57%

LAB 60.35, 3.4, -54.69

 

CMYK 0 / 80 / 37 / 5

HEX #F23198

RGB 242 49 152

HSL 327.98, 0.88%, 0.57%

LAB 55.42, 77.12, -9.73

 

CMYK 37 / 0 / 80 / 5

HEX #98F231

RGB 152 242 49

HSL 87.98, 0.88%, 0.57%

LAB 87.19, -54.37, 76.71

 

CMYK 81 / 38 / 0 / 5

HEX #2F95F2

RGB 47 149 242

HSL 208.62, 0.88%, 0.57%

LAB 60.35, 3.4, -54.69

 

CMYK 26 / 80 / 0 / 5

HEX #B231F2

RGB 178 49 242

HSL 280.1, 0.88%, 0.57%

LAB 49.58, 77.34, -71.53

 

CMYK 0 / 43 / 80 / 5

HEX #F28B31

RGB 242 139 49

HSL 27.98, 0.88%, 0.57%

LAB 67.7, 32.94, 61.56

 

CMYK 53 / 0 / 80 / 5

HEX #71F231

RGB 113 242 49

HSL 100.1, 0.88%, 0.57%

LAB 85.62, -66.12, 74.7

 

CMYK 81 / 38 / 0 / 5

HEX #2F95F2

RGB 47 149 242

HSL 208.62, 0.88%, 0.57%

LAB 60.35, 3.4, -54.69

 

CMYK 3 / 80 / 0 / 5

HEX #EB31F2

RGB 235 49 242

HSL 297.82, 0.88%, 0.57%

LAB 58.29, 87.1, -57.05

 

CMYK 0 / 43 / 80 / 5

HEX #F28B31

RGB 242 139 49

HSL 27.98, 0.88%, 0.57%

LAB 67.7, 32.94, 61.56

 

CMYK 77 / 0 / 80 / 5

HEX #37F231

RGB 55 242 49

HSL 118.13, 0.88%, 0.57%

LAB 84.25, -77.57, 72.92

 

Description

Color code: HEX #2F95F2 | qconv.com Color code: HEX #2F95F2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 149 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 149 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 38 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 38% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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